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-- Total ****ing Departure [Techno for June]
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tracklist looks good although i would have liked to hear a real live mix and not ableton. regardless I will have to check it out.
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| Originally posted by Quadlow tracklist looks good although i would have liked to hear a real live mix and not ableton. regardless I will have to check it out. |
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| Originally posted by Az heh why ride a horse when you can drive a ferrari? |
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| Originally posted by Quadlow Also let me preface this by saying I have been using Ableton for about 4 years now to do all of my edits and to produce. |
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| Originally posted by Quadlow The first thing is that as much as I love Ableton and all of its features the crowd doesn�t like it and most people don�t want to see people sitting at their laptop nodding there head. |
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| Originally posted by Quadlow I understand this is just a promo mix but when it comes to playing live Ableton is great but I and 98% of the public find much more enjoyment in seeing someone rock some equipment to do the same thing. |
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| Originally posted by Quadlow Also not labeling the set as an Ableton mix from the get go kind of bothers me because it makes it seem as if people mixed it live. Every other mix now is done in Ableton it seems and it just makes the people who actually mix live and slip up here and there sound bad. Reasoning behind this is because everybody gets use to perfect CD�s which is not how it really is. |

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| Originally posted by Quadlow The second reason is because yes I would rather drive the Ferrari but what�s the point of driving it if you�re only going to drive 5 miles per hour. I haven�t heard the mix yet so I don�t know what you have done but I bet its only a few effects and some non-eqing mixing. About 98% of people that use Ableton to do DJ sets don�t get close to using it to its full potential. So basically it�s just a perfectly beat match set that doesn�t require much skill over then finding out which tracks sounds pretty together and rendering it. |

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| Originally posted by Quadlow So in closing I haven�t even checked out the mix yet and will do. Not trying to be fussing just giving your some reasoning behing my statements. Will report back when its check out. Also if you wish check out my mix Josser and give me a hard time as well, lol. |
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| Originally posted by Az lovely, I've been using it since 2.0 for production and DJing also. |
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| Originally posted by Az I fucking hate this argument, it's horseshit. I've seen countless Ableton sets, the only time I've seen it be at a detriment to the night has been Sasha, but thats cos he's lazy, it's not Abletons. I've also seen Jeff Mills painfully try to still prove he can mix on 3 decks when it's blatantly obvious he can't. Ableton would help him, but like an old man he's stuck in his ways. |
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| Originally posted by Az Two Ableton sets I've seen that stand out in my mind as two of the best sets I've ever heard, are when I saw Carl Craig at fabric , and Andy Stott at last year�s Sonar festival. I can assure you the crowd absolutely loved it on both occasions. |
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| Originally posted by Az maybe, but thats your philosophy, not mine. I want people dancing, not staring at me "rocking equipment" |
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| Originally posted by Az so I should label it as an Ableton mix out of respect for people who don't mix on Ableton? give me a break ![]() |
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| Originally posted by Az I've been Ableton mixes on here for as long as I care to remember, I'm sure I labelled them at some point but no ones ever seemed to have cared before. And why should they if the musics good? |
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| Originally posted by Az Ha I wouldn't judge me entirely on this, I was fucking hammered ![]() I get your point, and agree with you, but in the main I'm always trying to do something different with ableton, as I'm sure RJT, Bas, Clovis, Jay etc... can testify to, doesn't always work, but I'm never plodding along from one track to another, there's always something happening. I very rarely use FX either. |
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| Originally posted by Az yet you've made some massive assumptions on how I've used it as if I'm the same as everyone else. Poor Show. it's downloading, and shall try and give it a listen in the next few days. |
mmmm, last few minutes were fuckin wonderful.
need to bring this into work...
anyone got a review or feedback on this mix before I use one of my last blank cds?
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| Originally posted by Quadlow You can hate it or not but it�s the truth. I can sit and listen to an Ableton set and be cool with it if the music is good some times. But I would more impressed to see it done equipment. People use Ableton to mix tracks and not play live. It wasn�t meant for that; it was meant for production and playing live. If you�re not going to use it to its full capabilities then it�s a farce personally. You are completely right about Jeff Mills though. |
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| Originally posted by Quadlow It has nothing to do with that. Yes people might be dancing but the person using it is sitting up there click and pointing having a program do all the work. I could teach my grandma to use Ableton in two hours; at least enough to get her to start putting tracks together. |
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| Originally posted by Quadlow No. But you label it to let people know that you used no skill in phasing and beat matching. You have all the time in the word to sit in front of the program trying to see what works. When you play with decks or hardware you have to know what works or make it work. |
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| Originally posted by Quadlow When your representing yourself as an artist or as a DJ it does matter. I really could care less if a mix is done in Ableton. I just hate it when someone has to ask to find out. At least you were honest. Ableton gives everyone the opportunity to be a DJ with little skill required. It saturates the market, the forums and the airwaves with people who don�t even know the basics in spinning. Some might say times have changed and there is no need to understand or be able to perform them but I�m not one of them. |

