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-- What happens with Mau5?
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Surely you realise you've been comparing us to a gay community..
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| Originally posted by JEO Surely you realise you've been comparing us to a gay community.. |
Lunch time, see ya!
"Hey Baby" is cool, i think the vocals are the real hook of the track but it's catchy:
Check the follow up, that fart noise is so annoying... he used to be a respected producer for me and someone who actually knew what the was doing but right now looks like to be on crack.
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| Originally posted by Seandroid It doesn't matter if I'm wrong about that, the point is after he released Faxing Berlin every single damn track released sounded like it. |
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| Originally posted by Light The Fuse meh what you said was wrong. and then people wonder why trance / a lot of dance is shit at the moment - its the kids that believe progressive began with deadmau5. but it doesn matter that they're wrong. enjoy your crap music |
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| Originally posted by Seandroid I mean they played Faxing Berlin on my local pop radio station. |
Is he still alive? 
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| Originally posted by Seandroid Jesus. Trance Addict hates fucking EVERYTHING lol. His tracks are not clipping. He's produced for ten years. Are you serious? He is like the pickiest producer on earth in terms of sound quality. Yeesh. I for one love Joel's new tracks, the only track that's not up to speed IMO is Sofi Needs a Ladder, and it's still a damn good track, I just find it too similar to his old electro stuff with Meleefresh and it gives me horrible memories of those awful, awful tracks. Her voice is so annoying! Anyway, SOFI's voice doesn't make my ears bleed at least. I just saw the other thread where everyone decided to hate Skrillex. I browse a lot of EDM forums and the trance community seems to be the least open minded of all of them, I like trance, electro house, techno, progressive house, tech house, dubstep... I like it all, but I think the closed mindedness of the trance community is why labels like Anjunabeats and Armada keep releasing the same damn track over and over again. People complain about it, but nobody seems to like anything original... Joel really did make a difference with Faxing Berlin, it was the first track to really get big that was a sort of trance/house hybrid. And what did the trance scene do? They released 600,000 "Faxing Berlins" with different titles and everyone seems to bitch about how Joel should go back to that. I think that's nuts. Artists like Joel don't limit themselves, and they're the kinds of artists that push dance music forward, and I'm all for that. Regardless, I think Joel is an amazing producer, and I for one intend on continuing to follow him as an artist, and I'm extremely excited for his next album. |
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