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-- 1999 Trance [Re-creation]
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Posted by Stephen Wiley on May-31-2009 15:39:

1999 Trance [Re-creation]

If you still weren't getting lunch money from the parents, your familiar with the Trance storm in 98 and peaking in 99. I know there are a LOT of things producers didn't have access to that we have now.

My question is this, what are the best ways to go about creating these classic styled track? Obviously lay off the compression....no sidechaining, etc. I'm not opposed to using newer audio effects or VSTs, but if they are not reproducing the 99 Trance sounds then they are a no-go.

I've linked some youtubes below so people can see what I'm talking about when I say "1999" Trance.



http://www.youtube.com/watch?v=2wJDIssLOkk

http://www.youtube.com/watch?v=bYMe...feature=related


http://www.youtube.com/watch?v=xGgNORNz_lw

http://www.youtube.com/watch?v=Dl4h...feature=related

http://www.youtube.com/watch?v=XCBQPuUAIGc

http://www.youtube.com/watch?v=o7CbxbyVcY0


Tell me that ain't some good stuff!!!


Posted by Subtle on May-31-2009 15:45:

If u wanna re create this i see no other option that to actually use the same equipment as these guys did like 909 drum machine, Samplers and hardware synths and not drown ur track down in effects.


Posted by Kismet7 on May-31-2009 15:51:

Hardware synths and a proper mixing board.


Posted by pvdalltheway on May-31-2009 18:52:

Stephen, I love your choice of tracks. I'm an old-skool techno fan as well. The second track by taste xperience gave me goosebumps.

These guys obviously didn't have so many fancy vsts and NASA-computers we have out today. They actually worked hard trying to get their sounds. Most of the stuff they used were simple sounds that were sampled or from hardware synths.

But what distinguishes their tracks from nowdays is the fact that they put alot of 'soul' into their music. They didn't care so much about sidechaining and super special effects on every part of the track like we have today. If you notice, there's hardly any automation going on in those tracks. It's all about play of sounds and using perfect melodies.

There was an interview with Ferry where he said something like 'back in the days, all the momentum from the studio used to go in the track, but now we have all these weird plugins that sort of kill creativity'.

I spent the last few years tryin to learn about sequencers, synths, effects, etc... I made a few tracks while doing so, but I think I'm ready to actually start making full tracks now instead of messing with more synths and what not.

Stephen, if you're looking to collaborate I'm available here. I think you and I have similar taste in music. 2 heads are better than 1.


Posted by MrJiveBoJingles on May-31-2009 19:24:

I think some of the best stuff came out in 1997 - 1998, right before it really blew up. Those are for sure some nice tunes, though. Your best bet at creating something in the exact same style would be to get some of the popular hardware synths of the day (JP-80x0? Virus?) and get to work. Don't crowd things up with a ton of effects. And use lots of snare rolls of course.



It might help to try limiting yourself to eight or ten tracks playing at once or something. The simplicity is part of what makes a lot of those oldies effective. Just a few nice melodies played with a few pretty sounds, none of the "slam twenty delays and ten compressors on every track" and "use three or four synths to create a bassline" method used today.

But in order for simplicity to be attractive, the sounds themselves have to be very nice so that they can stand on their own. Otherwise the tune will just sound thin and tinny.


Posted by Beatflux on May-31-2009 19:41:

Re: 1999 Trance [Re-creation]

quote:
Originally posted by Stephen Wiley
If you still weren't getting lunch money from the parents, your familiar with the Trance storm in 98 and peaking in 99. I know there are a LOT of things producers didn't have access to that we have now.

My question is this, what are the best ways to go about creating these classic styled track? Obviously lay off the compression....no sidechaining, etc. I'm not opposed to using newer audio effects or VSTs, but if they are not reproducing the 99 Trance sounds then they are a no-go.

I've linked some youtubes below so people can see what I'm talking about when I say "1999" Trance.



http://www.youtube.com/watch?v=2wJDIssLOkk

http://www.youtube.com/watch?v=bYMe...feature=related


http://www.youtube.com/watch?v=xGgNORNz_lw

http://www.youtube.com/watch?v=Dl4h...feature=related

http://www.youtube.com/watch?v=XCBQPuUAIGc

http://www.youtube.com/watch?v=o7CbxbyVcY0


Tell me that ain't some good stuff!!!


No need to type all of that out.

