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-- Has the Internet killed the possibility of "underground" music?
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IMO

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| Originally posted by RJT I make music in my parents basement, therefore, underground music is still possible. /thread |
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| Originally posted by thechronic You're STILL living at home? |
He must be in the wrong sarcasm pools
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| Originally posted by iammesol He must be in the wrong sarcasm pools |
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| Originally posted by stev�sto wrong thread. i didnt add to that thread because it went wayyy off topic. but fine here's an example of pop dubstep. however this is a pop dubstep i actually like, theres others that are similiar that are horrible and sound like the cheesy uk garage from way back: http://youtube.com/watch?v=ODyXPCmEAlI |
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| Originally posted by RJT If by "still living at home" you mean, "moved into my own home 7 years ago", then yes - I am still living at home. |
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| Originally posted by thechronic I"M NOT TALKING ABOUT YOUR DORM!!!! |
LOUD NOISES!!!!
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| Originally posted by Clovis NEITHER IS HE!!! |
Stop yelling. 
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Originally posted by TOR |

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| Originally posted by elFreak forgive me but the only thing under him is mellymel. |
He's a problem we have in this part of the world.
6 years ago, before net penetration had reached significant levels in India, and broadband was a distant dream for most... some DJs like myself traveled to London to buy records; often buying as many as 100 a time... and spacing the tunes out over a few months. Clubbers in India were happy to hear new tunes (considered underground) every few weeks and so life went on..
Today the same clubbers have access to the net, just as much as Djs do. The minute a DJ plays a new tune... 10 people have downloaded the track the next day. These same people, in 2 weeks time, complain that DJs aren't playing anything new or fresh... that there isn't anything "underground" any more.
In a sense, the trainspotters are ruining it for themselves by constantly feeding their desire to own more music... often not for any other purpose, than to be able to state, "I have that track". They then complain when their clubbing experience is constantly disappointing. And in india, it's not like if you don't like a club that plays house, you can stroll across to the bar that's playing dibstep or minimal. Choices are limited.
So in a sense, the internet has killed/damaged/changed perspective on The underground scene.
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| Originally posted by nikhil chinapa He's a problem we have in this part of the world. 6 years ago, before net penetration had reached significant levels in India, and broadband was a distant dream for most... some DJs like myself traveled to London to buy records; often buying as many as 100 a time... and spacing the tunes out over a few months. Clubbers in India were happy to hear new tunes (considered underground) every few weeks and so life went on.. Today the same clubbers have access to the net, just as much as Djs do. The minute a DJ plays a new tune... 10 people have downloaded the track the next day. These same people, in 2 weeks time, complain that DJs aren't playing anything new or fresh... that there isn't anything "underground" any more. In a sense, the trainspotters are ruining it for themselves by constantly feeding their desire to own more music... often not for any other purpose, than to be able to state, "I have that track". They then complain when their clubbing experience is constantly disappointing. And in india, it's not like if you don't like a club that plays house, you can stroll across to the bar that's playing dibstep or minimal. Choices are limited. So in a sense, the internet has killed/damaged/changed perspective on The underground scene. |
i can't help to trainspot - if you recognize it you recognize it. i go through a lot of music
that's why it's really important to me that when i go out i am hearing new stuff. if i hear stuff i already know i automatically go into trainspot mode, i know where all the drama is, i know how the deejay's going to mix out of it, etc, etc.
as for this 'problem in india'. i think i could put together a 2 hour set with music virtually no one would recognize there. likely the deejays are just playing crowdpleasing material
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| Originally posted by Beat Blog That said, is there a better feeling in the world than IDing, tracking down and FINALLY getting your grubby mits on that massive track that DJ X or Y tore the room apart with a month before? |
@ Beat Blog / Nefardec... you guys trainspot for reasons beyond just wanting to own a track, I think?
Yes, there is a better feeling beatblog... it's being there in that room, hearing it for the first time and losing your tits to the tune!
Nefardec.. would like for you to post your set here www.submerge.in You'll find it's the most well behaved EDM forum in the world..
DJs here play sets that have to manage expectations of the dancefloor, clubowners and themselves... It's tricky in a country dominated by 91% music sales of film music.
But we manage... this is what we do at the year-end www.sunburn-festival.com I'm the festival director.
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| Originally posted by distant I hate those indie remixes. That, the Black Ghosts remix, and the Depeche Mode remix... they're all shit. Luckily there's very little of it. |
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| Originally posted by paulandrews I heard -> this <- last friday and I threw up in my mouth a little bit. Didn't know there existed this kind of shit, I felt like listening to cheap euro-house remakes all over again. |
Actually I can think of one good "pop" remix. Plastician's version of Kosheen's "Guilty". Pretty nice.
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| Originally posted by paulandrews I still get a similar feeling when I get my hands on an awesome 12" I've been after for a while, but when I finally hold it, I'm like "Ok, cool, I can play it now." Much better is usually buying something you're not completely sure of, and then gradually realizing it's much better than you thought or that it has a fucking killer B-side you've never noticed. |
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| Originally posted by nikhil chinapa Yes, there is a better feeling beatblog... it's being there in that room, hearing it for the first time and losing your tits to the tune! |
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| Originally posted by Beat Blog You misunderstand. I'm talking about post gig trainspotting, tracking down the music AFTER hearing, not identifying it on the night. It's a great feeling after hours/days/weeks/months/years of research to finally get that tune! |
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