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-- Bit Rate - And why it doesn't apply to you
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Posted by EddieZilker on Apr-10-2009 13:52:

quote:
Originally posted by Subtle
...it probably wont hurt to do it of course.


That's my take on it.

Essentially, what's being accomplished is nominal but in the end game, to my thinking, every little bit counts. It's part of my production process to pay attention to things I actually want the listener to ignore. No one's going to go, "Great job! You used a high-resolution master on this one, Eddie." With rare exception do people notice how my hi-hats are layered and panned, either.


Posted by Subtle on Apr-10-2009 13:56:

quote:
Originally posted by EddieZilker
That's my take on it.

Essentially, what's being accomplished is nominal but in the end game, to my thinking, every little bit counts. It's part of my production process to pay attention to things I actually want the listener to ignore. No one's going to go, "Great job! You used a high-resolution master on this one, Eddie." With rare exception do people notice how my hi-hats are layered and panned, either.
haha

Yeah i do it too, although with a feeling that im doing it only because i can!


Posted by Waza on Apr-10-2009 14:20:

It's all down to taste really, me i render it to cd quality and thats it like it or lump it.


Posted by EddieZilker on Apr-10-2009 15:42:

quote:
Originally posted by Waza
It's all down to taste really, me i render it to cd quality and thats it like it or lump it.


Will that be one lump or two?


Posted by DJ RANN on Apr-10-2009 19:59:

I work at the highest possible quality I can so that's usually 24 bit 96k. It lets me hear more during the production process and therefore gives me a better chance of doing a better job.

Don't get me wrong, if you can't make sweet music at 16bit 44.1 then higher quality isn't going to help you but the only limitation for me is CPU power and HD space, and I have enough of both so why not.

I'd never submit anything other than CD standard for commercial purposes but my master is going to be the bast I can possibly do. Just because the consumer standard is lower, doesn't mean I have to compromise during the production process.


Posted by cronodevir on Apr-11-2009 03:03:

quote:
Originally posted by Subtle
What are you guys rambling about ?

The end product is going to be 16 bit anyways, and even worse, a 320 kbps mp3 file at best.


No it won't unless there is a sudden surge of listeners who encode their own mp3s. The end product is what YOu release, not what people do to it.

That is like Lamborghini selling a pile of junk because "the end result will be a car wreck"...


Posted by Subtle on Apr-11-2009 05:57:

quote:
Originally posted by cronodevir
No it won't unless there is a sudden surge of listeners who encode their own mp3s. The end product is what YOu release, not what people do to it.

That is like Lamborghini selling a pile of junk because "the end result will be a car wreck"...
Yeah you`re right, I mean who the hell uses mp3 ?


Posted by cronodevir on Apr-11-2009 05:59:

320 isn't the highest bitrate you can get with mp3. And most people I know listen to wavs


Posted by Subtle on Apr-11-2009 06:13:

quote:
Originally posted by cronodevir
320 isn't the highest bitrate you can get with mp3. And most people I know listen to wavs
It is the highest for download portals, and the highest for the whole mp3 standard as we know it. (Yes, then there is the MP3 HD format, i know. )

Do they ? that is good for them, cause i dont think i know a single soul who listens to wave files without it being from a released CD.


Posted by cronodevir on Apr-11-2009 06:17:

You can get wavs for music, and it doesn't have to be a released CD :P I know people who dj and they just use wavs [i wonder if they are still djs?] ..and nothing else.

Also you can use .ogg


Posted by Subtle on Apr-11-2009 06:26:

quote:
Originally posted by cronodevir
You can get wavs for music, and it doesn't have to be a released CD :P I know people who dj and they just use wavs [i wonder if they are still djs?] ..and nothing else.

Also you can use .ogg
And FLAC etc. but the wast majority of music these days are played as mp3, because hardly anyone is able to tell the difference.


Posted by cronodevir on Apr-11-2009 06:30:

quote:
Originally posted by Subtle
And FLAC etc. but the wast majority of music these days are played as mp3, because hardly anyone is able to tell the difference.


Yes, but isn't it mp3 because artist like the people in this thread say "thats the standard so that is what i use"? Artists make the standard you know.


