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-- Gabriel & Dresden get residency w/ Spundae San Francisco - First gig Jan 16...
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| quote: |
| Originally posted by djkyo the kids was asking what program they use when they spin, and is final scratch they use that instead of binyls, next time pay more attention dude you always like to talk without knowing shit i am for real and just for that i am gona charge you 100$ per lessions for acting like a newbie |
This thread has turned into pure comedy!
Anyhow, onnneee weeekk! WHOOOPP!!
And Infinity (A TAer) is gonna be playing upstairs at 1015, too!
Gonna be a sweet night.
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| Originally posted by DaveT This thread has turned into pure comedy! |
Three days! Tons of TAers going from all over the west coast.
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| Originally posted by davedresden kyo it's called ableton live. get your facts right. - dave |
we are hoping to road-test the above and beyond "no one on earth" remix we're working on at the spundae gig...
- dave
Two days!
You can probably figure that I'm pretty stoked
Dave
So WHAT
Oh well gives a crap if G&B don't know how to mix. Man there awesome guys and there crowd pleasers and that what counts. I mean being a DJ doesn't necesserly mean you gotta have mixing skillss. Maybe the club pissed you off or something esle. No one has said anything bad about G&B. Well see ya ppl 
Guess what...
One day!
Whoooo!
tiesto is such bad dj...over here hes not rated highly at all...just another producer playing pop songs...start listening to ed real nick sentience eddie halliwell
over here big name dj's and super clubs are dead...its getting back to basics in dodgy warehouses and dirty pubs...going back to the underground...for adults only....people like judge jules and fergie have killed the scene in london''
what are YOU doing for the scene?
- dave
| quote: |
| Originally posted by steven neil over here big name dj's and super clubs are dead...its getting back to basics in dodgy warehouses and dirty pubs...going back to the underground...for adults only....people like judge jules and fergie have killed the scene in london'' |
different countries, same crap talk...
support it
all i can do for the scene is support it..
as long as im going out thursday friday saturday and sunday,,,im doing my bit as far as im concerned,,,,none of the big name uk dj's played in britain on new years eve cos they took the money and ran off to the states....but thats cool cos we're not taking it anymore....we're getting back to the warehouses with dj's who have still got there heart in it....judge jules,,,fergie,,,oakenfold,,,,etc etc are just pop stars...we dont take 'em seriously anymore....
| quote: |
| Originally posted by djkyo the kids was asking what program they use when they spin, and is final scratch they use that instead of binyls, next time pay more attention dude you always like to talk without knowing shit i am for real and just for that i am gona charge you 100$ per lessions for acting like a newbie |
SHUT THE FUCK UP AND LICK A DICK! What you think you could do better than them? Maaaaaan......SHUT UP!
bore off!! you mug! you know nuffin'..
ive been watching these boys for years...when they used to play for 50 quid a set in dodgy pubs..and when judge used to organise illegal raves when he was a barrister....hence the name judge...and when fergie was shagging tony devit.......mate..put your nsync tape back in your walkman and run down the shops for your mum..
why is it so bad that someone got successful in music and made a lot of people happy?
- dave
| quote: |
| Originally posted by steven neil ive been watching these boys for years...when they used to play for 50 quid a set in dodgy pubs..and when judge used to organise illegal raves when he was a barrister....hence the name judge...and when fergie was shagging tony devit.......mate..put your nsync tape back in your walkman and run down the shops for your mum.. |
| quote: |
| Originally posted by davedresden why is it so bad that someone got successful in music and made a lot of people happy? - dave |
| quote: |
| Originally posted by davedresden kyo it's called ableton live. get your facts right. - dave |
davedresden...steven makes an interesting point. The more popular a DJ becomes, the more clubs are willing to pay for them. Clubs then charge more, forcing club goers to choose what nights to go out. Rather than going out every weekend if the cover was lower. This causes clubnights to become less populated and weaken the overall scene. Clubbers then would have to choose to go to local events rather than the bigger events, regardless of the talent. I see this at Spundae events in Chicago. Only the very large names pack a night. When D:Fuse and Eddie Halliwell came barely half the room was full. I think you'll see this also when you come to Chicago and are packaged with James Holden and play to a half empty room. Whereas Morrillo and AVB will play to packed rooms the two weekends before you. Clubbers can't afford paying $20 to $25 a week and soon wil turn back to more underground and local events like Steven points to.
So when you post "why is it so bad that someone got successful in music and made a lot of people happy?"---My answer would be listed above.
i remember when i saw u2 in a small club in new haven ct in 1985. but i don't go on message boards longing for the days when i could see u2 in a small club and immaturely saying that they were sleeping with thier manager or how underground they used to be.
the elitism is dance music is what keeps it as an art form in the "joke" status with the rest of the world.
i, for one, would like no part in that.
- dave
| quote: |
| Originally posted by mb2004 davedresden...steven makes an interesting point. The more popular a DJ becomes, the more clubs are willing to pay for them. Clubs then charge more, forcing club goers to choose what nights to go out. Rather than going out every weekend if the cover was lower. This causes clubnights to become less populated and weaken the overall scene. Clubbers then would have to choose to go to local events rather than the bigger events, regardless of the talent. I see this at Spundae events in Chicago. Only the very large names pack a night. When D:Fuse and Eddie Halliwell came barely half the room was full. I think you'll see this also when you come to Chicago and are packaged with James Holden and play to a half empty room. Whereas Morrillo and AVB will play to packed rooms the two weekends before you. Clubbers can't afford paying $20 to $25 a week and soon wil turn back to more underground and local events like Steven points to. So when you post "why is it so bad that someone got successful in music and made a lot of people happy?"---My answer would be listed above. |
| quote: |
| Originally posted by davedresden i remember when i saw u2 in a small club in new haven ct in 1985. but i don't go on message boards longing for the days when i could see u2 in a small club and immaturely saying that they were sleeping with thier manager or how underground they used to be. the elitism is dance music is what keeps it as an art form in the "joke" status with the rest of the world. i, for one, would like no part in that. - dave |
Actually Dave. I'd say that if dance music is considered a joke art form by the rest of the world. It's not because of elitism. It's because to get paid $20,000 a gig to simply play mostly someone elses music in a club, doesn't put you in the same league as U2. The people who create the music are the artists and until they get the recognition by the DJ's who make thousands off them they'll continue to be the "joke" that to make reference to. Dave, do you actually go out to clubs to see how things have changed so much recently in the dance music scene? Do you see how it becomes harder for college kids to drop $25 in cover and buy $5 beers or $8 mixed drinks, when I would pay $5 to $10 and $3 beers just 3 years ago in Chicago. This has occured because of the cost to bring in dj's and I think the scene is going back to cheaper local talent. Which is very evident in Chicago. I don't mean to point things to you, but it seemed odd that you get very little constructive talk about you and too much "Dave sucks as a DJ." You've obviously worked hard to get where you are, but to go on saying what have YOU done to help the scene and why is it so bad that someone got successful in music and made a lot of people happy, only shows that you might be the elite one. It makes you come off bad. Maybe you should put yourself in the place of the people who pay for you to have a career.
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