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Posted by wrzonance on Mar-28-2005 05:17:

quote:
Originally posted by mzvirbulis
actually i did say SAE at the start then everyone else went off course. i think you should mind your own business and stop being so technical.


wow, you are really retarded. please. constructive conversation only. this is an interesting thread with good ideas, you'res are... well... not?


Posted by Derivative on Mar-28-2005 05:19:

quote:
but what sort of program are YOU talking of, what school?


im talking university level. specifically, audio engineering at southampton university. its completely not what i thought it would be. it is for all intents and purposes an engineering degree.


Posted by mzvirbulis on Mar-28-2005 05:19:

quote:
Originally posted by DJFreaq
hmm.... maybe my school is just awesome-o then. because MATH is just a GE class everyone takes at AIS. And my school is very involved with studio equip, set up, sound etc. As well as digital audio editing. Yes of course it is Audio Engineering, but what sort of program are YOU talking of, what school?

probly the science of acoustics


Posted by MikHail on Mar-28-2005 05:20:

quote:
Originally posted by mzvirbulis
honestly i have seen alot of FAGS at the SAE COLLEGE OPEN DAYS and boy they have know idea. FUCK COMMERCIAL PEOPLE, they advertise to people virtually off the street from radio.
it pisses me off. now the whole of australia is going to become fucking audio engineer.



People who enrol in as Audio Engineer thinking to become a Producer/DJ?
^^^
Is that the part that gets you fired up? Fooling people into doing an Audio Engineer Course to be a DJ/Producer??

I requested an Info pack from SAE, I got a Music Production Course leaflet covering sequencers, Synths, samplers, production techniques and Turntables

$3,800 AUD
24 Weeks Part Time

The Audio Engineer being $11,800 AUD
50 Weeks
Full Time


Posted by wrzonance on Mar-28-2005 05:21:

quote:
Originally posted by Exodus17 mainly, being an audio/recording engineer means you will be most likely working with bands or artists to record their music and do all the spiffing and fine tuning to make the songs ready to be put on CD for the masses...you might also be working for like a theater or some other live perfomance event like a "disney on ice" kinda thing and be working the mixer that controls all the sound stuff like mic levels for each of the actors and the levels for the background music and all that stuff... essentially everything that deals with sound...


indeed. but that is part of gaining experience. you don't have to stay in the same place. once you get a few years of disney sound on you're belt you can move onto something else

getting to know people though... it's ALL about knowing people dude, and the same goes for the DJ /Producer end of things. And more often than not it's how many people KNOW YOU and now how many people YOU KNOW.

but yea, word, good luck


Posted by wrzonance on Mar-28-2005 05:22:

quote:
Originally posted by mzvirbulis
probly the science of acoustics


maybe. the science of acoustics does own though. i'm going to take an acoustics course 3rd quarter

quote:
Originally posted by Derivative
im talking university level. specifically, audio engineering at southampton university. its completely not what i thought it would be. it is for all intents and purposes an engineering degree.


ouch. not sure if I would be "down" with that kind of program.


Posted by mzvirbulis on Mar-28-2005 05:44:

quote:
Originally posted by MikHail
People who enrol in as Audio Engineer thinking to become a Producer/DJ?
^^^
Is that the part that gets you fired up? Fooling people into doing an Audio Engineer Course to be a DJ/Producer??

I requested an Info pack from SAE, I got a Music Production Course leaflet covering sequencers, Synths, samplers, production techniques and Turntables

$3,800 AUD
24 Weeks Part Time

The Audio Engineer being $11,800 AUD
50 Weeks
Full Time

NOOO NNOO
i just saw people rocking in from no where and just didn't know what was going on! although i take it all back because if i were one of them and had no idea but was interesting i wouldN'T put them down for purseuing the art of SOUND. I WISH I WASNT SO JUDGEMENTAL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SORRY but i must state im going to SAE to become better in every aspect of sound not just DJ/PRODUCER never know it might lead you into doing movies, COMPUTER GAMES AUDIO, ETC. AND OR TELEVISION , RADIO , the world is your oyster.


Posted by mzvirbulis on Mar-28-2005 05:52:

quote:
Originally posted by MikHail
People who enrol in as Audio Engineer thinking to become a Producer/DJ?
^^^
Is that the part that gets you fired up? Fooling people into doing an Audio Engineer Course to be a DJ/Producer??

