TranceAddict Forums (www.tranceaddict.com/forums)
- Music Discussion
-- Tracks that should've been a mainstream hit
Pages (3): « 1 [2] 3 »
Re: Re: Re: Tracks that should've been a mainstream hit
| quote: |
| Originally posted by Gauss You can't be serious. You must've heard it at least once, it was impossible to avoid it back in the day when it was popular. And it's a good track, to be honest. |
Re: Re: Tracks that should've been a mainstream hit
| quote: |
| Originally posted by SYSTEM-J Motorcycle - As The Rush Comes: #11, UK Singles Chart Nalin & Kane - Beachball: #17, UK Singles Chart IIO - Rapture: #2, UK Singles Chart Deep Dish - Flashdance: #3, UK Singles Chart They were big mainstream hits. |
Re: Re: Re: Tracks that should've been a mainstream hit
| quote: |
| Originally posted by RedSquare I'm listening to it now. It's horrible. |
| quote: |
| Originally posted by s3nate I would be amazed if 1/50 people here even knew one of those songs. |
Austin - I Get High
Re: Re: Re: Tracks that should've been a mainstream hit
| quote: |
| Originally posted by s3nate I would be amazed if 1/50 people here even knew one of those songs. |
| quote: |
| Originally posted by Ishkur Pop music is not a thing. It is a process. |
| quote: |
| Originally posted by Project-K Note to spirit5: how to make a point in 10 words or less. |
Re: Re: Re: Tracks that should've been a mainstream hit
| quote: |
| Originally posted by s3nate I would be amazed if 1/50 people here even knew one of those songs. |
darude - sandstorm
| quote: |
| Originally posted by Project-K Note to spirit5: how to make a point in 10 words or less. |
| quote: |
| Originally posted by Spacey Orange darude - sandstorm |
| quote: |
| Originally posted by Cetra� Seriously, I've heard enough fucking bullshit trance. No, it should not be easily accessible or however you want to put it. If people want to listen to trance they should. If they want to listen to what mainstream media and theiving record companies want you to listen to, then they can do that too. things like 'top 40' etc... are all shams, they don't portray accurately what the most popular types of music are and aren't healthy at all. |
| quote: |
| Originally posted by Spirit5 Note to Project-K, I don't care, you don't have to be the 1 millionth person to remind me of that. It's not like I don't realize it so I have to be reminded. Don't like having to read more than three line posts, then don't read it, it's that simple. |
Actually, when I come to think of it, this thread has a really good point behind it, even if Indus Creed wasn't making it directly.
Put simply: the fact that perfectly digestible and mainstream records that should be chart hits (and, as I've shown, were chart hits in the UK and Europe) are routinely ignored by both the record labels and the public in places like the US and Canada shows a cultural bias and intolerance towards electronic music.
Now the predictable answer is: "Who cares, fuck off, leave dance music to the underground" with the implication that genuinely credible, uncompromising and challenging artists will not get recognition, or will sell their souls in pursuit of money, success and untold wealth. To that I say: bollocks.
Credible, uncompromising artists can have mainstream success, in any genre. In rock music, acts like Pink Floyd and Radiohead have proved that music can satisfy the mainstream without being soulless or shallow. If a genre of music is given chance, then the more mainstream acts will only beget interest in the more accomplished ones.
I don't particularly like this "dance music shouldn't try and be mainstream" attitude. It's not that dance music should alter itself to appeal to the wider audience: as this thread points out, there are songs in EDM that should already appeal to the mainstream, and yet they are the subject of bias. The argument "nobody in North America likes dance music and that sucks" is not a call to water down dance music, it's a call for equality. A snobbish "us and them" attitude can actually be detrimental to the genre.
Why? Because it's encouraging a distinct split between underground and overground. Dance music used to have its Pink Floyds with acts like Orbital and Leftfield: cross-over acts that satisfied genre purists and outsiders alike, while doing unique, experimental things with the music. Where have those acts gone? Where's the "Leftism" or "In Sides" of the '00s? It's all either snobbish Kompakt crowds or idiotic electro-house tosh. There aren't enough acts any more who want to make genuinely interesting, credible dance music without getting stuck up their own arses, and there aren't enough acts who want to be ambitious and reach wider groups of people without using the most derivative tactics to get there.
