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-- That Deadmau5 bass
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Posted by dannib on Feb-02-2009 13:59:

quote:
What do you mean IF they wanted to do that? That doesn't make any sense. They already do do that (i.e., offer both a hardware and a software version for the reasons I mentioned). Are you implying that they don't? Explain.


+1, please explain

The virus powercore and virus tdm uses the exact coding used in the virus b. If you import any powercore virus sounds into the TI and export them both, the sound is exactly the same. (presuming you use the usb outputs)

It would be stupid for access to make a vsti of the TI as it would probably take up a ridiculous amount of cpu when using it to the same potential the hardware has. Plus as somebody said, it would kill their hardware sales and probably pu them out of business.


Posted by Kismet7 on Feb-02-2009 15:16:

quote:
Originally posted by Lucidity
I think you just don't know how to use softsynths, or you are just not good at programming synths, not to be an insult, but, I don't know how you can say you can only get thin bass out of softsynths...... That is retarded. I have gotten many a bass shakin my body with nothing but my DAW (no hardware) . Low sine waves (or many others), eq, compression, its all you need. You do not NEED hardware. Sorry, I just don't buy it.
quote:
Originally posted by Lucidity
I think you just don't know how to use softsynths, or you are just not good at programming synths, not to be an insult, but, I don't know how you can say you can only get thin bass out of softsynths...... That is retarded. I have gotten many a bass shakin my body with nothing but my DAW (no hardware) . Low sine waves (or many others), eq, compression, its all you need. You do not NEED hardware. Sorry, I just don't buy it.


What are you some insecure DAW fanboy? I use a DAW myself, but why would I wave a DAW flag when I know that bass sounds from Analogue gear like Voyager are better. Vsti's are thin in comparison to Analogue, need evidence? Go to your local guitar center or sam ashe or whaever music store is in your area and play with some synths. Need more evidence? Google.com

I dont care if you dont buy it, its your loss, not mine. I'm just trying to help the OP find the best bass he can possibly find, so yah, vsti's can make decent bass sounds, but in comparison to the analogue synths out there they are indeed thin.


Posted by Kismet7 on Feb-02-2009 15:25:

quote:
Originally posted by JOE-SCULLY
blablalblalblala hi, im going to throw up words today blablaablalblala



Posted by kitphillips on Feb-02-2009 15:41:

As I previously stated, you have no clue. Please keep posting for entertainment


Posted by Kismet7 on Feb-02-2009 15:44:

quote:
Originally posted by Lucidity
You guys can keep talkin crap about the mau5, I know people don't like his music but, honestly I have never heard any producer from any genre make sound, sound as good as he does. That might make his head a little too big but, its true. I am not trying to make music like his, but, I am trying to achieve the same or higher quality.

As for his bass, maybe he does use hardware but, you can achieve it with software, just keep practicing. Sound is sound, I am a true believer that you can achieve the same with software as with hardware, you just gotta know what you are doing. I know this is not a big help but, I am still trying myself.


Since this thread has turned into train wreck, I forgot you made this heart felt contribution to this thread already.

What is interesting is that you acknowledge Deadmau5 has great sound, and probably have seen his youtube video of his Analogue synth filled studio, yet think he can get that sound with software or would use software to get that sound when he has a Analogue synth stockpile. Mind you, that video is old and now he probably has an even bigger stockpile of Analogue gear. And then another person in this thread came in talking about that stuff is just for show, he gets paid for advertising, he doesn't really use it that much lol, something along those lines. And then another dude comes in "its the way he magically turns the knobs, and changes parameters on software that makes the big sound happenz." No one else can do it, it takes 6 to 8 years to get big bass sounds. ROFL...trainwreck of funny comments in this thread. Deadmau5 must be wiping away laughter tears with popcorn at this point. Amidst all the funny, im here sharing objective evidence that might actually get the OP to the big sound hes looking for, and threw in a funny on the first page, sickazz contribution all around!

Maybe if you guys get a hive mind going, you can defeat the evil objective evidence superpowahs!


Posted by msaor on Feb-02-2009 16:40:

Where does his sound really come from?
By the end of 2006, joel was asked to test a new product by fxpansion called D-CAM synths pack... a couple of months later we hear faxing berlin, his first song out of his confort zone( listen to his productions before faxing berlin). Then the rest followed: not exactly, move for me, contact, i remember, jaded, arguru, alone with you, etc... all of who have that deadmau5 signature sound created with software.


Posted by cryophonik on Feb-02-2009 16:56:

quote:
Originally posted by atxbigballer1
Hears is Deadmau5 studio!
http://www.youtube.com/watch?v=7cRt...re=channel_page


Anybody notice the lack of room treatment and the positioning of his monitors (in a right-angle corner). I can't imagine that the acoustics in that giant box of a room are any good, yet he breaks all the rules of proper studio monitoring. Interesting.


