Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
quote:
Originally posted by Robotrance
so thunderbolt sounds the same in other words?
Its like dis palm. With the added slot thunderbolt it turns my 2x2 a/d d/a converter into 8 channel audio interface. Mixing from your soundcard's mixer gives you better results but you first you need to route. Okay its like analog mixing desk but only digital. Its a step further if you know what i mean.
Yeah thunderbolt cables sound the same even optical which is double bandwidth.
Oct-27-2014 19:45
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
nevermind,
Oct-27-2014 19:56
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
quote:
Originally posted by Robotrance
please explain.
you say you use all 8 outputs. connected to what? a 8 ch outboard mixer? and then routed back to PC?
Each channel has its own separate output. For example I open an audio channel in Logic 10 Subass mono route to would be channel output 1-2
Same for midbass mono but that would output 2-3
All 16 inputs and outputs
Now speakers are monitor out from the lynx hilo thunderbolt.
Imo, its better like this instead of having everything crammed in one output. Its like a virtual mixer.
Now onto recording, open another audio channel and use input 1-2 and no output!, i almost blew my monitors like this. Ont he control bar press Play and Record and waveform will come out from every channel in virtual mixer (interface)
Its confusing, but i made the best of what I have or alteast tried new approach, I always been hearing mixing from your soundcards mixer will heath better results so idk.
Oct-27-2014 20:31
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
quote:
Originally posted by Robotrance
so this thunderbolt device of yours:
correct me if i missunderstood but;
- it has 16 mono DACs (or 8 stereo) so taht you can route your VSTs, or drums or whatever separately and it be converted to analog. what bitrate/samplerate?
- each converted channel is then summed to one stereo output connected to your monitors? how do you monitor adjust the levels on each channel and the master? does it have a GUI for this?
- what do you do about the master output from this device? route it back to your daw for bouncing the master?
- what about external instruments? are they routed into separate ADC inputs and mixed again externally? this sounds pretty messy imo. or are they mixed/summed before the ADC, in other words in analog domain, not possible to add efex on separate channels?
- finaly - the master render of your song, are you really sure you are going out of the box, to the summing device then back in? to me it seems like you are doing nothing but adding analog noise and bitreducing.
or:
do you have an analog mixer as well?
no analog mixer, will get to this in abit,
Oct-27-2014 20:51
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
16 Mono channels can go through one thunderbolt cable wire in to one dac which is the hilo. Also video at the same time i think
Oct-27-2014 21:07
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
quote:
Originally posted by Robotrance
yes, similar to my Echo Audiofire 12. what then?
its summed and played back on your monitors?
or do you record the sum?
There;s isn't thunderbolt output to focal twins (monitors) on the hilo) there;s a separate output on the hilo in the back called monitoring where connect your speakers.
There's a feature called TBT Record on the hilo and i got all channels highlighted so everything gets bounced in the daw.
Instruments and samples got thru the dac once not back forth into the A/D
that what i'm gonna do later on with the sigma
Oct-27-2014 21:14
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
quote:
Originally posted by Robotrance
without adding any analog external efex lie compression or reverb/delay this seems completely pointless.
as i see it a device with many inputs/outps has three purposes:
1. connecting lots of external instruments without the need of an external mixer (more flexibility using internal efex on external instruments).
2. routing all your soft-instruments to an analog mixer (with aux efex).
3. adding external analog efex to soft-instruments
you are just routing in and out loosing some bits, adding slight analog distortion with no hearable difference.
lol, this is pretty funny. what did it cost you?
you can only connect one instrument to the hilo, yeah it did seem pointless at first but i had to see what hype was about so I gave it a go. I was bored.
Here's a vid of a M-Audio soundcard mixer routing,,
Oct-27-2014 21:30
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
Hmm idk, i did all this with trial and error but i'll ask if there's actually more to it.
Oct-27-2014 21:54
Innocence Lost
Uptight Biatch,..
Registered: Jan 2014
Location: THANK THE LORD *for* being born yelluh.
I would like to dedicate this wip to robotrance and storyteller.
Full beat at maximum power
sigh, i still have alooooooooooong way to go,
Oct-28-2014 05:27
Storyteller
Supreme tracneaddict
Registered: Feb 2005
Location: The Netherlands
Don't we all. It sounds quite nice. I do feel like you've been making progress the last couple of months.
If less is more think about how much more more would be.
-Frasier
Oct-28-2014 09:48
Richard Butler
Supreme tranceaddict
Registered: Apr 2009
Location: London
quote:
Originally posted by Trancelover03591
Rich I listened to this a few times b4 you took it down. I thought the songwriting was great, it was catchy (I was even remembering the track the next day which is a good indicator), the sound design didn't seem too sophisticated but a nice track to build on.
Cheers, yeah it was just an early WIP, no sound design, a long way to go with it yet, but been busy trying to finish some work for a label.
One of these is techno and I am attempting to take my sound design to a whole other level I never knew existed. My yearning for special sounds is very pronounced and almost all sounds I make do not pass quality control - it's fun but bloody hard work. I must have spent 4 hours on one hat sound alone, yawwnnn.