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-- The Oscars Thread, 2010
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| Originally posted by Acton Yeah, I'm a little shocked not to see that anywhere. It would of been humorous to see Sam Rockwell nominated for best actor and also best supporting actor, for the same film. To bad the judges don't have a sense of humour. |
i agree with what you guys have said about moon. really should've been in there somewhere.
Also, Ponyo...how'd that get overlooked? As animated feature or foreign language perhaps, i'm not sure how that works but I take it it would've had to be in the animated feature category. Up was good but it wasn't great. Coraline was ok. And the fantastic mr. fox? I love wes anderson but I don't think it fits the bill as "best animated feature". Ponyo was better than all 3. Just my opinion....
And tyson should be up for best documentary.
agreed. Moon is another film that got overlooked. 
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| Originally posted by LAdazeNYnights And tyson should be up for best documentary. |
after refreshing my memory of 2009 releases, i agree with the oscar list. these are "technically" the best movies of 2009. it was a slow movie year last year unfortunately.
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| Originally posted by stren that was a pretty good doc, I don't know if it was oscar good |
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| Originally posted by LAdazeNYnights And tyson should be up for best documentary. |
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| Originally posted by igottaknow Fuck'in Prawns don't deserve Oscars |
The Hurt Locker was fuckin' great, if you haven't seen it, check it out ASAP.
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| Originally posted by LAdazeNYnights good enough to win? i don't really think so either...but maybe it deserved a nod, that's all i'm sayin. |
I hope its The Hurt Locker. Tarantino can suck his own dick. He is a shitty director.
That seen in the grocery store in The Hurt Locker... Epic. Perfect.
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| Originally posted by Ania_xox You know very well that if you somehow acquired 15 minutes of fame and were invited to this ceremony, you would cut your Wednesday Adams hair, wash off your black nail polish, and take meth before you left in your most expensive-looking ensemble to keep your heart rate balanced in the event of a Meryl Streep sighting. You might even teach yourself to smile. |
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| Originally posted by Joss Weatherby I hope its The Hurt Locker. Tarantino can suck his own dick. He is a shitty director. |
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| Originally posted by Joss Weatherby I hope its The Hurt Locker. Tarantino can suck his own dick. He is a shitty director. That seen in the grocery store in The Hurt Locker... Epic. Perfect. |
Well there's rarely any doubt when you're watching anything he even had a hand in, that he had something to do with it. Now is this just his 'style' or is he stale and predictable? Seems to me like that answer entirely depends on whether you like his movies or not.
Ending of Avatar was retarded, big evil coporation, acts irrationally, etc. Technically stunning, intellectually bankrupt. It's a crock that it's even nominated.
I think Inglorious was a really good movie, lotta fun, but substance wise, Hurt Locker triumphed it. Also, the latter shunned away from big name actors and instead used what seemed to me after watching the movie the perfect men for the roles. Hurt Locker managed to stay apolitical and really tell what happened to the psyches of soldiers placed in such extreme conditions. Nice touch too on using Iraqi actors, and in fact found an Iraqi actor who fled to Jordan (where they filmed) who likely had to give up his profession to save his life.
Though on a related note, props to Tarantino for actually using French and German actors in the movie and exposing American audiences to a movie (gasp) not entirely in English.
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| Originally posted by leph555 FAIL |
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| Originally posted by Joss Weatherby Have you seen The Hurt Locker? Seriously. The grocery store scene at the end. I do not think its giving away too much, but with everything that goes on in that movie, the intense violence and lack of humanity seen in Iraq during that period, where everything is literally just fucked up, then to juxtapose that against the calmness of a fully stocked, modern, western, peaceful, safe secure location as a common grocery store. It just hits you in a way thats really on another level and really exposes the characters for what they do and who they are. Perfect. |
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| Originally posted by leph555 yea I did see it, and I still feel Inglorious basterds was a better movie for me, the dialogue was just epic (not Pulp fiction epic though) |
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| Originally posted by Joss Weatherby Thats the thing though, he always uses razzle-dazzle dialogue. I loved Pulp Fiction, but as far as writing goes (in terms of story, etc) he is usually all over the place, using cool sounding monologues or dialogs to replace actual plot driving elements of the story. Same goes for Reservoir Dogs, and the Kill Bill movies. It was all talk pretty but pointless. |
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| Tarantino's movies have always been about other movies, but Basterds is the first one to make its reflexive quality its own subject. Tarantino, it should surprise no one, sees everything through the history of movies and through the vocabulary of film. His characters have always talked about popular culture, but here, life and movies come crashing together in the most alarming ways possible. |
What I'm wondering is why An Education was nominated along with American movies, instead of being treated as a foreign film. It was great, I'm not doubting its quality, I just thought the Oscars were focused on American movies. Is it based on language?
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| Originally posted by Joss Weatherby Have you seen The Hurt Locker? Seriously. The grocery store scene at the end. I do not think its giving away too much, but with everything that goes on in that movie, the intense violence and lack of humanity seen in Iraq during that period, where everything is literally just fucked up, then to juxtapose that against the calmness of a fully stocked, modern, western, peaceful, safe secure location as a common grocery store. It just hits you in a way thats really on another level and really exposes the characters for what they do and who they are. Perfect. |
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