Posted by Zak McKracken on Apr-11-2009 10:45:

artists doesnt make any standard no. if u start releaseing your music as flac only ur fucked. i still stand by the statement to keep your final render at 44,1 16bit wav so its easy for labels to make it mp3 without problems with dither and other shit.


Posted by cronodevir on Apr-11-2009 17:26:

If everyone only released FLAC companies would be forced to make their players support FLAC.


Posted by Subtle on Apr-11-2009 17:40:

quote:
Originally posted by cronodevir
If everyone only released FLAC companies would be forced to make their players support FLAC.
Great idea!


Posted by DigiNut on Apr-12-2009 03:00:

Being a little pedantic here, but "bit rate" is a bandwidth measurement in bits per second (or more typically kbps) and is generally a combination of the bit depth and sampling rate.

What you're really referring to here is bit depth, which is bits per sample, or the word size used to express amplitude of the signal. I've seen some replies using the correct term but thought I should mention this for the sake of everyone else.

I've probably used the former term myself, carelessly, but since this entire thread is about bit depth, it's a pretty important distinction.

Anyway: Bit depth does affect dynamic range, sort of. More bits per sample gives you more discrete values for amplitude. But this is on the digital signal, and you've forgotten (or just oversimplified and omitted the fact) that digital audio signals have to be interpolated into analog signals before any sound can be produced. It's in that interpolation where bit depth makes the difference; interpolation inherently creates noise, which you can hear very clearly at 8 bits or lower. Higher bit depth equals more accurate interpolation, which means less noise.

The reason why your conclusion is still essentially correct, in spite of some fairly sloppy reasoning, is that interpolation noise is already inaudible at 16 bits. Not by coincidence, but because the industry standardized on it specifically because it was sufficient to eliminate any audible noise (same with the 44.1 kHz sampling rate).

For that reason, you generally want your final master to be 16/44. You gain next to nothing by going higher and potentially create problems when compressing or mastering onto physical media.


Posted by DigiNut on Apr-12-2009 03:21:

quote:
Originally posted by cronodevir
If everyone only released FLAC companies would be forced to make their players support FLAC.

Even if every artist on the planet unanimously and immediately decided to do all future recordings only in OGG, FLAC, or some other obscure format, a stunt which would be next to impossible to coordinate, the only tangible result would be for consumers to stop buying their music. People already have huge collections of MP3s and equipment to match. Do you think that anybody wants to go out and buy a new player just to get FLAC support?

MP3 is the standard because MP3 is the standard. Maybe this sounds like a tautology, but it actually isn't. The reason that no other format has overtaken MP3 is that no other format actually offers any compelling reason to go through the effort of converting and adapting.

The quality is nearly identical to a 192 kbps MP3, and for all intents and purposes, totally identical to a 256 kbps or better MP3. The file size of these formats tends to be at least double that of an MP3. The best software encoders and players for MP3 are free. The MP3 format itself is completely open and in the public domain. There are a few screwy patent issues but nothing to write home about. And aside from a few oddities with the ID3 tagging system, the MP3 format itself is pretty easy for developers to understand.

There is virtually nothing that FLAC has to offer that MP3 doesn't already have. It doesn't matter that it's technically lossless while MP3 is technically lossy; like JPEG, if nobody can tell the difference then any alternative format that requires more effort to work with and results in larger file sizes is inferior, plain and simple.

People started getting on board with Blu-Ray because, if you've got an HDTV, and almost everybody does now, you can see a major difference in picture quality. People still don't give a shit about SA-CD because even on the highest fidelity audio equipment, they can't hear any difference in the sound quality. Human hearing itself is sort of low-fi, at least compared to vision. For the most part, the current state-of-the-art already exceeds our biological limits.

You can convert your library to OGG if you want, and I won't look down on you for it, but it's like desktop Linux - you need to accept that it's a niche market at best and will never be accepted in the mainstream because it just isn't useful enough.


Posted by cronodevir on Apr-12-2009 04:04:

The internet is able to run because of Linux. And Apache. Without those two there wouldn't be any internet.

