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-- Eric Prydz American tour
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Has anyone really thought if Prydz is going to play all the same tracks we already know, if he as a giant stash that he is going to tap into this tour?
I mean Digweed played out everything of his, Sasha started to, Armin, and just about everyone else out there has played his stuff. Is he going to just put all this into one mix? Are we going to like that?
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| Originally posted by llavoe Has anyone really thought if Prydz is going to play all the same tracks we already know, if he as a giant stash that he is going to tap into this tour? I mean Digweed played out everything of his, Sasha started to, Armin, and just about everyone else out there has played his stuff. Is he going to just put all this into one mix? Are we going to like that? |
| quote: |
| Originally posted by llavoe Has anyone really thought if Prydz is going to play all the same tracks we already know, if he as a giant stash that he is going to tap into this tour? I mean Digweed played out everything of his, Sasha started to, Armin, and just about everyone else out there has played his stuff. Is he going to just put all this into one mix? Are we going to like that? |
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| Originally posted by miamitranceman That's what's great about him. He almost always has new productions up his sleeve, and he inserts them into his live sets. |
if he does not play new shit, as a promoter/club i would as for my money back, and tell him to go back to being afraid of flying.
i'll rockin the VIP for the calgary show oct 17, can't wait, should be a good night
of course he's going to be dropping fresh tunes, he's a producer, it's what he does
we'll probably hear some unreleased updates of some older tunes made especially for the tour
Not only does he have an assload of edits you've probably never heard, but he constantly plays demos that he made THE NIGHT BEFORE THE GIG. I swear sometimes it's disappointing to know you'll never see a release on your new favorite track because it's technically not even finished. 
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| Originally posted by iammesol Not only does he have an assload of edits you've probably never heard, but he constantly plays demos that he made THE NIGHT BEFORE THE GIG. I swear sometimes it's disappointing to know you'll never see a release on your new favorite track because it's technically not even finished. |
will defo be out to his show here at vision. prydz is a great producer... incredibly adept at writing simple,catchy riffs and building tension in his over the course of a track. regardless of opinion, no one can deny the effect most of his tracks have in the club.
btw google eric prydz mastering if you really want to know how he gets his shit to sound so good :P
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| Originally posted by RJT Well you can rest assured knowing it will probably just wind up another 10 minute long loop of the same 32 beats with a random extra long breakdown in it (which is really just the same loop as the rest of the track without the kick), and that it's probably not worth your time anyway. |
I'm just content in that you've at least admitted to being the biggest Prydz fangirl in the world.
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| Originally posted by UWM I'm just content in that you've at least admitted to being the biggest Prydz fangirl in the world. |
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| Originally posted by iammesol Not only does he have an assload of edits you've probably never heard, but he constantly plays demos that he made THE NIGHT BEFORE THE GIG. I swear sometimes it's disappointing to know you'll never see a release on your new favorite track because it's technically not even finished. |
That's exactly my point. He had made it the night before in his hotel room. It's not even called stunt, and will never be released or finished. 
Even Proper Education was meant to be an edit... he made it on the train in between two UK gigs, and that night the crowd went ballistic to it, so he finished it. 
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| Originally posted by RJT Well you can rest assured knowing it will probably just wind up another 10 minute long loop of the same 32 beats with a random extra long breakdown in it (which is really just the same loop as the rest of the track without the kick), and that it's probably not worth your time anyway. |
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| Originally posted by RJT initially was Prydz bill for Miami was 30k. |
I've seen him play out, and he was the best DJ i've ever seen. I may be a little biased though... idk 
There are a lot of DJs (yeah, not the "bigger named" ones) who play solid tracks they've been working on maybe the night before or the last week or so that will never see a release. Prydz isn't the only one.
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| Originally posted by iammesol I may be a little biased though |
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| Originally posted by llavoe Like he's the only one making long tracks out there? Those long tracks sound so short in a packed club with everyone there loving the music, and currently you really couldn't get a better guy to be doing those kind of tracks anyway... |
All I know is that he's going to be in Miami with Paul van Dyk November 10th.
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| Originally posted by UWM |
What if Steve Angello got payed 30K for a dj gig, imagine that...
That promoter would need to be shot.
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| Originally posted by ibizzzaaa What if Steve Angello got payed 30K for a dj gig, imagine that... |
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