i can't hear what is so 'cheesy' about "oasy" or "only".
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"I believe that's referred to as intelligent drum & bass, which obviously means there's a genre of stupid drum & bass out there" (John Peel)
Jun-28-2012 09:48
Mark Anthony
Dance Floor Poet
Registered: Sep 2005
Location: Philadelphia
There was a whole 10 page thread on here about "Only". Its a good track and Ryan Elliot's remix is badass too.
Re: nobody is f*cking with nikola gala right now ....
quote:
Originally posted by LoveHate
nobody.....
this would passed for generic dime a dozen EDM in 1995. I assumed it was actually from that era. I mean i don't really see the point. It sounds like old music without any twist on it. I think nobody is fucking with him in that perhaps nobody is stuck in 1995 ? Those tracks were brutal. The production alone and then the fact that the track is pretty much 1 bar. I think when you can sum a track in just 1 bar, there is something lacking.
I will always remember his tracks with Wizzy Noise.
"Hush In Space" and "Less Is More" were great prog trancers.
"PHATT" on the other hand was a pearler of a Proggy Psy tune, an absolute classic for me.
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New Mix Camwin - The Long Way Home
featuring TA's own Owsey, Sunday Club, Vadim Zhukov, Art Of Trance
Jun-28-2012 23:54
Alero50
Senior tranceaddict
Registered: Feb 2012
Location: Over the hills and far away
F*ck Tech-House
I'll just edit that it staggers me, the way one producer can move from deep/psy prog to tech house sound, It would never be a logically fluent move, and if it has been done on purpose then why? Not judging him, just wondering how you get from point "A" to point "K"..
Jun-29-2012 00:18
zyklon-jay
The Real Henry Hill
Registered: Oct 2011
Location: Ici William Bumbray du service de police de la communauté urbaine de Montréal Esti.
There are moments of semi brilliance from him now and again, but nothing more than that. Nobody is probably fucking with him because they want to sell records. It just got old imo, and it stayed old.
I'll just edit that it staggers me, the way one producer can move from deep/psy prog to tech house sound, It would never be a logically fluent move, and if it has been done on purpose then why? Not judging him, just wondering how you get from point "A" to point "K"..
Don't ask me why, but literally every single ex-prog producer still active has switched to tech house. I think System-J onced said that the whole post 2000 prog kind of is the predecessor of modern tech-house, which I guess is kind of true but they're still so different. I guess tech is just kind of the easy bandwagon to hop on?