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Madonna - Confessions On A Dance Floor
Wow just got through hearing this cd and its all her vocals over house beats. some disco-sh beats but mainly house beats. Did she just totally switch to EDM?!?!
.dJonE.
i heard this cd, its pretty good if u ask me. could be good for dance music. might get some people into it.
madonna has had that electronic tinge to her work for years now...sometimes it's good sometimes it isn't. i haven't heard the whole album yet, but i expect it to be pretty good for a pop album...
| quote: |
| Originally posted by Floorfiller madonna has had that electronic tinge to her work for years now...sometimes it's good sometimes it isn't. i haven't heard the whole album yet, but i expect it to be pretty good for a pop album... |
I believe she signed Deep Dish to her independent label a few years back. William Orbit also did alot of work on the "Ray of Light" album and Deep Dish usually get remix duties. She has EDM connections for sure.
well its better her to bring out an all edm album than P Diddy......wait 
....is he still comin out with that album?...or did it already come out and no one knew about it?
.dJonE.
| quote: |
| Originally posted by TeKnoHe@d2025 I believe she signed Deep Dish to her independent label a few years back. William Orbit also did alot of work on the "Ray of Light" album and Deep Dish usually get remix duties. She has EDM connections for sure. |
Madonna said from the beginning of the project that she wanted to make a dance music album. American Life was a relative flop, so she's going back to what she does best: dance-pop produced by someone at the front of the scene. The secret to her smart changes and reinventions is keeping a pulse on the dancefloors, and picking out the talented to work with/for her.
Madonna + dance music + eurodisco dance music = gay nightlife going absolutely bonkers
| quote: |
| Originally posted by Dj onE well its better her to bring out an all edm album than P Diddy......wait ....is he still comin out with that album?...or did it already come out and no one knew about it?.dJonE. |
6/10 track. i like to play it thouigh
madonna - ray of light (sasha twilo mix)
...
but i heard this album, and the tracks are pretty good .. sounds like she got some good advice from some good people ..
ray of light (derek howell version)
Cherish (Original Version)
Oh no, let's not turn this into a favorite Madonna song thread, or I'll really start embarrassing myself. 
| quote: |
| Originally posted by Cobalt Oh no, let's not turn this into a favorite Madonna song thread, or I'll really start embarrassing myself. |
| quote: |
| Originally posted by Cobalt Madonna + dance music + eurodisco dance music = gay nightlife going absolutely bonkers |
Your equation says it all.
"Hung Up" reminds me distinctly of Mysterious Cities of Gold when the children are doing something great and wonderful, like flying around in the Golden Condor.
Whats the song its supposedly sampling/based on though?
| quote: |
| Originally posted by Fuegan Whats the song its supposedly sampling/based on though? |
Well it really should be "Madonna & Stuart Price" on the cover.
| quote: |
| Originally posted by SYSTEM-J Well it really should be "Madonna & Stuart Price" on the cover. |
Frozen(Calderone rmx)
quality tune
| quote: |
| Originally posted by Clyde77 ray of light (derek howell version) |
Madonna is a master of taking what the underground is doing, exploiting it, and selling a cheap, plastic pop version of it to the masses for commercial digestion.
1990: Madonna looks at the underground New York gay fashion scene, full of style, excess, posture, and that lovely Italo House with those piano hooks. She rips off the scene and releases Vogue.
1992: Madonna focuses her sights on the emerging club kink/fetish scene, exploits it, and churns out Erotica. (and releases a raunchy book too, perfect for the art-house crowd).
1998: Madonna sees the growing fascination with trance explode everywhere, seeks to exploit it, hires William Orbit to be her Producer, and the end result is Ray of Light.
2000: French house is king in the club circuit, Madonna notices this too, seeks some funky french filter beats on her next album, which becomes Music. The real genius behind this album? Mirwais.
2005: Now electro-house rules the dancefloors. Naturally, Madonna wants to co-opt this and pretend it's something she invented too. So Confessions on a Dancefloor has got the neo-synthpop sound through and through. The smartest thing she did was hire Les Rhythmes Digitales to be the mastermind of it.
For all her staying power, Madonna is really only good at one thing: Surrounding herself with the best people she can find. I think of her more as a clever businessperson, a scenester, a poser, and a fronter all in one. But not really a musician. She's good at what she does, but she's really only a hollow faceplate, a shallow shell of what's actually there.
| quote: |
| Originally posted by Ishkur Madonna is a master of taking what the underground is doing, exploiting it, and selling a cheap, plastic pop version of it to the masses for commercial digestion. 1990: Madonna looks at the underground New York gay fashion scene, full of style, excess, posture, and that lovely Italo House with those piano hooks. She rips off the scene and releases Vogue/ 1992: Madonna focuses her sights on the emerging club kink/fetish scene, exploits it, and churns out Erotica. (and releases a raunchy book too, perfect for the art-house crowd). 1998: Madonna sees the growing fascination with trance explode everywhere, seeks to exploit it, hires William Orbit to be her Producer, and the end result is Ray of Light. 2000: French house is king in the club circuit, Madonna notices this too, seeks some funky french filter beats on her next album, which becomes Music. 2005: Now electro-house rules the dancefloors. Naturally, Madonna wants to co-opt this and pretend it's something she invented too. So Confessions on a Dancefloor has got the neo-synthpop sound through and through. The smartest thing she did was hire Les Rhythmes Digitales to be the mastermind of it. For all her staying power, Madonna is really only good at one thing: Surrounding herself with the best people she can find. I think of her more as a clever businessperson, a scenester, a poser, and a fronter all in one. But not really a musician. She's good at what she does, but she's really only a hollow faceplate, a shallow shell of what's actually there. |
| quote: |
| Originally posted by Ishkur Madonna is a master of taking what the underground is doing, exploiting it, and selling a cheap, plastic pop version of it to the masses for commercial digestion. 1990: Madonna looks at the underground New York gay fashion scene, full of style, excess, posture, and that lovely Italo House with those piano hooks. She rips off the scene and releases Vogue/ 1992: Madonna focuses her sights on the emerging club kink/fetish scene, exploits it, and churns out Erotica. (and releases a raunchy book too, perfect for the art-house crowd). 1998: Madonna sees the growing fascination with trance explode everywhere, seeks to exploit it, hires William Orbit to be her Producer, and the end result is Ray of Light. 2000: French house is king in the club circuit, Madonna notices this too, seeks some funky french filter beats on her next album, which becomes Music. 2005: Now electro-house rules the dancefloors. Naturally, Madonna wants to co-opt this and pretend it's something she invented too. So Confessions on a Dancefloor has got the neo-synthpop sound through and through. The smartest thing she did was hire Les Rhythmes Digitales to be the mastermind of it. For all her staying power, Madonna is really only good at one thing: Surrounding herself with the best people she can find. I think of her more as a clever businessperson, a scenester, a poser, and a fronter all in one. But not really a musician. She's good at what she does, but she's really only a hollow faceplate, a shallow shell of what's actually there. |
shit
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