Maybe the failure of the "electronica" push in America and the early-00s "death of dance" killed off the idea of just being an electronic artist, without having to place yourself on one side or another of a "mainstream/underground" divide. It's an alien idea these days for a dance act to succeed in one area and also the other. All the good musicians are so stung by the idea that nobody in the wider world will like them they won't even try. I think the genre's all the more poor for it.
| quote: |
| Originally posted by Project-K I've stopped reading them actually. Not because they're long, but because they barely say anything that couldn't be resumed in a few words. |
| quote: |
| Originally posted by Spirit5 Besides, I get my posts misinterpreted, my view points misinterpreted |
| quote: |
| Not really. I think deeper than to just write posts in a few words. Sure I could say a few words, but to me..it would mean nothing and not truly be a discussion. It's not trully explaining what I am saying. Besides, I get my posts misinterpreted, my view points misinterpreted or just skewed the wrong way (i.e. me talking about pop-trance/dance music when I actually don't really listen to that anymore, but my posts my seem like I still do). I like to try to take other view points and or try to come to a middle ground, and to do that...it's just not easy to do in say two or three words. I have to explain myself, and if you don't like it, don't read it or bother commenting on it because that's not going to change it. Your not me, and don't know me, so your comments are best left out of this perfectly valid discussion. To me a discussion is a discussion, and posting on a message board is not the same as an IM or chat room where things should be left short. Some may think it is, but I think of it more like a blog than a back and forth conversation (maybe elements of both). Some threads can just be a few and start out as just a few words...which usually is all that is needed (track suggestions). Then it turns into a discussion and people discuss the topic more throughouly. This is an example of a thread like that. |
| quote: |
| Originally posted by Spirit5 Not really. I think deeper than to just write posts in a few words. |
Gui Boratto - Beautiful Life deserved mainstream attention because it was a hell of a track. It screamed VH1 in my opinion.
But I agree, no track SHOULD be mainstream by any means.
Re: Re: Re: Tracks that should've been a mainstream hit
There seems to be too many confusions/discussions/debates on the idea behind this thread.
I don't intend to disrupt the debate - it is always a good learning point. I do intend to clarify though, if only to clear some confusion.
1. Yes, the tracks i mentioned (atleast some of them like "As the rush comes" etc) were massive hits possibly in UK and a couple of more countries. However, they didn't get much airplay in North America. Barely anyone from mainstream audience is aware of them.
2. I wanted to know of EDM-tracks that you feel should've been a decent hit among the mainstream audience but that didn't really make it. This was specific to countries other than UK (and some more countries from Europe). More specifically, i had example of US and Canada in mind.
3. My point also was not that the tracks i mentioned are the best Trance tracks or anything. I just feel (and this feeling comes from playing tracks at local paries comprising mostly mainstream crowd) that many of similar kind of tracks had it in them to be decent hits among the mainstream crowd in US/Canada etc. but didn't quite make it thanks to the general apathy and ignorance to EDM scene. I was not specifically looking at the opinion on those tracks (even though that's welcome) but a listing of tracks that sufferered similar fate.
Finally, apart from the tracks i already mentioned, i have played tracks like Barakka - Song of the Siren (Max Graham Mix), IIO-Rapture (Deep Dish Mix), Lustral - Everytime etc. and i have had people ask me what song was that. And this was at parties where anything EDM would be totally out-of-place. My point - as someone already mentioned, people like good vocals+beats+melodies+emotion combination and it hardly matters to them if they come from Trance or generic EDM or any other genre.
I am sure many veterans on this forum know about more such tracks that could've been lapped up by the mainstream audience (or will be very much acceptable to the mainstream audience if you play it in a party) and just wanted to have their inputs.
| quote: |
| Originally posted by Sykonee I think he was using those tracks as examples that HAVE made it mainstream. The topic seems to be about other tracks that had all the hallmarks of such tracks, but didn't quite cross over (for whatever reason). |
Way Out West - Mindcircus
| quote: |
| Originally posted by Semirk Way Out West - Mindcircus |
hmm i thought Punk and Burned with Desire were mainstream hits(i heard Burned with desire played in abromcrombie before)
| quote: |
| Originally posted by SYSTEM-J No you don't. You take a simple point and state it, then re-state it and then re-state it again, usually with a quasi-anecdote or pointlessly long list of tracks. There's nothing "deep" about your rambles, they just consist of a point that could be stated laconically being repeated, as though saying something in many words gives it more worth. |
You'd find that nobody would get on at you if you didn't worry so damn much about being understood clearly. You often make perfectly agreeable points that can have relevance to the discussion, but you manage to make them very irritating by putting them in such a tedious way. If you did it in real life, you'd be the kind of person who you'd have a conversation with in the pub, but they'd keep banging on and on about the same thing until the subject matter becomes utterly boring or unfunny.
Seriously, chill out. It isn't some horrible faux-pas to be misunderstood on the Internet. What you'll actually find is that if you make a concise point that's misunderstood, you can reply to the person who's misunderstood and clear up the issue easily, because you can tell what they've got wrong. You don't do that- you carpet bomb your point and don't give chance for people to misunderstand it, in the process smothering your actual point.
Next time you make a post, pause before hitting "Submit" and just cut out every sentence where you're repeating a point.
| quote: |
| Originally posted by SYSTEM-J Next time you make a post, pause before hitting "Submit" and just cut out every sentence where you're repeating a point. |
Powered by: vBulletin
Copyright © 2000-2021, Jelsoft Enterprises Ltd.