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It's hard, but you should always try and compare your tunes against your own recent productions, and not against professional tracks.
Of course you'll want to listen to pro tracks to find out where the quality bar is, but be careful not to get frustrated because you don't achieve that quality.
As long as you improve compare to your last song, you're making progress! And even if you don't improve, at least you've had more practice and are more likely to improve with your next one.
True.. I usually tend to look up the experience behind the pros too if I'm comparing my tracks with theirs and that kinda keeps me away from being frustrated. I mean some of the pros have 10+ years of music production experience and that's ALOT! I mean think about how much you've improved in the last year and times that by 10 to see where you'd be 10 years from now (if you stick to production that is).
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| Originally posted by digitul punk True.. I usually tend to look up the experience behind the pros too if I'm comparing my tracks with theirs and that kinda keeps me away from being frustrated...... |
I agree with not comparing your tracks with pros - but doesn't it just totally piss you off when someone posts something like: "Ok guys, I thought I'd give production a shot, so I bought cubase yesterday and played around with it and got this noobish sounding thing *link" And then it turns out to be something ten times better than what you ever managed to produce in your first year 
(double post)
| quote: |
| Originally posted by Aquarian I agree with not comparing your tracks with pros - but doesn't it just totally piss you off when someone posts something like: "Ok guys, I thought I'd give production a shot, so I bought cubase yesterday and played around with it and got this noobish sounding thing *link" And then it turns out to be something ten times better than what you ever managed to produce in your first year |
| quote: |
| Originally posted by Aquarian I agree with not comparing your tracks with pros - but doesn't it just totally piss you off when someone posts something like: "Ok guys, I thought I'd give production a shot, so I bought cubase yesterday and played around with it and got this noobish sounding thing *link" And then it turns out to be something ten times better than what you ever managed to produce in your first year |
Seriously though, I pick up concepts quickly, which I think is why it's so frustrating when I have to struggle with one for a long time.
I think aswell, you have to know what your actual ability is when it comes to producing. Continuing my point about researching too much without practice...
I mean, how many of you can honestly say when you were in your infancy as a producer, you never gave up on a song in it's early stages because you couldn't get it sounding anywhere near as good as some other song you wish you could live up to.
I think it's important to know your limits when producing a track. Trying to live up or compare your tracks to producers that have been doing it for a long time won't get you anywhere. You must compare or measure your progress to your last track and nothing else.
I quite like Liam from the Prodigy's view on productions. He says that he has this one playing in his head and everytime he writes a track, he's just trying to get that one track out of his head and into sound.
He's probably accomplished that by now, since the interview I read was about 5 years ago now.
I do think its a pretty cool way of looking at musical progression though. Sort of takes the whole concept of 'pro' and 'n00b' out of the equation and makes it more relative to where your coming from regardless of your skill level. You can try and write the same tune from scratch a hundred times and come out with different results each time.
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