I requested an Info pack from SAE, I got a Music Production Course leaflet covering sequencers, Synths, samplers, production techniques and Turntables


and yes mate alot of audio engineering courses now aknowledge alot of DJ/PRODUCING aspects that why going to these colleges are awsome!
although most studios have these equipment as standard in the studio!
electronic or not!

YES ALOT OF STUFF ON DJING AND PRODUCING IS GREAT (i thought the same thing that there is alot of sequencers, Synths, samplers, production techniques and Turntables within the course). But with the degree stage there is alot of theory.
cheers


Posted by trancintaiwan on Mar-28-2005 06:25:

quote:
Originally posted by mzvirbulis
you have no fucking idea what goes on in peoples heads and you do not understand a persons meaning of what they want to do in life. my suggestion is you made a valid point!
I THINK WE ALL KNOW WHAT AN AUDIO ENGINEER IS, I WANT TO BE ONE TOO BECAUSE I HAVE A PASSION FOR SOUND. NOT JUST DJING AND PRODUCING

CHEERS


yo.. u need to chill out. i wasn' trying to offend, and this isn't even your thread, but u've seem to have hijacked it. i was simply trying to make a point clear because zenchowdah seemed a bit confused. anyways... zen, gluck with finding a school... as i stated earlier, miami and nyu are very good schools, but nyu is a bit on the expensive side... =P, they definitely are stealing my money. its all good tho... cuz i get to be in new york. =)


Posted by Psiweaver on Mar-28-2005 06:52:

I would also strongly suggest getting a broadcasting degree. It can help you meet tons of people and you will mainly be working for people in the broadcasting industry as most everybody in the music industry is owned by a broadcaster of some sort.


Posted by mzvirbulis on Mar-28-2005 08:03:

quote:
Originally posted by trancinchink
yo.. u need to chill out. i wasn' trying to offend, and this isn't even your thread, but u've seem to have hijacked it. i was simply trying to make a point clear because zenchowdah seemed a bit confused. anyways... zen, gluck with finding a school... as i stated earlier, miami and nyu are very good schools, but nyu is a bit on the expensive side... =P, they definitely are stealing my money. its all good tho... cuz i get to be in new york. =)

sorry man i have chilled.


Posted by mzvirbulis on Mar-28-2005 08:54:

quote:
Originally posted by Psiweaver
I would also strongly suggest getting a broadcasting degree. It can help you meet tons of people and you will mainly be working for people in the broadcasting industry as most everybody in the music industry is owned by a broadcaster of some sort.

yes this is also important when being a dj producer, you need alot of links.


Posted by mr_fisken on Mar-28-2005 09:03:

Hm ok, so I have been reading 4 pages of atleast some good comments.
I am trying to sign up for Electronic Music Production in Stockholm-Sweden at the SAE school in the ending of this summer.
If i like the school, the atmosphere, what I am going to learn and such, I will probably read the hole sound engineering course.
I read someone said there is alot of math, and someone said it isn't. I am not really into math so I would like to know how much it really is and if it will become a real probablem if your not that good at it.. has someone here taking this hole education and got a diploma? (at the sae school). Would really appreciate some comments of the school and if you got any jobs and such.


Posted by Nemesis44 on Mar-28-2005 10:14:

quote:
Originally posted by trancinchink
ok... you guys need to realize something.

DJing and Producing music essentially has very little to do with audio engineering. Producing maybe a slight part, but djing isn't even something audio engineers learn or think about..

audio engineering or music technology major is all about studio work. recording, mastering, live recording, mixdowns, learning about electronics, learning about studio equipment, learning how to design equipment or software, etc. etc.

you have to make it clear. do you want to learn how to dj? or do you want to learn to be an audio engineer...


minus 1

I have to quite strongly disagree with this post on a certain level so I would say.
As you all know I have had my decks for a while.
The truth is that I didn't really discover the truth about DJing until I started exploring sound and the technical side about music production. It opened my eyes to a whole new world, and my understanding of what makes a good DJ and perception of what makes a great DJ truly great has increased so much that it's not possible to quantify.

