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-- Review: Lee Burridge @ Footwork
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| Originally posted by Special K sick!!! havent heard that one in a few years ... gonna pop in lights out 1 (cd 3) now!!! |
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| Originally posted by Inertia tree, you fucking n00b, should have come out. |
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| Originally posted by EvilTree dude, I have no car would have taken way too long by bus. |
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| Originally posted by Inertia well, jenny, i never said anything about any angry vaginas... |
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| Originally posted by Inertia I WALKED! well, fine, i took a cab with a pakistani driver who didnt know where the fuck footwork was, but got me to adelaide, turned the wrong way, i got out and walked a couple of blocks acting like a complete tourist n00b and asking strangers.... but i walked back to my hotel! well, jenny, i never said anything about any angry vaginas... |
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| Originally posted by jennypie Is it on Lights Out? Why didn't I ever remember it?? |
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| Originally posted by jennypie Is it on Lights Out? Why didn't I ever remember it?? LoL, that could have eased my mind AGES ago if I'd known! |
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| Originally posted by SuperJimbo I am sceptical that you remembered anything. ;P |
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| Originally posted by Special K well it was on the unreleased disc!!! maybe thats why ... LIGHTS OUT 1 CD 3 AFTER DARK 1. DANNY TENAGLIA - Better Days (accapella) -TWISTED 2. H-FOUNDATION - Passage of Time - SOMA (afterdark edit) 3. CELEDA - Burning Up (m.a.s vocal beat mix) - AIRPLANE RECORDS 4. MAREEKO - More (jdl vocal mix) - CREAM RECORDS 5. DRIVER DJ feat THE JOCKER - effects - SOUND4 RECORDS 6. AARON CARL - Dance Naked (club69 pirate mix) -S.F.P RECORDS 7. JOSH ONE - Contemplation (King Britt funke mix) - ELECTROMATRIX RECORDS 8. PHOTON INC - Generate Power (wildpitch mix) - STRICTLY RHYTHM 9. KEVIN FREEMAN - In the Groove - ADVANCE RECORDS 10. MENDO - Tell Me - (wally lopez&dr kucho mix) - AUDIO RECORDS 11. WALLY LOPEZ & DR KUCHO - Acid Journey (weekend ep) - WEEKEND RECORDS 12. BUSHBABY - For Real (red plug dub) - RIDE RECORDS 13. FUTURE FUNK - Switch Lock - PLASTIC CITY |
The love that Mr. Burridge promotes, makes me smile.
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| Originally posted by jennypie *punch* |
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| Originally posted by jennypie Oh! Well shit yeah, that makes sense! What doesn't make sense though, is that (to me) it sounds like that remix clearly uses elements from Most Precious Love, which wasn't released till 3 or 4 years after that. Oh well...maybe I'm just neurotic. |
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| Originally posted by SuperJimbo I think you punched me on Saturday too!!! Knock it off!!!!!!!!!!!!!! |
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| Originally posted by SuperJimbo I think you punched me on Saturday too!!! Knock it off!!!!!!!!!!!!!! |
also, if i remember correctly, the "remix" you are vreferring to jenny isn't exactly that. lee kept sampling the vocal. he seems to do that often with tunes that stick to him. i once saw him sample the vocals from Watching Cars Go By all night, before actually playing the tune as closing.
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| Originally posted by Inertia also, if i remember correctly, the "remix" you are vreferring to jenny isn't exactly that... |
from the dancefloor side
"I just like to think people could expect from me a mixture of quality underground music that�s druggy and deep but also rocking at times � bouncy, wobbly, wonky and weird."
Yep, he delivered.
EQ Magazine
Burridge in a Nutshell
15-10-2007
http://www.eq-mag.co.uk/interview02.html
He�s one of the most difficult DJs in the world to categorise, but that�s part of what makes his sets so exciting. Now, though, Lee Burridge has put out a mix that he thinks gives the world an accurate taster of what he�s all about�
Bouncy, wobbly, wonky and weird. Not words everyone would chose to describe themselves, but ask Lee Burridge to sum himself � well, his music � up in a nutshell and that�s the phrase he uses. To be specific, Lee is talking about his new mix album, his three-disc addition to the Balance catalogue, and a mix that shows off what the mercurial Mr Burridge is all about. It�s almost impossible to pin down exactly what sort of music Lee plays out in clubs and produces via his own label Almost Anonymous, but he thinks Balance 12 is a pretty good summation of what makes him tick.
�I set out to create a mix over three discs that worked as a single piece of music when played back to back, but also worked as standalone individual mixes,� Lee says. �I think the growth over the three CDs is the closest I�ve ever come to summing myself up as a club DJ.
