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Don't worry about breaking it to me, but thanks. I did just see a 16 year old asian kid on facebook discover that these american clowns dont produce their own songs or even arrange their own radio shows... I saw myself 9 years ago being fuckin heartbroken over finding out tiesto was a fraud (and peeling the custom sticker off my subaru.) It still broke my heart, i still reached out a heartfelt "trance is a *insert idealistic view*" comment for him. It begs at the fact that even though some people don't have any idea there's a difference, putting on a facade for money isn't right.
If i never learned how to use the mixer, id have no records signed and that would be a bummer. But, i would still have these archives of loops samples, and ideas that make my producers journey 100% organic and unique. My closest peers know that "Airborne Aluminum" is a skullcrusher, because crazy shit happens when you cram way way too much synthesized high frequencies into cubase SX3's busses.
Creation is creation. When you're signed to a label and remixing a contemporary house song, and sending it off for mixdown in the same day, i would say that's not creation, that's more like working. (which is 100% cool, a desirable situation) This discussion was more about creation, and to properly discuss creation is to mute all inferences of commerce.
And no, I don't have a steady dayjob in music, but want one.
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