I think you give Linux a lot less than it deserves. Same with .ogg. Also .ogg isn't obscure, any popular player that does mp3 does .ogg My 40 dollar samsung generi3 player plays .ogg. And I'm sure ipod and other high end equipment supports .ogg

Hardware support isn't even an issue with .ogg, the only reason its not the most popular is because no one knows about it. As is the nature of open source. Same with Linux. It may not be the majority on consumer pcs..but who gives a fuck? 95% of the internet uses Apache and Linux type systems. Plenty of organizations also use it, such as the Us government, and many other governments around the world.

When it comes to running any type of network, Linux is the only option. And its increasingly easy to use Linux desktop these days. Once people get tired of this Microsoft drm crap, and Linux gets popular, Linux will eventually be the major desktop. In a year or two I won't even have any need for windows in any aspect of my music production. And everything I use will be free. And most games are wine compatible 6-8 months after they are released.

Blu-Ray got popular because Hollywood seen it as a better way to copy protect their stuff. Of course copy-protection is futile. But none the less that is why its the dominate format, it had nothing to do with what people bought or wanted.


Posted by DigiNut on Apr-12-2009 14:26:

quote:
Originally posted by cronodevir
The internet is able to run because of Linux. And Apache. Without those two there wouldn't be any internet.

Correction, the internet started on various other flavours of UNIX, not Linux. And anyway, who gives a shit? The 1.5 billion home and corporate internet users aren't running web servers, they're running web browsers and word processors and MSN messenger and don't want to have to fuck with a million settings and .conf files just to get their work done.

quote:
When it comes to running any type of network, Linux is the only option. And its increasingly easy to use Linux desktop these days. Once people get tired of this Microsoft drm crap, and Linux gets popular, Linux will eventually be the major desktop. In a year or two I won't even have any need for windows in any aspect of my music production. And everything I use will be free. And most games are wine compatible 6-8 months after they are released.

Hi, I'm Earth. Have we met?

Roughly, oh, 100% of the world's corporate networks are based around Active Directory (Windows), so Linux definitely isn't the "only" option, or even a seriously viable one. As for your DRM whining, I've not met one single person who even notices it, much less cares.


quote:
Blu-Ray got popular because Hollywood seen it as a better way to copy protect their stuff.

Yes, you keep telling yourself that. It doesn't quite explain how they got anybody to buy it, though. Wait, let me guess: "Marketing", your hand-waving catch-all answer for everything you don't understand.



You see, this is exactly why I used Linux as an analogy. You've demonstrated my point with perfect precision. Of course there are a few people who have good reasons for using an obscure technology, but the majority of evangelists are people who:

a) Don't understand how the market actually works;
b) Have no clue how normal people interact with technology;
c) Spend the majority of their time in a bubble, tinkering with their favourite product(s) and talking to others in the same boat;
d) Possess a deeply biased and often outdated understanding of the industry standards, primarily due to point (c); and
e) Automatically assume that any resistance must be due to ignorance, and could not possibly be the result of objective analysis.

It's like this with Linux, it's like this with OpenOffice, it's like this with FLAC, and it's like this with pretty much every other "free" software on the fringe.

I've said all I'm going to say on this subject. There is no way in hell I'm getting drawn into another interminable FOSS argument with a freetard on a production forum. You go ahead and rant about DRM; I'm going to continue living here in the real world.


Posted by mzvirbulis on Apr-12-2009 14:46:

more bits the better mate! Sorry to say but just because it has a limited dynamic range doesnt mean to say that you need less bits to quantify a waveform. hi freq suffer because they are usually lower in level.


Posted by echosystm on Apr-12-2009 14:49:

quote:
Originally posted by cronodevir
When it comes to running any type of network, Linux is the only option.


I think you'll find that Linux is only really popular in ISPs and web hosts. The general business environment is dominated by Microsoft servers. Likewise, a lot of the Linux servers you see in such environments are very specialised proprietary ($) Linux distros, which are not comparable to your typical flavour of the month release on DistroWatch.

quote:
Originally posted by cronodevir
Linux will eventually be the major desktop.


You sound like you are new to Linux.