�Two discs have always limited me being able to represent what I do in a club, so I was so happy when Balance agreed to let me do three as it gave me the opportunity to stretch my legs and pace the mix. I read a few comments on a message board where people were asking why I�d want to do three discs � they said it would probably dilute the impact of the package � but I really feel I stepped up. And surely it�s better to own more good music than less?
�I thought long and hard about what I wanted to say and put two months into making this mix different to anything I�ve done before. I�m so happy with the end result. I don�t usually listen to my own mixes after making them but I�ve been rocking these on my iPod. I want to do four discs next time around��
It�s hard to imagine two CDs being enough to take in the scope of Lee�s wide-ranging musical tastes, but even so, putting together a three-CD mix is a mammoth undertaking. Just ask Jimmy Van M � his three-disc Balance mix took him months to complete. Lee seemed to have an easier time of it though � on the first disc at least�
�CD one came together fairly quickly,� he says. �One track was a nightmare to edit � Jacek Sienkiewicz on Cocoon � as it�s 12 minutes long and has so many changes and sounds rolling over each other. It took me a long time to get it right. But CD two nearly didn�t get made at all. I was struggling to get a good flow � I�d find three records that worked and then it wouldn�t go anywhere. At one point I was on the phone to Balance asking what they thought about the package being two discs � but then I decided to get wasted when I got up at 9am the next day and see what happened. Now I really love CD two, and I�m glad I stuck with it. It�s the most druggy of the three and it reflects that part of a night in the club where you can�t exactly remember what happened but know you had a good time.
�I�d been thinking about CD one for a while and put together music that, for me, emotes feelings of warmth, emotion, distance, dreaminess, beauty but with underlying feelings of melancholy. I wanted to make a deeper more chilled mix that was different to the usual stereotypical �chill-out� mix you get on these sort of releases. I wanted to compile a collection of tracks that you can drift off into, but that still has a house sentiment.
�CD two was always going to represent that part of the night that you get lost in, a journey with peaks and valleys and quirky sounds and layers that twist your head and screw you up. This is music for people on drugs who love falling down black holes or entering the house of mirrors and wondering which way is up and if they can ever be normal again.
�CD three is a natural progression from the last disc and has been the one I�ve been describing as �drummy�. I�ve noticed that most DJ mixes take their time and build up gradually, so I thought that for once I�d start out as I meant to go on. The first track really is a great description of where the whole mix goes. It�s tough with a fat bassline and sharp, nasty percussion.�
So there we have it, a snapshot of one of clubland�s most tricksy DJs, a man who really does defy genres. He might be hard to define, but that�s surely a good thing � after all, everyone likes to be surprised and that�s what Lee Burridge excels at. Some people might not get him, but that doesn�t bother Lee.
�I�m still sometimes branded as a progressive DJ, I think because of my two comps for Global Underground � although I don�t feel the music I chose for those mixes was proggy at all. I just like to think people could expect from me a mixture of quality underground music that�s druggy and deep but also rocking at times � bouncy, wobbly, wonky and weird. The night is always a ride.�
Ahhhh I can't wait till my copy comes in the mail.
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| But CD two nearly didn�t get made at all. I was struggling to get a good flow � I�d find three records that worked and then it wouldn�t go anywhere. At one point I was on the phone to Balance asking what they thought about the package being two discs � but then I decided to get wasted when I got up at 9am the next day and see what happened. Now I really love CD two, and I�m glad I stuck with it. It�s the most druggy of the three and it reflects that part of a night in the club where you can�t exactly remember what happened but know you had a good time. |
After it ended, it turned out that my buddy labelled the discs wrong *phew* Haven't given it a proper listen since then, and I'll probably wait until I get my legit copy from HMV or where ever.
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| Originally posted by infinity HiGH CD1 has a lot of good tunes but it feels a little disjointed; it's not until the latter half that it starts to flow nice and smooth. It felt as if Burridge was "testing" the waters, so to speak, (similar to his FW set) where he would be a little more random in tune selection before finally finding his groove. |
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| Originally posted by jennypie LOL...those are practically my words. |
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| Originally posted by infinity HiGH edit: that track at 34 minutes hurts my ears. |
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| Originally posted by infinity HiGH I should add though that it's still a masterful CD. Very atmospheric, which he was probably going for moreso than a bouncey CD. |
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| Originally posted by El K Dee |
Well since you bumped the thread, I may as well post these pics. I think that's you in the background of the fifth one.
I see Cribby!
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