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- Production Studio
-- what it takes to produce... do i have the hard part down already?
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| Originally posted by cronodevir You though I was trying to insult Mozart. You saw an insult, where an insult was not located. You fail. I don't have the time or the will to explain to people below me what I meant. Read the whole thread, specifically 2 pages back. Maby that will give you insight to why I said it. |
So now you change your mind. That's not nice.
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| Originally posted by cronodevir So now you change your mind. That's not nice. |
Music is not complex, even Mozart, and its only the idiot that elevates his music to such a complex status. Someone who has no musical talent or ability would think ti was vastly complex. When it is at best average. People only think highly of it because it happened 200 or so years ago. There are classical musicians today who shit all over Mozart, but people don't give them the time of day.
That was my comment.
Now Diginut, stop trying to make yourself look smart by using big words you big ole ape. Because you are not winning, now, or ever. And you will not ever win. So just..shut up okay?
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| Originally posted by cronodevir Music is not complex, even Mozart, and its only the idiot that elevates his music to such a complex status. Someone who has no musical talent or ability would think ti was vastly complex. When it is at best average. People only think highly of it because it happened 200 or so years ago. There are classical musicians today who shit all over Mozart, but people don't give them the time of day. |
Hans Zimmer is pretty awesome.
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| Originally posted by MrJiveBoJingles Certainly in the context of classical music, Mozart is not at the top of the complexity scale -- later composers wrote works that were much more elaborate. "Complexity" is relative, yes -- but Mozart's music is a lot more complex than a typical dance track. There's way more development of melodies and themes, modulation, harmonized layers, and use of varied tempo and dynamics. Most dance tracks just bring a few simple melodies in and out for a couple hundred measures without even elaborating on them at all. The rhythms are nearly all 4/4 and repeat themselves every bar or two. Certainly the engineering process for making sounds and effects or mixing and mastering them can be tough and involve lots of creativity, but the resulting musical product is almost never as complicated as any run of the mill classical piece. And who are these "classical musicians today who shit all over Mozart?" |
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| Originally posted by Kismet7 You sure you want to just point to Dance music? What about Hip Hop or Pop or Country? Electronic Music is and can be closer to classical music than any other popular genre. In harmony, chord progression, movements, arrangement. |
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| So what is the point? The complexity or simplicity of different genres of music does not signify greatness or intelligence... |
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| Originally posted by cronodevir Music is not complex, even Mozart, and its only the idiot that elevates his music to such a complex status. |
Those technically things aren't hard...mastering is a 5-10 minute job in a wav editor. Requires basic textbook knowledge on how audio works. This is the problem with most EDM today, most artists are so bad they can't even produce a decent melody or composition, and so they try to mask their flaws by saying "but the technical stuff is the hard part" Bullshit, you suck as a musician, being good at technical stuff is no justification for failing at being a musician. Its like if you suck at painting, so instead you throw paint on a canvas like a monkey and call it abstract and try to pass it off as art...when no, its not art, its paint thrown on a canvas.
You can't just pick something out, call it hard, and use it as an excuse for a flaw you have at something. And when people laughable talk about how hard the technical stuff is, they are using it as a scapegoat. Really, if synth programming or EQ is something you consider "hard" then you are a very backward ass stone age kind of person. Because that is the simplest aspect of EDM. Mixing can be done with your eyes closed for fucks sake. Technical stuff hard..are you fucking shitting me? Humanity is devolving, meaning, people in general are getting stupider. This stuff isn't hard because its complex or something, its "hard" because most people are so mentally handicapped.
This is why I don't respect this place anymore, people are so pitiful. People who couldn't melody their way out of an elevator, saying technical textbook stuff is harder than creativity. WTF. That is like saying learning to play the violin is harder than writing your own full orchestra piece. That is what diginut said.
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| Originally posted by cronodevir Those technically things aren't hard...mastering is a 5-10 minute job in a wav editor. |
Because my struggle is composing. And "getting signed and sounding professional" isn't the end goal.
