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SystematicX1
Supreme tranceaddict
Registered: Sep 2010
Location: Washington Coast
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quote: | Originally posted by gordan100
Thanks Yeah, drums. Do you always make your drums or using drumloops sometimes or combine? And if you use drumloops where do you get them?
Sounds clean and balanced to me and it has enough power. Not among your best tracks though |
Ah yes...to sample or not, that is the question.
Starting out, highly suggest it but you need quality samples and not just from anywhere. Loopmaster,Cymatics (highly recommend)Splice all have really good samples.
For me however, after awhile I started wanting to learn sound design.
Found out that a simple Square wave is how a kick can be created and started messing with that.
Now days, screw that..lol I want instant sounds and tones. I have mimicked and understood how to create a kick but I spent to much time fidgeting instead of creating a track.
The benefit behind doing some sound design earlier on, I managed to pull out some interesting kicks and used them in tracks.
However, Now I have also amassed a fairly large library of one shot kicks of all octave ranges that all I need to do is small tweaks as I recognize the tones now and how to tweak them to my liking.
On a side note, take notice that I mentioned one shots. This is vs Loops.
I used to use loops but once you start learning more you find out that really you are at the mercy of that mix.
It combines elements of snare,kick,cymbals and misc percussion that all have their own (or at least "should")EQ settings.
As well, you have little to no control over that loop. It may be a cool sounding 4 bar pattern but that is all you get,unless you start stacking loop over loop...then you just start sliding down hill.
With one shots, you can control everything about it.
Pop it into your DAW drum rack and start playing.
___________________
Phil
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Last edited by SystematicX1 on Jun-26-2017 at 12:51
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Jun-26-2017 05:24
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gordan100
Supreme tranceaddict
Registered: Apr 2011
Location: Zagreb, Croatia
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quote: | Originally posted by SystematicX1
Ah yes...to sample or not, that is the question.
Starting out, highly suggest it but you need quality samples and not just from anywhere. Loopmaster,Cymatics (highly recommend)Splice all have really good samples.
For me however, after awhile I started wanting to learn sound design.
Found out that a simple Square wave is how a kick can be created and started messing with that.
Now days, screw that..lol I want instant sounds and tones. I have mimicked and understood how to create a kick but I spent to much time fidgeting instead of creating a track.
The benefit behind doing some sound design earlier on, I managed to pull out some interesting kicks and used them in tracks.
However, Now I have also amassed a fairly large library of one shot kicks of all octave ranges that all I need to do is small tweaks as I recognize the tones now and how to tweak them to my liking.
On a side note, take notice that I mentioned one shots. This is vs Loops.
I used to use loops but once you start learning more you find out that really you are at the mercy of that mix.
It combines elements of snare,kick,cymbals and misc percussion that all have their own (or at least "should")EQ settings.
As well, you have little to no control over that loop. It may be a cool sounding 4 bar pattern but that is all you get,unless you start stacking loop over loop...then you just start sliding down hill.
With one shots, you can control everything about it.
Pop it into your DAW drum rack and start playing. |
Thanks. Percussions are not my bright side. I'm far better in synth melodies than drum tracks. Sure, you have better control with one shots than a loop - if you know what your'e doing . I have no formal musical education, and that does not bother me with melodies, it comes natural to me but drums are somehow different to me. I can feel them, but can't really produce interesting drums section. Some theory would help there for sure, if anyone knows a good book please recommend. Thanks for sample sources!
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4th Dimension Club on Soundcloud
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Jun-26-2017 15:03
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SystematicX1
Supreme tranceaddict
Registered: Sep 2010
Location: Washington Coast
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quote: | Originally posted by gordan100
Thanks. Percussions are not my bright side. I'm far better in synth melodies than drum tracks. Sure, you have better control with one shots than a loop - if you know what your'e doing . I have no formal musical education, and that does not bother me with melodies, it comes natural to me but drums are somehow different to me. I can feel them, but can't really produce interesting drums section. Some theory would help there for sure, if anyone knows a good book please recommend. Thanks for sample sources! |
Or, perhaps it is a matter of feeling comfortable with making beats.
But ask yourself this, what type of music are you mainly producing?
Granted, not all of your tracks are the same but a vast majority are straight House beats (Kick drum - boom boom boom boom or counting down 1-2-3-4). In other words, they are straight beat patterns. Some are in different tempo,sure..but that is just a slight adjust on timing which is easily done in your DAW (and majority house beats revolve around 120-130 bpm...generally and this may be subjective)
So, in essence you could start of making 4 Bar kick pattern, then you start adding your snare or clap on the second and fourth beat (Kick(1) Snare(2) Kick(3) Snare(4) )
Then, you just keep adding and building.
I have a couple of suggestions for you that I think may very well help you in this area but going to put up a WIP here that may be more self explanatory.
Be back in a few...
___________________
Phil
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Jun-26-2017 17:52
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SystematicX1
Supreme tranceaddict
Registered: Sep 2010
Location: Washington Coast
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quote: | Originally posted by Mr.Mystery
Ah, I guess that could work if you do it like that. I tend to mix on the fly and do very little tweaking afterwards, so it sounded pretty odd to me. |
This is how I am kind of seeing it.
When you put your entire mix in mono you more than likely will hear muddyness which you can easily pin point,at least more so than with a wider stereo field. In Stereo those frequencies are there, you just can't hear them most of the time.
I mix on the fly as well, so for me the steps proceeding are probably the same. Eq, compression,reverbs,delays,the usual suspects.
With EQ, you are now able to dial in on those muddy areas directly and they come through so much more AS to be able to pinpoint.
Give it a try man, I highly suggest it.
Not sure what DAW you use however,but do a test track. Just start with a full mono mix and go about your normal workflow. Pending how far into the mix you choose to go if you establish percussion along with a few tracks of higher frequencies (be it : pads,arps,piano melodies,etc)or at least something that has some body. Then, take off your mono and listen.
You will hear a noticeable difference
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Phil
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Jun-28-2017 16:23
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