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-- Subsequent Mastering survey
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| quote: |
| Originally posted by Ian Gomes There are a LOT of things in mastering that are more inmportant than what k-system you use... heck lots of mastering engineers don't even use the k-system. Just because bob katz says it's a good system (yes i've read the book) doesn't mean it's required to make a good master. I would like to repeat, there are a lot more important things in mastering than what k system you use. |
| quote: |
| Originally posted by Ian Gomes There are a LOT of things in mastering that are more inmportant than what k-system you use... heck lots of mastering engineers don't even use the k-system. Just because bob katz says it's a good system (yes i've read the book) doesn't mean it's required to make a good master. I would like to repeat, there are a lot more important things in mastering than what k system you use. |
i only mentioned it because I already knew the answer and it might make the OP realize he needs to a little homework. And whether you use the k system or not, any mastering engineer will have his monitors calibrated so he has an actual reference other than metering.
Mastering on an un calibrated system would be like doing scientific experiments on an un-calibrated scale. The results are not trust worthy and that is essentially why you pay a mastering engineer.
Perhaps dance mastering doesn't use it because the rms is approaching +1 dbfs 
| quote: |
| Originally posted by RichieV i only mentioned it because I already knew the answer and it might make the OP realize he needs to a little homework. And whether you use the k system or not, any mastering engineer will have his monitors calibrated so he has an actual reference other than metering. Mastering on an un calibrated system would be like doing scientific experiments on an un-calibrated scale. The results are not trust worthy and that is essentially why you pay a mastering engineer. Perhaps dance mastering doesn't use it because the rms is approaching +1 dbfs |
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