Originally posted by evo8
not sure about the lead i have in the breakdown for this one, any thoughts? maybe i should do something else in the break
Very nice, has an all time summery feel to it. Its warm and pleasant. The structure is pretty good, i like those plucks you bring in near the end of the wip.
I updated mine took out the pads and roll of frequencies to 235 in one bassline that you were talking about, also changed the q curve to 71 instead of 50. It should be clear now and acceptable. I also took off modulation from the last arp pluck that wasn't in key, i'm bad at key detection but i'm good at detecting other things.
May-15-2014 15:38
Looney4Clooney
Supreme tranceaddict
Registered: Apr 2010
Location:
Things out of key, you can't use modern production and have all those bass 16ths at the velocity. It takes too much room and also sounds static. It should have that "rolling " quality. Sort of leading to the next quarter note.
This will force the listener to assume this is the root as it doesn't change. Then for some reason you seem to outline d minor over f except you also add before that bit comes in a synth on eb,
So you are in f minor and then you outline a minor 3rd on d and you have eb and e
Amazes me that people use midis. If you can't hear this, I mean shot dude. I don't know what to say.
You are superimposing 2 keys that are not related in any close way
So if the bass is in F that means its not the root note which also means it shouldn't be in f major but minor? Yeah i'm shot when it comes to key detection, every bit helps.
May-16-2014 01:04
Seandroid
Banned
Registered: Oct 2010
Location: Edmonton, Alberta
quote:
Originally posted by PaULiN0
So if the bass is in F that means its not the root note which also means it shouldn't be in f major but minor? Yeah i'm shot when it comes to key detection, every bit helps.
You...... You seriously can't hear it...?
Like. I can't explain to you the technical reasons that it sounds completely off, but isn't it... Super obvious?
Might I suggest Paulino, that you listen to some classical music for awhile. Bach and Mozart for example, are great for ear training in terms of chord structure.
You *should* be able to hear "right" from "wrong" under normal circumstances, but sometimes it takes some practice.
And you should be also able to make as complicated a chord structure/progression as you want by ear without knowing theory this way.
Also...*rolleyes* @ TAflaming.
Last edited by theterran on May-17-2014 at 10:10
May-17-2014 09:13
PaULiN0
Twinkle, Twinkle..
Registered: Mar 2014
Location: Outer Space
Yeah i like classical, i hope i can train my ears better, thank you terran.
May-17-2014 09:14
PaULiN0
Twinkle, Twinkle..
Registered: Mar 2014
Location: Outer Space
quote:
Originally posted by clay
if youre so loaded why the fuck dont you get some proper musical training from a piano teacher.