Posted by DigiNut on Apr-12-2009 14:53:

quote:
Originally posted by mzvirbulis
more bits the better mate! Sorry to say but just because it has a limited dynamic range doesnt mean to say that you need less bits to quantify a waveform. hi freq suffer because they are usually lower in level.

Bit depth has nothing to do with high frequencies. Frequency range is determined by the sampling rate, and 44 kHz is already more than enough to reproduce the entire range of human hearing.

You really should read the previous posts. I hate it when people read the title and maybe the first post, then chime in with some one-liner and ignore everything else that's been said so far. More bits are not better because you may actually end up with distortion if the signal ends up being down-converted without dithering, as it eventually will be.


Posted by Zak McKracken on Apr-12-2009 16:24:

this thread is now about linux


Posted by cronodevir on Apr-12-2009 18:28:

quote:
Originally posted by DigiNut
Correction, the internet started on various other flavours of UNIX, not Linux. And anyway, who gives a shit? The 1.5 billion home and corporate internet users aren't running web servers, they're running web browsers and word processors and MSN messenger and don't want to have to fuck with a million settings and .conf files just to get their work done.


Hi, I'm Earth. Have we met?

Roughly, oh, 100% of the world's corporate networks are based around Active Directory (Windows), so Linux definitely isn't the "only" option, or even a seriously viable one. As for your DRM whining, I've not met one single person who even notices it, much less cares.



Yes, you keep telling yourself that. It doesn't quite explain how they got anybody to buy it, though. Wait, let me guess: "Marketing", your hand-waving catch-all answer for everything you don't understand.



You see, this is exactly why I used Linux as an analogy. You've demonstrated my point with perfect precision. Of course there are a few people who have good reasons for using an obscure technology, but the majority of evangelists are people who:

a) Don't understand how the market actually works;
b) Have no clue how normal people interact with technology;
c) Spend the majority of their time in a bubble, tinkering with their favourite product(s) and talking to others in the same boat;
d) Possess a deeply biased and often outdated understanding of the industry standards, primarily due to point (c); and
e) Automatically assume that any resistance must be due to ignorance, and could not possibly be the result of objective analysis.

It's like this with Linux, it's like this with OpenOffice, it's like this with FLAC, and it's like this with pretty much every other "free" software on the fringe.

I've said all I'm going to say on this subject. There is no way in hell I'm getting drawn into another interminable FOSS argument with a freetard on a production forum. You go ahead and rant about DRM; I'm going to continue living here in the real world.


Ok? They forced people to use blu-ray because they stopped supporting the HD format in their releases. And they did that only because they thing it will make it harder to copy media, and for no other reason. Had nothing to do with marketing in the advertisement sense.

People in general don't make preferences, they are given a preference and they accept it.

As for being FOSS..who cares if its free? Its not following the agenda of major studios and companies. People don't use linux because its free , they use it because when they do they arn't herded into different standards like people who use a mac or windows os. They don't have to worry about vendor lock-in and all this other crap. And as for businesses, i don't know who you have spoken to, but all the ones ive seen use linux, our local McDonalds uses linux systems. So does the pcs ive seen at the FedEx hub.

The point is in windows you have no control over the direction the software takes, and software companies are inherently working in their favor not ours. And Mac is just fucking shit no one but the queerest person could ever get use out of. No one is talking about better or worse, its about control. Having control over the software you use is more efficient than dealing with bugs in other software and hoping the company cares enough to fix them [then charge 200$ more for ths fix cough ableton cough]

You can use windows [presets] or you can use linux and program your own thing :P Actually that is a good comparison, people who use windows vs linux, and people who use presets vs programming their own sound. People who stick with cookie cutter genera vs people who are creative and make up their own genera.


Posted by Storyteller on Apr-12-2009 19:54:

Bad post, it's quite clear you actually fall under points ABC and E Diginut wrote about.

You're talking about control, which is only significant to power users/nerds/professionals in a particular field. The average computer user cares about usability, compatibility and consistency. For your average user Linux is below par on each of those 3 subjects. Oh, and this has got nothing to do with the creativity of anyone.


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