Diginut was essentially saying that 'learning to use the tools', was harder than 'coming up with the thing you want to use the tools to build.'
Or, building a paintbrush is harder than painting a picture.
Building a cello is harder than composing a cellist piece.
Etc Etc...
When a person says using the tools is more of a struggle than composing a piece of music, to me this shows a lack of understanding how deep musical composition goes.
And yes mastering is a 5-10 minute job. Ive seen guys in a mastering studio do a whole album in an hour. This was for tracks that had clipping and needed an average RMS.
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| Originally posted by cronodevir Because my struggle is composing. And "getting signed and sounding professional" isn't the end goal. |
technical can make up for lack of music and vice versa.
i mean just listen to the timbre on some synths, you can play nursurey songs and make them sound cool.
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| Originally posted by cronodevir This is why I don't respect this place anymore, people are so pitiful. |
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| Originally posted by MrJiveBoJingles But if it's all so easy, why not just do it, hmm? Why would you deliberately avoid making money from your music? If I remember right, the only tunes I've heard from you have been distinctly unimpressive in both the "technical" and "musical" senses, so I really don't understand where you get off having this enormous ego trip about how you must be so much smarter than people who struggle at different stuff than you do, much less making light of the skill of someone like Mozart, LOL. You're like a guy who beats his friend at a few games of chess and thinks he's ready to take on Vladimir Kramnik. |
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| Originally posted by cronodevir I don't leave because I enjoy correcting/helping people. Just like you enjoy it when you think you are correcting/helping people. |
Ive been more helpful than you have. The sum of your contribution is a thread with other peoples work. I'm trying to clear the misconceptions about music, technical work being the crux of the difficulty in production is a vast misconception. Its so bad that people don't even acknowledge that EDM as a whole contains barely a few scraps of even basic musical comp. People think that the musical composition has been maxed as it were, that there is nothing else that can be done musically. And so all this emphasis is placed on trivial matters.
I find this to be a grave mistake. And it only furthers the devolution of music. If people don't realize that the problem with EDM lies in the composition and not "how good that EQ sounds", then EDM will never be more than some blips and bloops with a kickdrum. And that is certainly not euphoric. This is what is wrong with stuff like ASOT these days....its vengeance cds, with no melody, with good mastering. Literally. And people look up to this junk. People even get offended when you call it junk lol. You have people who's scope is so tiny that ASOT, for them, is the epitome of musical comp, they only see a tiny fragment of what music is. ...and then these people downloaded FLStudio and Cubase. Rest is History.
So if you think musicality is being neglected so much, why not start some threads about composition rather than just whining about how you think everyone is getting it wrong?
From what I've seen in this forum, Diginut has given dozens of times more advice about both musical and technical issues than you ever have. If you think his only contribution is the sticky, then you just haven't been reading this forum all that carefully.
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| Originally posted by cronodevir Ive been more helpful than you have. The sum of your contribution is a thread with other peoples work. I'm trying to clear the misconceptions about music, technical work being the crux of the difficulty in production is a vast misconception. Its so bad that people don't even acknowledge that EDM as a whole contains barely a few scraps of even basic musical comp. People think that the musical composition has been maxed as it were, that there is nothing else that can be done musically. And so all this emphasis is placed on trivial matters. I find this to be a grave mistake. And it only furthers the devolution of music. If people don't realize that the problem with EDM lies in the composition and not "how good that EQ sounds", then EDM will never be more than some blips and bloops with a kickdrum. And that is certainly not euphoric. This is what is wrong with stuff like ASOT these days....its vengeance cds, with no melody, with good mastering. Literally. And people look up to this junk. People even get offended when you call it junk lol. You have people who's scope is so tiny that ASOT, for them, is the epitome of musical comp, they only see a tiny fragment of what music is. ...and then these people downloaded FLStudio and Cubase. Rest is History. |
The bottom line is this. It takes a special mind to make a special track. Many of the tracks you just dissed on are crap. But with more effort and time put into them instead of rushing them off to the mastering house for the next 200 dollars, those tracks could be amazing for years and years.