Posted by JOE-SCULLY on Feb-02-2009 17:31:

i love these deadmau5 threads!! you do just get loads of info from them about him!!


Posted by Ry Thomas on Feb-02-2009 19:33:

quote:
Originally posted by cryophonik
Anybody notice the lack of room treatment and the positioning of his monitors (in a right-angle corner). I can't imagine that the acoustics in that giant box of a room are any good, yet he breaks all the rules of proper studio monitoring. Interesting.


If you know your monitoring setup well, you will know how to adjust your mixes so that they sound good regardless of your accoustic surroundings


Posted by cryophonik on Feb-02-2009 19:43:

quote:
Originally posted by Ry Thomas
If you know your monitoring setup well, you will know how to adjust your mixes so that they sound good regardless of your accoustic surroundings


I don't disagree with you and that's fine for us nobodies, but a guy with his success??? You'd think he'd have that studio pimped out by pro acoustic technicians. Not that I care really - if it works for him then it works for him, just noting an interesting observation.


Posted by Ry Thomas on Feb-02-2009 19:44:

Yeah i seen the video a while back and thought the same thing, such a big space and everything is piled into the corner


Posted by Lana on Feb-02-2009 20:22:

Ok... Now I have listen bit of Deadmau5's song (The Reward Is...).
I don't think the bass sounds SO amazing there?
Typical electro/tech bass that is used in many songs now'a'days, right?

No, I'm not saying it was bad, or lame... I just didn't think it was anything that special. Or maybe it just wasn't my style of music


Posted by DJ RANN on Feb-02-2009 21:53:

quote:
Originally posted by Kismet7
Since this thread has turned into train wreck, I forgot you made this heart felt contribution to this thread already.

What is interesting is that you acknowledge Deadmau5 has great sound, and probably have seen his youtube video of his Analogue synth filled studio, yet think he can get that sound with software or would use software to get that sound when he has a Analogue synth stockpile. Mind you, that video is old and now he probably has an even bigger stockpile of Analogue gear. And then another person in this thread came in talking about that stuff is just for show, he gets paid for advertising, he doesn't really use it that much lol, something along those lines. And then another dude comes in "its the way he magically turns the knobs, and changes parameters on software that makes the big sound happenz." No one else can do it, it takes 6 to 8 years to get big bass sounds. ROFL...trainwreck of funny comments in this thread. Deadmau5 must be wiping away laughter tears with popcorn at this point. Amidst all the funny, im here sharing objective evidence that might actually get the OP to the big sound hes looking for, and threw in a funny on the first page, sickazz contribution all around!

Maybe if you guys get a hive mind going, you can defeat the evil objective evidence superpowahs!


No offense, but you are talking absolute nonsense. Forget youtibe vids and interviews - they are marketing bullshit designed to serve a purpose. There's already enough contradicting info in this thread to make you realise that.

You do not need analogue synths from the 1960's (etc) to make "Fat Bass" and I can't even begin to tell you the amount of tracks that are made with just softsynths, and don't suffer from "thin bass".

It's all about how you use them, and if you can;t get "fat bass" from a softsynth then you;re not doing it right, plain and simple. Bear in mind the amount of tracks that have been made with "fat bass" from a virus - that is analogue modelling, WHICH IS NOT ANALOGUE, just a processor telling software to pretend it's analogue.

on the other subject, I do actually believe the virus could easily be made in to a VST, without it crapping out the PC - I think the single only reason they don't make a vst is because they don't want to go the same way as their fellow german predeccesors (Waldorf) who basically went bust the moment they brought out a soft version of their synths (that sounded just as good as the real deal).


Posted by Kismet7 on Feb-03-2009 00:28:

But...I CAN get good bass from softsynths, even though from a sound design and composition standpoint I avoid too much bass for basslines. Im just bein realistic towards what the Op is asking for, he wants Deadmau5 type bass, and although I agree with what Lana mentioned, some of his bass isn't that great when you consider the equipment he uses, the best bass you can possibly get comes from hardware equipment. You guys can debate against that all day, but everything i've said in this thread is pretty much the truth, while you guys are holding onto either your pride or some false hope that softsynths = hardware in sound. Softsynths have their strengths over hardware too, but one of them is not really sound, and in a thread about where to get the best bass, the logical answer is get some good hardware synths, get a good analogue compressor and off you go, play around and you'll get some good bass.

