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-- NI's New Teaser: Super Charge Your Beat
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ay Raphie, you still got that power plant ? i sold mine.
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| Originally posted by Looney4Clooney maybe you should be using garage band for ios. |
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| Originally posted by Looney4Clooney Wouldn't want to get caught up in details. Don't worry, i already called. oh and i prefer mint tea. Solve that riddle. You can google it. |
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| Originally posted by Looney4Clooney also , autism, even the cool kind that gives you powers is protected under the same standards as race. LIke calling Jay Z a n i g g e r, Not cool. |
Easy home slice, I was just gently prodding.
My music is generated by cosmic interpretations ran thru an aleatoric transfer function and I woukd be lost without realtors ability to take this informatiion and get proper vosim cross modulation on my duck sample. I then use max msp to take that sound and generate an evolving chebyshev based operation resampled then distorted to get the fattest wobble ever. Sure , massive could do it theoretically with 1 oscillator but the sound would have no meaning therefore no artistic value.
French mint is probably better and supposedly makes you dance real good. Matt Damon typically has like 12 a day.
Yo, I can't wait for this. NI never lets me down.
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| Originally posted by Kyle_Jefferson Yo, I can't wait for this. NI never lets me down. |
Reaktor really is a workflow thing.
I don't like the way ensembles load in, I don't like the way it may or may not save within a project and I don't really want to fack about stringing a synth together if I want a sound. I probably could if I decided I wanted to, but life's too short. All I use it for is firing up Razor or something and bouncing to audio.
Hardware is a preference, not a choice for the better (although let's face it, it is).
I've been in a position to use both extensively, and the combination of hardware synths and FX is a more creative approach for me whether I'm using presets, programming from scratch or an combination in between.
The gearslutz attitude of 'if you don't weld in your own valves you ain't a real musician' is just bullshit. On the flipside the loop and Nexus boys can bite me too.
I remember watching BBC Rock School back in the 80s where they had a long discussion on MIDI sequencing and some of the old skool were complaining that it was cheating. I wonder what they would have thought at the idea of Cubase 7.
Oh, and I can play the keyboard, guitar, bass and drums. Not particularly well, but enough for my needs. I have enough contacts that are willing to put their skills to my work that it's irrelevant anyway, just like most other musicians in a similar situation to me.
I just like to work different, even without talent it's just more fun
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| Originally posted by Looney4Clooney Easy home slice, I was just gently prodding. |
| quote: |
| Originally posted by Looney4Clooney My music is generated by cosmic interpretations ran thru an aleatoric transfer function and I woukd be lost without realtors ability to take this informatiion and get proper vosim cross modulation on my duck sample. I then use max msp to take that sound and generate an evolving chebyshev based operation resampled then distorted to get the fattest wobble ever. Sure , massive could do it theoretically with 1 oscillator but the sound would have no meaning therefore no artistic value. |
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| Originally posted by Looney4Clooney French mint is probably better and supposedly makes you dance real good. Matt Damon typically has like 12 a day. |
i thought i gave it away with 12 and matt damon.

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