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-- WIP thread (DJRYAN now allowed to post tracks)
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Originally posted by Richard Butler So I'm finishing up this in my drive to get stuff completed Any crits? https://soundcloud.com/butlerrichard/tech-pro-bak |
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Originally posted by chris marsh did this a while back but only just mixing it down now, so any thoughs would be welcome, particularity on mix down |
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Originally posted by Richard Butler So I'm finishing up this in my drive to get stuff completed Any crits? https://soundcloud.com/butlerrichard/tech-pro-bak |
It's an idea
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Originally posted by chris marsh did this a while back but only just mixing it down now, so any thoughs would be welcome, particularity on mix down |
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Originally posted by Richard Butler So I'm finishing up this in my drive to get stuff completed Any crits? https://soundcloud.com/butlerrichard/tech-pro-bak |
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Originally posted by gordan100 Rich, buddy, it's a nice groove at the start, but then at 0:44 you start doodling with that stab imo ![]() |
Big bassey kicks.......?????
How big, how bassey?
Quite a common feedback comment is that a kick is not big / deep / bassey enough.
People like Joris Voorn say many tracks sound bad in the club as the kick is over-powering.
I often try and keep my kicks quite tame with this in mind but when I post up a WIP here I get the feedback the kick needs to have more low end, and be generally 'bigger'.
So the question is this; When u guys say make the kick bigger with more bottom end, are u mindful this could swamp the track in a club?
I notice in the car many tracks have too much kick and it sort of renders the bassline a bit undefined and hard to pick out.
Personally, I think it comes down to personal preference.
Check this vid out of Joel and Steve Duda. They address some of these issues. (around the 2:10 mark)
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Originally posted by chris marsh did this a while back but only just mixing it down now, so any thoughs would be welcome, particularity on mix down |
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Originally posted by Richard Butler So I'm finishing up this in my drive to get stuff completed Any crits? https://soundcloud.com/butlerrichard/tech-pro-bak |
New one from me. Dunno why exactly but it gives me a bit of that lovely shitty dutch epic trance feeling
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Originally posted by Richard Butler Big bassey kicks.......????? How big, how bassey? Quite a common feedback comment is that a kick is not big / deep / bassey enough. People like Joris Voorn say many tracks sound bad in the club as the kick is over-powering. I often try and keep my kicks quite tame with this in mind but when I post up a WIP here I get the feedback the kick needs to have more low end, and be generally 'bigger'. So the question is this; When u guys say make the kick bigger with more bottom end, are u mindful this could swamp the track in a club? I notice in the car many tracks have too much kick and it sort of renders the bassline a bit undefined and hard to pick out. |
It's fine to scoop out a bit sub 40hz but a lot of amateur producers (and most professional trance producers LOL) just go waaaay to far until they have a kick with no lowend. Your 'Can U Feel' track is definitely cut too high. The only time I would cut that high is with a really big, meaty, subby distorted bass but yours doesn't even sit that low and is pretty polite. Generally, it's fine to have either the kick or the bass bang in the subs, just not both. And it's fine to have some spillover, a lot of people totally seperate their kick and bass and it just sounds lame and clinical. A lot of older tracks have pretty messy kick/bass mixing and they still sound great in the club.
Keep in mind that any competent mastering engineer is going to cut sub 30 hz pretty heavily anyways. I think the real problem is that a lot of people just make kicks with ridiculously long decay times and a shit ton of reverb and then it'll obviously end up as a mess. Someone who's a mastering engineer listened to the track I posted above and said the kick is fine and it's subby as hell.
A nice solution to roll off the subs that has plenty of character and doesn't sound clinical is U-he Satin (tape emulation). It does wonders do lowend if you set it up right, it naturally rolls off sub 30hz and really makes that ~50hz range bang. It also adds nice harmonic distortion and overtones to bass and pulls everything together with a nice gentle tape compression across the mix.
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Originally posted by Woony New one from me. Dunno why exactly but it gives me a bit of that lovely shitty dutch epic trance feeling ![]() |
Yeah, I'm a big fan of those reese basslines. They were also somewhat popular among early 2000s techno producers.
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Originally posted by Woony New one from me. Dunno why exactly but it gives me a bit of that lovely shitty dutch epic trance feeling ![]() |
Hows this? Didn't sleep over so i might delete this tomorrow morning Bassline sounds weird.
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Originally posted by gordan100 Hows this? Didn't sleep over so i might delete this tomorrow morning ![]() |
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Originally posted by gordan100 Hows this? Didn't sleep over so i might delete this tomorrow morning ![]() |
DnB nearly done I think
https://soundcloud.com/butlerrichard/every-time
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Originally posted by Richard Butler DnB nearly done I think https://soundcloud.com/butlerrichard/every-time |
Useful Evo thx
I cannot embed SC just now ,no idea why not
Here's one of those tech wips I promised to finish, nearly there.
Just need something in the breaks??
https://soundcloud.com/butlerrichard/make-me
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Originally posted by Richard Butler |
May be worth continuing:
Recording of walking the dog, put through a vocoder with volume and decay automation. The last part is the plain synth without any vocoding or effects:
No idea what I'll do with it yet but I like the sound.
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Originally posted by Vector A May be worth continuing: |
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