I think it would be a great idea to go to a club and see how the sound changes with different amounts of people, or even different clubs to see how the sound changes. It does a lot for your own sound.
Have you guys ever been to a club where you have had an average DJ warming up and then the main act comes on and everything just seems so much tighter and just sound better yet you can't put your finger on what it is. What they have done is they have messed with the EQs, understood the accoustics of the room and made the necessary changes. I do this all the time. If the DJ before me has a sound I don't think will work for me, I change it. But I couldn't do it without knwwing what the result would be.

It's true, you don't have to go to university to learn this or see it, but if you do go to university at least you will get the full scientific explaination and you wont have to fill in any of the gaps yourself.
Plus you will understand phase cancellation, which is something that I see a lot of you still struggle with due to some of the posts I have seen lately. This is also covered in sound engineering.

Also, understanding the music you are playing on a different level is not a bad thing either because you may select tracks differently and open up a new creative world.

I say go for it.

Cheers
Nem

PS
There have been a lot of dumb arsed comments on this thread.
If there is one thing that I can't stand it's when people start drawing up differences in class. Why the f*ck does it matter!? As Rakim once said, 'it aint where you from it's where you at!'


Posted by mzvirbulis on Mar-28-2005 10:34:

quote:
Originally posted by mr_fisken
Hm ok, so I have been reading 4 pages of atleast some good comments.
I am trying to sign up for Electronic Music Production in Stockholm-Sweden at the SAE school in the ending of this summer.
If i like the school, the atmosphere, what I am going to learn and such, I will probably read the hole sound engineering course.
I read someone said there is alot of math, and someone said it isn't. I am not really into math so I would like to know how much it really is and if it will become a real probablem if your not that good at it.. has someone here taking this hole education and got a diploma? (at the sae school). Would really appreciate some comments of the school and if you got any jobs and such.

dont worry, maths will mostly only come into maybe the degree stage(NOT MUCH I DONT THINK).
and the math probly wont be to hard, trust me! unless you want to actually make these complicated programs like VSTI'S.
they will teach you anyway!

good luck!
i might come over to sweden SAE


Posted by mr_fisken on Mar-28-2005 11:23:

quote:
Originally posted by mzvirbulis
dont worry, maths will mostly only come into maybe the degree stage(NOT MUCH I DONT THINK).
and the math probly wont be to hard, trust me! unless you want to actually make these complicated programs like VSTI'S.
they will teach you anyway!

good luck!
i might come over to sweden SAE


ah cool thanks

can I ask why you are visiting the swedish sae?


Posted by Freak on Mar-28-2005 11:28:

right
SAE

erm

Speaking as a graduate of their degree program..... i can honestly say you would be better off spending the cash on some decent equipment, some books, then blagging a job as a tea boy/tape store boy/toilet cleaner in a pro studio somewhere and using the remaining funds to live off.

Most of the stuff they teach at SAE i already knew from my previous courses (btec national diploma) and from reading. From reading things like sound on sound magazine you can pick up a lot (as anal as they are).

You will literally have to fight for studio time (especially on the Neve and SSL consoles), and i found their whole attitude to be 'this is how it is done, dont change it' and not particuarly encouraging for creativity in some respects.

Their midi setup was basic , and some of the modules just skimmed stuff.
mic placement technique was not taught (i already had knowledge and experience of this), and there was a large module on building a studio (as in the construction of the walls). Interesting, but i feel for kids who just want to go play on consoles a bit too in depth.
I dont ever recall a module or lecture on mic types and polar patterns either- it was more a case of 'this is a neumann U86- this is what you find in most pro studios' - nothing more detailed than that.
I found it a bit lacking to be honest, but that may be because of my prior experiences. I do know that others on my degree intake agreed with me.

Going back to my point about blagging a job as a tea boy or receptionist i say that for several reasons:
-Until you make a name for yourself, you will have to start at the bottom anyway.
-Bigger studios like to train their own engineers their own way- they dont like people having an 'i know it all' attitude as some people who have done courses can develop- as well as being set in their own methods of working.

I had a friend who did just that- blagged a job as a night receptionist in a large london studio. Was utter shit for ages, but then he got asked to assist with the general dogsbody work in the studio one night, and it progressed from there. i believe he is now one of their resident senior engineers.

My point is, as with the Dj world( and most creative industries) you have to pay your dues- simple as that. Its all about who you know and who you pester- not so much what you know. Sad but true conspiracy fans.


Posted by MikHail on Mar-28-2005 11:52:

Freak,

Thats the Audio Engineer course you graduated from ??