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| Originally posted by Quadlow Rock n� Roll. I heard a bit of it on the train on the way home and you were doing a lot with the program from what I could tell. I have to take a few more listens in order to give a proper review. And once again I don�t mean to get on you or anything. Music is Music and all that shit but I just wanted to give a reason for my comments. Everyone has different opinions and that�s all gravy, but I have given everyone I know some crap, including Rob on this same subject so please don�t take anything personal. The only assumption I made was about how you used the program in once sentence. I contemplated taking it out because I know I have never heard any of your mixes but I didn�t. Because 97% of the time it�s true. Also I�m to lazy to read through what I wrote again so If I made some stupid point or something please disregard. Back to the mix! |
sweet mix man, really enjoyed this. i'm finding a lot for my beatport "to get" list...good shit. 
Been saving this one for the weekend, downloading.
Wasn't aware of how much I still love and adore honest techno ... thanks so much for this pretty piece of music
great choice of tracks!
not a huge fan of abletron premixed sets and definately like the feel of knowing that a set is done live and all it takes is a finger slip and it enters trainwreck city... there's just something magical about knowing that it's delicate work and hours and hours of practice
i've mixed using both and have to say decks are much more fun, but with that said, at the end of the night it's more important you kept everyone dancing and refrained from doing too many jesus poses
with that said, i've downloaded and will check this later tonight after my show
btw
skull fuck techno is some damn good marketing 
How the fuck is it that people have the impression Mark's sets are "premixed"?
He does it all live. And people really, really need to stop caring so fucking much about what medium people use to mix and start caring about whether or not the music is good.
The "Ableton vs. CD's vs. Vinyl vs. your moms twat" debate is so fucking stale it hurts. ![]()
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| Originally posted by RJT How the fuck is it that people have the impression Mark's sets are "premixed"? He does it all live. And people really, really need to stop caring so fucking much about what medium people use to mix and start caring about whether or not the music is good. The "Ableton vs. CD's vs. Vinyl vs. your moms twat" debate is so fucking stale it hurts. |
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| Originally posted by RJT How the fuck is it that people have the impression Mark's sets are "premixed"? He does it all live. And people really, really need to stop caring so fucking much about what medium people use to mix and start caring about whether or not the music is good. The "Ableton vs. CD's vs. Vinyl vs. your moms twat" debate is so fucking stale it hurts. |
YOU MEAN THIS WAS WITH TEH ABLTETONZ?
I TAKE BACK MY HOURS OF FUN AND DANCING, YOU ARE NOT A DJ!
the machine rages on
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| Originally posted by hotnike Cheap nike jordan shoes in http://hot-nike.com |
Oh, and, consider my skull fucked. Very unique, interesting mix that makes me keep moving in my chair at work. 
edit: just finished listening... holy shit @ that last track 
total fucking sex 10/10 as usual from you
Downloading this shit now. I'm almost as excited about this mix as Garnier's resident advisor podcast. almost That's how much I enjoyed the last one.
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| Originally posted by Pseudo Society Downloading this shit now. I'm almost as excited about this mix as Garnier's resident advisor podcast. almost That's how much I enjoyed the last one. |
) think
what the fuck?
Thats how men mix their mixes Asbrey, on fancy turntables. I hope you've taken note.
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