People just don't have any clue about anything. Most everyone is lazy. Thus, why would they want to spend 200 hours making a classic instead of 24 hours making a hit trance track (which will stay a hit for only 2 months). A great deal of the people in this genre are in it for the money, not to get out a message, or to help people feel something. Wrong business to do that. This isn't a law firm, this isn't an oil cartel. This isn't wall street. People are far too good at settling for mediocrity. This is not really easy to prove but I have a fundamental belief that success is a learned trait, and can be applied to any field/avenue. If you are the best at one thing, you have the mental fortitude to be the best at anything you choose. It takes a certain brain type and learned ability to be the best. It takes a passion, and there is always a reason for why they are doing it.
Most producers in all different genres have no purpose to their work, or in the pursuit of their work. This is why mediocrity reigns supreme. The people who think outside of the box and challenge themselves consistently, in all endeavors, will always be more successful than the luckbox who threw some presets together with a catchy 4 bar melody.
Everyone has their reasons for what they do. It just happens 99% of those reasons are ill conceived and will accomplish nothing more then normalcy.
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| Originally posted by cronodevir [b] And it only furthers the devolution of music. If people don't realize that the problem with EDM lies in the composition and not "how good that EQ sounds", then EDM will never be more than some blips and bloops with a kickdrum. And that is certainly not euphoric. This is what is wrong with stuff like ASOT these days....its vengeance cds, with no melody, with good mastering. Literally. And people look up to this junk. People even get offended when you call it junk lol. You have people who's scope is so tiny that ASOT, for them, is the epitome of musical comp, they only see a tiny fragment of what music is. ...and then these people downloaded FLStudio and Cubase. Rest is History. |
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| Originally posted by cronodevir Music is not complex, even Mozart, and its only the idiot that elevates his music to such a complex status. Someone who has no musical talent or ability would think ti was vastly complex. When it is at best average. People only think highly of it because it happened 200 or so years ago. There are classical musicians today who shit all over Mozart, but people don't give them the time of day. |
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| Originally posted by cronodevir Because making money off music is stupid, I would go out of my way to ensure others don't, if I could. That is why I don't try to join a label or some other nonsense. If you want money, go do something productive. Don't smear the music world with shit music because you want to make a hundred bucks. As far as my music goes..beats anything you could ever muster. No one is on an Ego trip, I'm just astounded at the patheticness of artists these days. People are struggling at stuff you shouldn't be struggling. If a fat kid is struggling to do an obstical course, you don't sympathize with the fat kid, you blame him for allowing himself to be so flawed as to not finish the course. People who struggle on elementary things like EQ, are not in the right mindset to even consider themselves an musician. The basics are, do you know what each knob on the EQ does? Boom, then you should be a master at EQing things the way you want. If after messing with EQ for a week or so you are still unable to get the result you want, then you are doing something wrong, and its no one elses fault. |
RichieV I know my opinion of Mozart is not shared. I also know that almost everyone I have met that thought highly of him, though highly of Tiesto or AVB when they heard those guys too. When someone critiques music, eventually there is a point where no artist becomes to high to be judged. Ive heard a lot of Mozart, and I find most of it to be erratic. You probably don't a agree, though I don't know. :P My comment before was not an insult [it didn't even sound like one...was it because I said 'ass'? Some people usually default to "he insulted someone" because that person used a swear word.] Mozart himself never said his stuff was overly complex. In fact most of it was simply the act of putting it out that was hard. He wasn't born knowing how to build an orchestra piece, but he did from a young age already have the music in his head. It was just there, he didn't have to wait until he was 23, learn how music works and try to pump out a song. So calling it complex or "above our heads" is laughable in the least. He isn't some high and mighty guy, we was just another musical composer, people like him so much because he is from 200 years ago, and they don't understand music and they hear his stuff, and think its the epitome of music..that's about it.
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