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-- Santiago Nino Octuber 2005 Mix (Download)
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Posted by Stu Cox on Oct-20-2005 18:36:

quote:
Originally posted by Boomer187
eq controls are a little more apparent when using a mixer as opposed to ableton. I figured if he wasn't using them then he probably didn't know the option was there in ableton. and yes, I know that controllers for ableton are mixers with visible eqs.

lol I think Santiago probably knows his stuff


Posted by TOR on Oct-22-2005 09:01:

nice selection of tracks


Posted by coded audio on Oct-22-2005 20:23:

a well mixed set of non offensive commercial progressive. My main complaint would be the levels. Some kick drums sound like a tin can and others sound like thunder as well as big track volume variation.

It is certainly a mix that would appeal to many but I found it far too safe for my tastes.


Posted by bith on Oct-22-2005 21:10:

I enjoyed this mix. Have any more?


Posted by Cloud on Oct-22-2005 22:16:

Why did u play Aftermath first?


Posted by DJlyall on Oct-24-2005 11:31:

i listened to your mix the other day, thought it was good! just a couple of things to point out though, "buy now - for sale" sounded like it was a beat behind when you brought it in to the mix, but didnt sound to bad, also, if i mind correctly, the second last track with the moby accapella sounded very quiet to the rest of the tracks in your set! Apart from that it was a good mix of electro fused with trance tunes, good mix! also, keep up the good work with your productions! CHECK OUT MY NEW MIX IF YOU GET THE CHANCE!

THANKS, djlyall


Posted by Kaz on Oct-24-2005 14:56:

link expired! Could someone repost?


Posted by DJlyall on Oct-24-2005 15:00:

What link are you after and for which post?


Posted by Kaz on Oct-25-2005 14:59:

Re: Santiago Nino Octuber 2005 Mix (Download)

quote:
Originally posted by SantiagoNino
Download Here : Santiago Nino October 2005 Mix


oh just the link to the mix..


Posted by Turner on Nov-14-2005 17:56:

quote:
Originally posted by Disco_Gibson
lol

see wot happens when u try and act the smart ass...u get owned.

Nice try at sounding funny



Anywayz,back to the set....


Just spotted this, in which way was i owned u cock?


Posted by DJlyall on Nov-14-2005 18:14:

Who exactly are you refering to? coz i aint got a clue?


Posted by Turner on Nov-14-2005 18:25:

quote:
Originally posted by DJlyall
Who exactly are you refering to? coz i aint got a clue?


The person who i quoted.


Posted by DJlyall on Nov-14-2005 18:39:

fair enough, thats not me then!


Posted by DJ Sarah H on Nov-14-2005 20:44:

quote:
Originally posted by Turner
The person who i quoted.


behave or you know what will happen!


Posted by Turner on Nov-14-2005 21:03:

quote:
Originally posted by Wicked Neo
behave or you know what will happen!


Yes i do, its happened many a time in the past.


Posted by Clovis on Nov-15-2005 06:32:

wtf...you cant OPEN with Aftermath Thats like...against the law.


Posted by Vlad on Nov-15-2005 06:38:

quote:
Originally posted by Clovis86
wtf...you cant OPEN with Aftermath Thats like...against the law.


I could be wrong, but I think people who put tracks like that in the beginning of a set, have problems mixing into the track or cant find a track to mix into it with, but yet they have to put the track in their mix and the easiest way to accomplish that is to just stick it in the front.


Posted by Stu Cox on Nov-15-2005 10:47:

quote:
Originally posted by Clovis86
wtf...you cant OPEN with Aftermath Thats like...against the law.

If you actually listen to the mix (which I think sometimes people don't even bother doing before commenting on it!) I think it works really well.

This is why I dislike the whole 'tracklist culture', where every mix needs a tracklist before anyone will listen to it... people end up judging a mix simply from what tracks are in what order based on certain "rules" they think exist, even though a good DJ can use the way they mix two tracks together to make almost anything work. I heard a mix a little while ago with someone starting on 150bpm hard trance and finishing on 135bpm breaks, working down through trance in between, but because of the way the mixes were done, no energy was lost going from one track to the next.


Posted by Allied Nations on Nov-15-2005 12:04:

Yeha, which is why my demo owns.


Posted by Vlad on Nov-15-2005 17:48:

quote:
Originally posted by Stu Cox
If you actually listen to the mix (which I think sometimes people don't even bother doing before commenting on it!) I think it works really well.

This is why I dislike the whole 'tracklist culture', where every mix needs a tracklist before anyone will listen to it... people end up judging a mix simply from what tracks are in what order based on certain "rules" they think exist, even though a good DJ can use the way they mix two tracks together to make almost anything work. I heard a mix a little while ago with someone starting on 150bpm hard trance and finishing on 135bpm breaks, working down through trance in between, but because of the way the mixes were done, no energy was lost going from one track to the next.



Anyone can do anything they want with the tracks they play at their own discretion, but in the case of Aftermath, right now, its a hot peak hour track that everyone wants to hear and sticking it in the front could take away from the track and the mix.


Posted by Clovis on Nov-16-2005 02:59:

quote:
Originally posted by Stu Cox
If you actually listen to the mix (which I think sometimes people don't even bother doing before commenting on it!) I think it works really well.

This is why I dislike the whole 'tracklist culture', where every mix needs a tracklist before anyone will listen to it... people end up judging a mix simply from what tracks are in what order based on certain "rules" they think exist, even though a good DJ can use the way they mix two tracks together to make almost anything work. I heard a mix a little while ago with someone starting on 150bpm hard trance and finishing on 135bpm breaks, working down through trance in between, but because of the way the mixes were done, no energy was lost going from one track to the next.


Sure it might not sound bad...but Aftermath SHINES at 4:30 in the morning on a packed dancefloor in a dark club on a huge system. Even cranked loud at home on good speakers it is not the same. The track is MEANT to be played in the aforementioned setting.

I am all for breaking the rules...but this doesnt look like an "oh lets try something really interesting" rule breakage, it sounds like "oh shit this track is massive but it doesnt fit with anything else here...badabing"

Digweed, Sasha etc will drop this at 4:30am and make the club explode. There is a reason for this...


Posted by Mike_Foyle on Nov-16-2005 12:45:

to be honest i cant stand the track anyway, no matter what time it's played hehe. for me it's no where near as special as everyone seems to make out...


Posted by DJlyall on Nov-16-2005 12:51:

i agree, but i do have a copy myself, its nothing spectacular, ive heard better,i think the build up in the break is a bit long, but dropped at the right time, it could do some damage on the dance floor!


Posted by Stu Cox on Nov-16-2005 14:12:

Listen to this mix at 4:30 in the morning and you'll get exactly what you're after then

I joke, I agree tracks can get that kind of feel about them so it seems strange when they're played at any other time, although if I was going to play it myself I'd usually have to play it quite early as the bulk of my set will normally be faster and tougher than that... maybe that means I shouldn't play it? Although playing to a trance/hard trance crowd, most people might not know it so it wouldn't have the same "I wish they played this later" thing, who knows...


Posted by Vlad on Nov-16-2005 16:39:

Why would you want to incorporate it in a trance/hard trance set unless you made some sort of bootleg remix to it.


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