Was the Music Production course being offered at the time of your studies??

If so, any Inside info about it, like did you hear anyones conversation at the college about it being good?


Posted by Freak on Mar-28-2005 12:13:

no i did the degree course - BA (Hons) recording arts.


Posted by trancintaiwan on Mar-28-2005 15:23:

quote:
Originally posted by Nemesis44
minus 1

I have to quite strongly disagree with this post on a certain level so I would say.
As you all know I have had my decks for a while.
The truth is that I didn't really discover the truth about DJing until I started exploring sound and the technical side about music production. It opened my eyes to a whole new world, and my understanding of what makes a good DJ and perception of what makes a great DJ truly great has increased so much that it's not possible to quantify.

I think it would be a great idea to go to a club and see how the sound changes with different amounts of people, or even different clubs to see how the sound changes. It does a lot for your own sound.
Have you guys ever been to a club where you have had an average DJ warming up and then the main act comes on and everything just seems so much tighter and just sound better yet you can't put your finger on what it is. What they have done is they have messed with the EQs, understood the accoustics of the room and made the necessary changes. I do this all the time. If the DJ before me has a sound I don't think will work for me, I change it. But I couldn't do it without knwwing what the result would be.

It's true, you don't have to go to university to learn this or see it, but if you do go to university at least you will get the full scientific explaination and you wont have to fill in any of the gaps yourself.
Plus you will understand phase cancellation, which is something that I see a lot of you still struggle with due to some of the posts I have seen lately. This is also covered in sound engineering.

Also, understanding the music you are playing on a different level is not a bad thing either because you may select tracks differently and open up a new creative world.

I say go for it.

Cheers
Nem

PS
There have been a lot of dumb arsed comments on this thread.
If there is one thing that I can't stand it's when people start drawing up differences in class. Why the f*ck does it matter!? As Rakim once said, 'it aint where you from it's where you at!'



i completely agree with what your saying, that experience with sound etc. can help u better understand djing. but i was more stating the fact that djing is something that is almost not even touched upon in an audio engineering/music technology degree. being that i'm ending my third year at nyu... i have not heard any teacher mention DJ or turntables once.


Posted by Keith Chambers on Mar-28-2005 15:38:

quote:
Originally posted by Nou
Art Institute of Seattle is pretty good, I got a friend in there right now and he loves it, I think the other AI campuses around the country offer this course to, but I think Seattle is the best one.


The Seattle AI is like 100 feet away from me. It's the building right out my window...



I had no idea they had Audio programs. Ask your buddy if they call me the naked guy.


Posted by wrzonance on Mar-28-2005 19:15:

quote:
Originally posted by Keith Chambers Ask your buddy if they call me the naked guy.


not sure about that dude!!!

but i'll keep my eye's open... art institute seattle, right outside you're window, you live in Elliot Bay apartments?


Posted by wrzonance on Mar-28-2005 19:18:

quote:
Originally posted by Freak mic placement technique was not taught



what kind of audio engineering program doesn't teach mic placement... a bad one!

quote:
Originally posted by Freak My point is, as with the Dj world( and most creative industries) you have to pay your dues- simple as that. Its all about who you know and who you pester- not so much what you know. Sad but true conspiracy fans.


exactly, 'tis the truth... but a better program also helps you got ripped off sounds like, good thing you already knew mic placement.


Posted by Nemesis44 on Mar-28-2005 21:51:

quote:
Originally posted by trancinchink
i completely agree with what your saying, that experience with sound etc. can help u better understand djing. but i was more stating the fact that djing is something that is almost not even touched upon in an audio engineering/music technology degree. being that i'm ending my third year at nyu... i have not heard any teacher mention DJ or turntables once.


In this respect you are totally correct.

Cheers
Nem


Posted by mzvirbulis on Mar-28-2005 23:56:

quote:
Originally posted by trancinchink
i completely agree with what your saying, that experience with sound etc. can help u better understand djing. but i was more stating the fact that djing is something that is almost not even touched upon in an audio engineering/music technology degree. being that i'm ending my third year at nyu... i have not heard any teacher mention DJ or turntables once.

+1
thats why many of us dj's etc. want more experience with sound in so many ways, so we go to say a Audio college to expand our mind on various things we have never heard of or have very little understanding.


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