"Paul Oakenfold-Tranceport" would have been just fine.


Posted by SGL on May-31-2009 19:51:

Paulo Rocha - Dreamwalker


Posted by MrJiveBoJingles on May-31-2009 19:52:

The Tekknova track is clearly a vinyl rip. I miss the days of all-vinyl. Love that warm crackle.


Posted by gr8ape on May-31-2009 20:23:

When I first started listening to trance I was typing "trance" in kazaa and downloading everything I found

Not all was good, but maybe some of you remember this:

http://www.youtube.com/watch?v=2M33PCIh2Po


Posted by atxbigballer1 on May-31-2009 21:52:

http://www.vintagesynth.com/local/timeline.php
Hears a list of gear that i think u would need to make Trance 1990s style!
1.A big fat mixer and a fx box or some thing to hook up to your mixer if u want some FX like delay!
2.Drum Machines / Samplers / Sequencers: Akai MPC 3000 Akai mpc 2000xl
Roalnd Tr-808 Roland TR-909 Roanld Tr-606 Akai S series Roland Groovebox MC 303 & MC 505!

3.Synths: Roalnd TB-303, Yamaha DX seires synths, Moog, Roland jupiter , Nord Lead 2, Roland sh 101, Roland jp8000,and Korg and OBERHEIM stuff Any synth made in the 80s or 70s will do nicely!

4.Studio Monitors: Yamaha Active Studio Monitors I dont know the the models But i think this the HS seris ones!

But what do i know?


Posted by Leon on May-31-2009 22:05:

awesome example tracks


Posted by StephenWiley on Jun-01-2009 14:41:

quote:
Originally posted by Subtle
If u wanna re create this i see no other option that to actually use the same equipment as these guys did like 909 drum machine, Samplers and hardware synths and not drown ur track down in effects.


I see. Well I need to somewhat rephrase what I asked. How could I recreate this 1999 Trance sound without using the actual stuff used in 1999. (Software instead of the hardware) - Obviously emulators and sound banks come to mind, but are there any particular ones out there that hit the nail on the head for some of these synths?

I've also thought about running the final mix down (if it ever gets there) through some shitty 2 channel gemini mixer that may not even turn on. I know that sounds stupid, but this has been suggested to me on more than one occasion as a way to create a "less digital" sound.


Posted by StephenWiley on Jun-01-2009 14:42:

Re: Re: 1999 Trance [Re-creation]

quote:
Originally posted by Beatflux
No need to type all of that out.

"Paul Oakenfold-Tranceport" would have been just fine.


Not so fast my friend.....If I'm not mistaken not a single one of those tracks were on that album.

There is a big difference, in my opinion, between Tranceport and the tracks I posted. Tranceport is way more commercial and for the most part has too much of a modern sound in my opinion.


Posted by StephenWiley on Jun-01-2009 14:45:

quote:
Originally posted by Leon
awesome example tracks


I know, right?

Sure would be nice to hear music like this again at the forefront. I've actually got a few (of course they're unknown) artists who produce music that has a 99 feel to it. The funny part about it is they don't create it with the 1999 goal in mind. It's just their style.

check out "First Awake - With You"


Posted by StephenWiley on Jun-01-2009 14:46:

quote:
Originally posted by pvdalltheway
Stephen, I love your choice of tracks. I'm an old-skool techno fan as well. The second track by taste xperience gave me goosebumps.

These guys obviously didn't have so many fancy vsts and NASA-computers we have out today. They actually worked hard trying to get their sounds. Most of the stuff they used were simple sounds that were sampled or from hardware synths.

But what distinguishes their tracks from nowdays is the fact that they put alot of 'soul' into their music. They didn't care so much about sidechaining and super special effects on every part of the track like we have today. If you notice, there's hardly any automation going on in those tracks. It's all about play of sounds and using perfect melodies.

There was an interview with Ferry where he said something like 'back in the days, all the momentum from the studio used to go in the track, but now we have all these weird plugins that sort of kill creativity'.

I spent the last few years tryin to learn about sequencers, synths, effects, etc... I made a few tracks while doing so, but I think I'm ready to actually start making full tracks now instead of messing with more synths and what not.

Stephen, if you're looking to collaborate I'm available here. I think you and I have similar taste in music. 2 heads are better than 1.


I appreciate the offer. I completely agree about two heads being better than one. What DAW do you use? Add me on AIM (djstephenwiley9) and shoot me a message if you're serious about this.


