TranceAddict Forums (www.tranceaddict.com/forums)
- Music Discussion
-- Is there trance for us bassheads?
Pages (2): « 1 [2]
| quote: |
| Originally posted by SYSTEM-J I fail to see how you equate a football crowd chanting and jumping with dancing. |
| quote: |
| Originally posted by stev�sto aww i feel sorry for you then. |
SOME melodies you can dance to, because the melody itself has a beat to it. all melodies/acapellas have a tempo to them, they dont sound right layered over a beat unless the tempo is matched. but to make a blanket statement like you cant dance to a melody is inviting a challenge. the example i gave of zombie nation disproves it. folk music singing is another, someone gets up and just sings and people naturally feel the rythm/tempo to the melody and join in with clapping their hands. gospel singing is another. using an example of trance songs with the beat taken out to make a chill out cd is a bad one to prove that you cant dance to a melody.
go find a copy of jon b - trance and bass. its a compilation he made for mix mag a couple yeras back
nothing even comes close if you dig your deep bass sounds
| quote: |
| SOME melodies you can dance to, because the melody itself has a beat to it. all melodies/acapellas have a tempo to them, they dont sound right layered over a beat unless the tempo is matched. but to make a blanket statement like you cant dance to a melody is inviting a challenge. the example i gave of zombie nation disproves it. folk music singing is another, someone gets up and just sings and people naturally feel the rythm/tempo to the melody and join in with clapping their hands. gospel singing is another. using an example of trance songs with the beat taken out to make a chill out cd is a bad one to prove that you cant dance to a melody. |
Perhaps I was being a bit too blunt. My personal definition of "dance music"- electronic or otherwise, is where the track is defined by what the lower end is doing- you dance when the beats and bassline are in full flow, you stop and catch a breather when they cut out, you speed up and slow down accordingly. You find this to be universally true- the "peak" of any dance track will always have the beats out in full force, and the "lulls" will usually have little or no beats. Even if you can clearly define these points by the rest of the track, the bottom end leads by example.
To use the Zombie Nation example- when you hear the record in a club, when do you start dancing? Is it when the melody kicks in, or the beat? So yeah- I'm wrong because you can dance to pure melody, but in the context of dance music you don't. The bottom end is a crucial part of the genre, and so bassheads simply want to amplify it.
For a dance track, for me, it is important to have all three. But some find some things more pleasing than others. I personally, like I said in my earlier post, am just more into melodies with a nice beat, and it's one of the reasons I like trance so much, because of it. The bass is fine, but I would much rather have a nice clean and smooth bassline, vs. a really booming bassline like in a lot of psy and hard trance, and various hardcore dance stuff. I like how some epic and progressive can have a pretty big bassline at times, yet it doesn't seem to take over the track as it does with some other music. The sole purpose of this music, I don't feel, is just for dancing. It's nice to just sit back and chill out to a trance mix or track, you don't have to dance to it all of the time. Just like hip hop, you can dance to it, you can also listen to it, it doesn't really matter. Hip hop isn't exclusively music for dancing. I doubt people are dancing in their cars listening to trance, or walking around with an MP3 player. It's just fun to listen to it.
Actually, for a dance track it's not necessary to have much melody aside from the bassline. I can think of many huge club hits you can't really whistle.
It's simple really. You listen to trance because you enjoy the melodic side over the rhythmic side, where as bassheads prefer to groove to music and so bring the bottom end to the fore.
| quote: |
| Originally posted by SYSTEM-J Actually, for a dance track it's not necessary to have much melody aside from the bassline. I can think of many huge club hits you can't really whistle. It's simple really. You listen to trance because you enjoy the melodic side over the rhythmic side, where as bassheads prefer to groove to music and so bring the bottom end to the fore. |
The bass is the melody, and the melody is the bass
| quote: |
| Originally posted by 2lazy2shave The bass is the melody, and the melody is the bass |
| quote: |
| Originally posted by 2lazy2shave The bass is the melody, and the melody is the bass |
| quote: |
| Originally posted by 2lazy2shave The bass is the melody, and the melody is the bass |
Powered by: vBulletin
Copyright © 2000-2021, Jelsoft Enterprises Ltd.