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-- Philip Sherburne : What Happened?
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| Originally posted by Lebezniatnikov I agree with this. It's interesting to me how electronic music is so obsessed with the future - the next big thing, etc. When a track has been released for a few months, it fades away quickly and most dj's won't touch it. I understand that dj's are constantly looking for tracks that nobody else has their hands on, but what's wrong with enjoying music that is more than a few months old? |
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| Originally posted by paulandrews Personally, where I see the biggest potential, is in merging sounds of dubstep and techno - see Martyn, 2562, Appleblim (watch out for the brilliant remix he made with Ramadanman of a new tune featuring Paul St. Hillaire, forthcoming on Aus/Simple) or even Mathew Jonson. I can see this sound spreading more in the following months/next year. |
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| Originally posted by Clovis I love these people who act like every tune has to be the most forward thinking, innovative, weirdly structured, musical masterpiece they ever heard. It shows they don't go out much if at all. |
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| Originally posted by elFreak just saying. techno is a pretty broad term |
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| Originally posted by Sykonee Some tracks do last longer than the typical 3-month turnover. Unfortunately, it's usually stuff like Put Your Hands Up For Detroit that does. |
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