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-- Bit Rate - And why it doesn't apply to you
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| Originally posted by Subtle ...it probably wont hurt to do it of course. |
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| Originally posted by EddieZilker That's my take on it. Essentially, what's being accomplished is nominal but in the end game, to my thinking, every little bit counts. It's part of my production process to pay attention to things I actually want the listener to ignore. No one's going to go, "Great job! You used a high-resolution master on this one, Eddie." With rare exception do people notice how my hi-hats are layered and panned, either. |
It's all down to taste really, me i render it to cd quality and thats it like it or lump it.
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| Originally posted by Waza It's all down to taste really, me i render it to cd quality and thats it like it or lump it. |
I work at the highest possible quality I can so that's usually 24 bit 96k. It lets me hear more during the production process and therefore gives me a better chance of doing a better job.
Don't get me wrong, if you can't make sweet music at 16bit 44.1 then higher quality isn't going to help you but the only limitation for me is CPU power and HD space, and I have enough of both so why not.
I'd never submit anything other than CD standard for commercial purposes but my master is going to be the bast I can possibly do. Just because the consumer standard is lower, doesn't mean I have to compromise during the production process.
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| Originally posted by Subtle What are you guys rambling about ? The end product is going to be 16 bit anyways, and even worse, a 320 kbps mp3 file at best. |
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| Originally posted by cronodevir No it won't unless there is a sudden surge of listeners who encode their own mp3s. The end product is what YOu release, not what people do to it. That is like Lamborghini selling a pile of junk because "the end result will be a car wreck"... |
320 isn't the highest bitrate you can get with mp3. And most people I know listen to wavs
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| Originally posted by cronodevir 320 isn't the highest bitrate you can get with mp3. And most people I know listen to wavs |
You can get wavs for music, and it doesn't have to be a released CD :P I know people who dj and they just use wavs [i wonder if they are still djs?] ..and nothing else.
Also you can use .ogg
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| Originally posted by cronodevir You can get wavs for music, and it doesn't have to be a released CD :P I know people who dj and they just use wavs [i wonder if they are still djs?] ..and nothing else. Also you can use .ogg |
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| Originally posted by Subtle And FLAC etc. but the wast majority of music these days are played as mp3, because hardly anyone is able to tell the difference. |
artists doesnt make any standard no. if u start releaseing your music as flac only ur fucked. i still stand by the statement to keep your final render at 44,1 16bit wav so its easy for labels to make it mp3 without problems with dither and other shit.
If everyone only released FLAC companies would be forced to make their players support FLAC.
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| Originally posted by cronodevir If everyone only released FLAC companies would be forced to make their players support FLAC. |
Being a little pedantic here, but "bit rate" is a bandwidth measurement in bits per second (or more typically kbps) and is generally a combination of the bit depth and sampling rate.
What you're really referring to here is bit depth, which is bits per sample, or the word size used to express amplitude of the signal. I've seen some replies using the correct term but thought I should mention this for the sake of everyone else.
I've probably used the former term myself, carelessly, but since this entire thread is about bit depth, it's a pretty important distinction.
Anyway: Bit depth does affect dynamic range, sort of. More bits per sample gives you more discrete values for amplitude. But this is on the digital signal, and you've forgotten (or just oversimplified and omitted the fact) that digital audio signals have to be interpolated into analog signals before any sound can be produced. It's in that interpolation where bit depth makes the difference; interpolation inherently creates noise, which you can hear very clearly at 8 bits or lower. Higher bit depth equals more accurate interpolation, which means less noise.
The reason why your conclusion is still essentially correct, in spite of some fairly sloppy reasoning, is that interpolation noise is already inaudible at 16 bits. Not by coincidence, but because the industry standardized on it specifically because it was sufficient to eliminate any audible noise (same with the 44.1 kHz sampling rate).
For that reason, you generally want your final master to be 16/44. You gain next to nothing by going higher and potentially create problems when compressing or mastering onto physical media.
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| Originally posted by cronodevir If everyone only released FLAC companies would be forced to make their players support FLAC. |
The internet is able to run because of Linux. And Apache. Without those two there wouldn't be any internet.
