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- Music Producers Promotion
-- John Williams - Cantina Band (Rob Turner's "Han Shot First" Mix)
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| Originally posted by MrJiveBoJingles Any chance of a DL link? |
Okay. I ask because I can't listen to streaming audio anymore, since my only net access is at the school library. I download stuff to my portable hard drive and take it home to listen.
won't play in the player
Still works for me...
Anyone else having issues?
Just worked for me.
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| Originally posted by RJT Still works for me... Anyone else having issues? |
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| Originally posted by Omega_Blue still no go, it looks like it plays but no soundy things come out of my speakers |
Not working for me either. I will try again when I get back home on Sunday.
now it works
first of all, what vsts are you using? bassline sounds good. blips and bloops not feeling so much. would like to hear a more complete version..
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| Originally posted by Omega_Blue now it works first of all, what vsts are you using? bassline sounds good. blips and bloops not feeling so much. would like to hear a more complete version.. |
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| Originally posted by RJT Mostly Pro-53 and FM8. I don't recall what the bassline synth I used was - but the bassline itself is a modified MIDI of one of the melodies from a random MIDI pack I found. It was super, super cheesy though, and I don't really feel like I fixed enough of that, so we'll see I guess. |
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| Originally posted by Omega_Blue did you just edit it in an audio editor or something? just a rearrangement? |
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| Originally posted by RJT Nah, I just edited the MIDI file in Ableton - so basically I threw it in a channel with the pads on another one, figured out which synth I wanted to use, then just kind of used the initial MIDI as a base and drew/added/removed notes so that it didn't feel as hectic/cluttered (it was based on the MIDI for the sax part in the Cantina Theme). I don't know - it might change a fair bit yet as well. Like I said, super early version, so we'll see if it ever even finds its way to a "decent" state - still feels way, way, way too amateur/like an obvious Ableton production to me. |
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| Originally posted by RJT |
Some initial thoughts on this:
the bassline is doing too much melodically IMO, can be more reduced and rhythmic. Especially given the phrasing of the other lines.
Everything is very quantized and doesn't swing very much, I found it rather silly in that regard haha, given instrumentation and of course the original
I think everything needs to be a bit more ballsy. If you're going to make it spacey, make it spacier, if you're going to make it groovy, make it groovier, etc. It's suffering from a sort of I-dont-know-what-I-want-it-to-be syndrome
I don't like that weird classical 18th century stringy pad in the background. It sounds very canned and there's no expression in the delivery. I think the attack is too long and the pad itself is too muddy. The track wants to be weird, but many of the sounds and rhythms are too safe IMo to actually be weird.
My favorite moments are at the ends of phrases when everything sort of dies down and
The percs IMO are kind of funkless. The rhythm figures are esoteric and hard to get into - ie they dont translate into movement. Particularly the weird noisy glitch percs. I find them a little annoying. Take out the symbol crashes IMO
needs more syncopation
In general I think you need more automation.
I'm not feeling the white noise sweeps. I personally think it's an easy way out of creating musical tension through harmonics and timing, which is the essence of music. I am guilty of this myself in the past.
On that last bit: It's because I have no fucking clue what I'm doing with percs and fills 
Definitely one of the least favorite aspects of the track.
agreed on syncopation, it's what makes most tracks "driving" i suppose you could say
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| Originally posted by Omega_Blue agreed on syncopation, it's what makes most tracks "driving" i suppose you could say |

any updates on this??
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| Originally posted by Philby any updates on this?? |
no problem! its a pretty interesting project!
I think I'm the only one who loves this.
The clap is immense. Good job, sir.
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