Posted by StephenWiley on Jun-01-2009 14:51:

quote:
Originally posted by MrJiveBoJingles
I think some of the best stuff came out in 1997 - 1998, right before it really blew up. Those are for sure some nice tunes, though. Your best bet at creating something in the exact same style would be to get some of the popular hardware synths of the day (JP-80x0? Virus?) and get to work. Don't crowd things up with a ton of effects. And use lots of snare rolls of course.



It might help to try limiting yourself to eight or ten tracks playing at once or something. The simplicity is part of what makes a lot of those oldies effective. Just a few nice melodies played with a few pretty sounds, none of the "slam twenty delays and ten compressors on every track" and "use three or four synths to create a bassline" method used today.

But in order for simplicity to be attractive, the sounds themselves have to be very nice so that they can stand on their own. Otherwise the tune will just sound thin and tinny.


I'm actually not a big fan of the snare rolls. I don't listen to or play many tracks that have them. Same goes for the kick builds. The thing that is mind blowing from the 99 trance is the pads, melodies, and tracks that were totally lead by an insanely strong and melodic bassline.

Like you said, they are fairly simple tracks and use minimal elements all the way around, yet they're beyond effective. This is what frustrates me so much about why people won't produce this stuff. Even if it isn't popular or selling, I think most of us here agree that it is an amazing style....yet nobody produces it...and its simple? It just doesn't make much sense?


Posted by Beatflux on Jun-01-2009 15:43:

Re: 1999 Trance [Re-creation]

Today's music is more interesting to listen, but the use of effects, automation, and SFX can lead producers to put less effort toward the musicality of trance music. Despite this, there are still rare artists that do make good melodic trance. I don't think we've hit a dry spell, it's that EDM has always steered away from melodies and harmonies and even though people make trance the skill it takes to make a quality melodic trance track is always going to be rare. The few tracks you posted are the exception, and not the rule.

This thread is tainted with nostalgia.


Posted by orTof�nChiLd on Jun-01-2009 15:53:

wait a minute, you don't need hardware, all that can be replicated with skill on a soft synth


Posted by gr8ape on Jun-01-2009 16:00:

quote:
Originally posted by orTof�nChiLd
wait a minute, you don't need hardware, all that can be replicated with skill on a soft synth


i prefer to set each one of the samples myself for authentic recreation


Posted by asdfg on Jun-01-2009 16:34:

Jon Vesta - Gull is a nice track, makes you wonder what his music would be like if he were still around.


Posted by MrJiveBoJingles on Jun-01-2009 18:40:

quote:
Originally posted by StephenWiley
I've also thought about running the final mix down (if it ever gets there) through some shitty 2 channel gemini mixer that may not even turn on. I know that sounds stupid, but this has been suggested to me on more than one occasion as a way to create a "less digital" sound.

Is it an analog mixer?


Posted by Stephen Wiley on Jun-01-2009 22:10:

quote:
Originally posted by MrJiveBoJingles
Is it an analog mixer?


I'd need to unpack it lol. I'm going to see if I can track it down online. It was a 2 channel gemini mixer from a starter kit!!!


Posted by MrJiveBoJingles on Jun-01-2009 22:25:

I'm wondering because if it's a digital mixer it probably won't do anything at all to the sound, except add a little noise and perhaps degrade the signal if it's an old or damaged mixer.


Posted by flutlicht junky on Jun-01-2009 22:44:

All aboard who's coming aboard!!!

Next stop Crasher when PVD first drops For An Angel


Posted by Subtle on Jun-01-2009 22:46:

There are tons of 1999 trance sounding tracks still being made and has been the last ten years, its just that nobody cares much about them.

The trance from 1999 was a NEW sound at the time, which everyone remembers and those who listened to it back then will feel a certain nostalgia about the tracks.

The sound is dated, and the time of trance classics are over.. hardly any track will ever really get that status anymore, trance 10 years ago was about invention, none of the producers knew exactly what music to make, they just made music they thought was good or whatever,
THAT is the big difference between then and now, producers had a totally open mind when making new music, while now producers almost always has a reference sound in their mind that they want make.
Which leads to alot of tracks sounding like good or bad copies of each other.. and add the fact that tracks needs to be "club worthy" for a DJ to even touch them, makes it all more trickier to get a certain old school sound out there.


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