I think you give Linux a lot less than it deserves. Same with .ogg. Also .ogg isn't obscure, any popular player that does mp3 does .ogg My 40 dollar samsung generi3 player plays .ogg. And I'm sure ipod and other high end equipment supports .ogg
Hardware support isn't even an issue with .ogg, the only reason its not the most popular is because no one knows about it. As is the nature of open source. Same with Linux. It may not be the majority on consumer pcs..but who gives a fuck? 95% of the internet uses Apache and Linux type systems. Plenty of organizations also use it, such as the Us government, and many other governments around the world.
When it comes to running any type of network, Linux is the only option. And its increasingly easy to use Linux desktop these days. Once people get tired of this Microsoft drm crap, and Linux gets popular, Linux will eventually be the major desktop. In a year or two I won't even have any need for windows in any aspect of my music production. And everything I use will be free. And most games are wine compatible 6-8 months after they are released.
Blu-Ray got popular because Hollywood seen it as a better way to copy protect their stuff. Of course copy-protection is futile. But none the less that is why its the dominate format, it had nothing to do with what people bought or wanted.
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| Originally posted by cronodevir The internet is able to run because of Linux. And Apache. Without those two there wouldn't be any internet. |
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| When it comes to running any type of network, Linux is the only option. And its increasingly easy to use Linux desktop these days. Once people get tired of this Microsoft drm crap, and Linux gets popular, Linux will eventually be the major desktop. In a year or two I won't even have any need for windows in any aspect of my music production. And everything I use will be free. And most games are wine compatible 6-8 months after they are released. |
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| Blu-Ray got popular because Hollywood seen it as a better way to copy protect their stuff. |
more bits the better mate! Sorry to say but just because it has a limited dynamic range doesnt mean to say that you need less bits to quantify a waveform. hi freq suffer because they are usually lower in level.
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| Originally posted by cronodevir When it comes to running any type of network, Linux is the only option. |
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| Originally posted by cronodevir Linux will eventually be the major desktop. |
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| Originally posted by mzvirbulis more bits the better mate! Sorry to say but just because it has a limited dynamic range doesnt mean to say that you need less bits to quantify a waveform. hi freq suffer because they are usually lower in level. |
this thread is now about linux
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| Originally posted by DigiNut Correction, the internet started on various other flavours of UNIX, not Linux. And anyway, who gives a shit? The 1.5 billion home and corporate internet users aren't running web servers, they're running web browsers and word processors and MSN messenger and don't want to have to fuck with a million settings and .conf files just to get their work done. Hi, I'm Earth. Have we met? Roughly, oh, 100% of the world's corporate networks are based around Active Directory (Windows), so Linux definitely isn't the "only" option, or even a seriously viable one. As for your DRM whining, I've not met one single person who even notices it, much less cares. Yes, you keep telling yourself that. It doesn't quite explain how they got anybody to buy it, though. Wait, let me guess: "Marketing", your hand-waving catch-all answer for everything you don't understand. You see, this is exactly why I used Linux as an analogy. You've demonstrated my point with perfect precision. Of course there are a few people who have good reasons for using an obscure technology, but the majority of evangelists are people who: a) Don't understand how the market actually works; b) Have no clue how normal people interact with technology; c) Spend the majority of their time in a bubble, tinkering with their favourite product(s) and talking to others in the same boat; d) Possess a deeply biased and often outdated understanding of the industry standards, primarily due to point (c); and e) Automatically assume that any resistance must be due to ignorance, and could not possibly be the result of objective analysis. It's like this with Linux, it's like this with OpenOffice, it's like this with FLAC, and it's like this with pretty much every other "free" software on the fringe. I've said all I'm going to say on this subject. There is no way in hell I'm getting drawn into another interminable FOSS argument with a freetard on a production forum. You go ahead and rant about DRM; I'm going to continue living here in the real world. |
Bad post, it's quite clear you actually fall under points ABC and E Diginut wrote about.
You're talking about control, which is only significant to power users/nerds/professionals in a particular field. The average computer user cares about usability, compatibility and consistency. For your average user Linux is below par on each of those 3 subjects. Oh, and this has got nothing to do with the creativity of anyone.
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