BTW let me throw a feather in my hat, for the other thread about where to spend $3000. while some were talking up acoustics as absolutely essential place to spend money, Deadmau5 probably has the worste room to not have acoustics but still manages to have great sound quality. So like I said in the other thread, good hardware equipment, good compressors, LEARNING your mixing environment goes a longer way than acoustic treatment, which is important but the essentials should be taken care of and learned first before blowing money on acoustic treatment. Whoever was pushing acoustic treatment in that thread got owned by Kismet7 and Deadmau5. :P


Posted by itsamemario on Feb-03-2009 01:14:

lol kismet, either you're a troll, or you've just skimmed through the posts here.. noone said he only had the hardware for show, what that person said was that when deadmau5 (or whoever) was asked in an interview "how did u do that bass? what did u use?" he said the name of a synth from the company who paid the most for him to say it.. its like if access paid you $1000 to say you used the TI for a certain popular bassline, even tho u used a minimoog, just so it could boost their sales.. get it now?


Posted by Subtle on Feb-03-2009 01:38:

Seriously, why do not you all focus less on what others are doing.

If you could make Deadmau5 bass you would be going at costume parties and occupying Beatport top 10.
Afaik there is only one guy doing that right now.


Posted by Kismet7 on Feb-03-2009 01:42:

quote:
Originally posted by dj_alfi
lol kismet, either you're a troll, or you've just skimmed through the posts here.. noone said he only had the hardware for show, what that person said was that when deadmau5 (or whoever) was asked in an interview "how did u do that bass? what did u use?" he said the name of a synth from the company who paid the most for him to say it.. its like if access paid you $1000 to say you used the TI for a certain popular bassline, even tho u used a minimoog, just so it could boost their sales.. get it now?


quote:
___________________
this post is full of fail


Correct.


Posted by DJ RANN on Feb-03-2009 01:45:

quote:
Originally posted by dj_alfi
lol kismet, either you're a troll, or you've just skimmed through the posts here.. noone said he only had the hardware for show, what that person said was that when deadmau5 (or whoever) was asked in an interview "how did u do that bass? what did u use?" he said the name of a synth from the company who paid the most for him to say it.. its like if access paid you $1000 to say you used the TI for a certain popular bassline, even tho u used a minimoog, just so it could boost their sales.. get it now?


+100. Eaxactly, I too don't think you bothered to read this thread in it's entirety. In some circumstances, harware sounds better - I for really like the SE1X for some bassline types, but it's crap for others, so to say hardware is better is like saying paintbrushes is like saying oil paint is better for art than acrylic paint or water colours. I for instance use both hardware and software, so I'm not "holding on to my pride" - I actually work in a major studio for a living using equipment on a daily basis that most home studios can only dream of. Some poeple I work with use softsynths, some use hardware - it's just about preferences and the task in hand.

Oh and for the last time, STOP LOOKING AT VIDOES of producers in a studio and think that's exactly how they work. THE VIDEO IS THERE TO SERVE A SPECIFIC PURPOSE, maybe even to get you thinking "how does he monitor with his speakers set up so badly" or to make you think they use a specific piece of kit. It's often all just for marketing of a product and not the truth relating to how they actually produce. I've seen people giving tours of their studios and I know it's not even thiers!


Posted by DJ Shibby on Feb-03-2009 09:04:

quote:
Originally posted by cryophonik
I agree with pretty much everything you said, except this:



Access does make a software version, the Virus Powercore. They've been selling them for years and it hasn't hindered sales of the hardware. But again, I reiterate my earlier statement: hardware isn't as much about the sound as it is about the experience and workflow. That's why Access can offer both a software and a hardware version - one for people who want the cost-effectiveness, convenience, and space-savings of a soft synth, the other for people who want the hands-on control; both for the Virus sound.

OK, back on topic now.


No offense, but your hardware knob theory is bullshit.

Anyone can buy a midi controller and map their VSTi knobs for smoother hands on control.


Posted by Subtle on Feb-03-2009 09:21:

quote:
Originally posted by DJ Shibby
No offense, but your hardware knob theory is bullshit.

Anyone can buy a midi controller and map their VSTi knobs for smoother hands on control.
It wont be the same thing.


Posted by dannib on Feb-03-2009 10:07:

quote:
It wont be the same thing


+1

You would need several midi controllers to control all the functions the virus has. Even the mod routings alone would take up all the knobs on a standard midi controller.

Hardware is alot more portable for a live set up also.

You dont need a computer to use the virus hardware. with a vst you would.

etc, etc ,etc.


Posted by kadomony on Feb-05-2009 10:28:

didnt read the whole thread but there's some mau5-ish bass in Nexus in the Bass section "TranceBass" presets 5, 8, and 12 if I remember correctly.


Posted by Stef on Feb-05-2009 13:14:

quote:
Originally posted by Subtle
It wont be the same thing.


+Infinity

Its like saying owning the vinyl of a song is the same experiance as owning the mp3.


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