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| Originally posted by Chimney I need a reason for visiting Brazil. EDIT: Spelling |
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| Originally posted by Lira Well, Giselle and Adriana Lima are Brazilian |
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| Originally posted by Chimney 5. The bibliography of an article: A. May include papers presented to a medical congress B. The bibliographic indexes are placed before the signals� C. Represents the medical articles used to sustain the presented idea D. We can use many reference systems (example) in a medical article |
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| Originally posted by Lira Hmm... I see no reason why papers presented to a medical congress shouldn't be added in the bibliography even if they're judged to be marginal. In linguistics it's not unusual to see that happen when commenting on any work in progress. Apart from that, I tend to agree with you. Is there a reason why A is wrong in medicine? Can't you cite work in progress even if you did it in peer-reviewed environment? |
How he fuck did this thread go from Clockwork Orange over Star Wars to proper citation in scientific articles? 
Edit: Excuse my swearing today. I seem to have some sort of bipolar forum disorder. 
I app
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| Originally posted by Chimney Because of this (I think): Use full length articles from peer reviewed journals Abstracts are not allowed Paper submitted but not accepted are not allowed Limit references to key citations (20-40) Place reference citations properly - Previous reports have shown an incidence of 50%12,24,29 "Abstracts now allowed". |

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| Originally posted by Meat187 How he fuck did this thread go from Clockwork Orange over Star Wars to proper citation in scientific articles? |

Re: I app
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| Originally posted by Lira Well, the annals of a scientific congress tend to be peer-reviewed - whether or not they're a journal is pretty much a matter of semantics, I believe, but I've never heard of a single conference/congress in which the papers submitted were not screened in a way or another. From what I understand, you can't use just the abstract (for obvious reasons) and/or stuff published in "unmoderated" media, such as blogs, magazines and the like. The rest is fair game. Wait, where is this questionnaire from? That's all the info they provided you? ![]() Such are the dynamics of an internet forum ![]() Apparently I tend to be the cause of such derailments whenever I post. I blame my ADHD and my utter inability to focus on any given subject for more than hey, look, trolley carts! |
I don't know what they mean by "bibliographic index" and signals in this case. I googled these terms but I'm none the wiser 
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| Originally posted by Lira I don't know what they mean by "bibliographic index" and signals in this case. I googled these terms but I'm none the wiser |
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| Originally posted by Chimney If I don't pass the exam the exam tomorrow, I'll go apeshit. |

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| Originally posted by Lira Chim, ![]() |
t
I take that's a positive reaction 
Now go get those books and show who's going to ace the test!
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Originally posted by Lira ![]() Now go get those books and show who's going to ace the test! |
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| Originally posted by Chimney Actually, it's powerpoint, and I kinda feel like watching Seinfeld. |
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| Originally posted by Lira And that's what I call Powerpoint abuse! Please write everything in the test with block letters and using as many colours as possible - that's probably how they like their answers |

In that case, just check each box in a different colour. That's the best I can think of 
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Originally posted by Lira ![]() In that case, just check each box in a different colour. That's the best I can think of |
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| Originally posted by Lira Indeed. By the way, Jack, I do know I hold a very deflationary view of art (It's just art!) and I'm often knocking big names (with few exceptions: I still haven't found a flaw in Dostoevsky), but that's precisely because I love it and I do that because I hold the opinion that taking anything too seriously stifles creativity (if you read my other posts, I do just the same in science and philosophy - and I'm a PhD candidate in a topic that involves both fields; and, hell, why do you think I never finished that novel? If I really didn't care about literature either, I'd have finished it ages ago ). I don't know if you refrained from writing that earlier based on this iconoclasm of mine, but I do want to let you know that I do care about your opinions, and that you've never wasted a minute of yours writing something for me ![]() Even when I knew what the argument would be (such as Star Wars being fantasy rather than science fiction), it's always nice to see a different way to structure the same ideas. |

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| Originally posted by Lews You see no problems in The Brothers K? ![]() |

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| Originally posted by Lews Also, I'm looking for an essay I wrote a couple years ago for an English class about what makes something Science Fiction. Might interest you (if I can find it). |

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| Originally posted by Chimney Just because you're so nice, I'll give you a FLAC track of your choice <3 |
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| Originally posted by SYSTEM-J Okay, the cut down version: Science fiction is a fantastic (IE: non-realist) genre, and like all fantasy genres the textual universe is characterised by points of difference from our own reality. In SF these points of difference (or nova) are rationalised through a pseudo-scientific discourse. Star Wars is a science fiction/fantasy hybrid, much like Dune, because many of its nova are pseudo-scientific: TIE fighters, alien species, blaster weapons. The science is never explained, but the language of science is used around the film: light speed, proton torpedoes, ion cannon hyperspace, implying there is an advanced level of science that makes everything we see possible, we just don't understand it yet. SF profitably utilises the thinking encapsulated by Arthur C Clarke's famous quote: "Any sufficiently advanced technology is indistinguishable from magic"... in other words, we're surrounded by technology we don't understand anyway, so if men in white coats told us deflector shields and X-Wings were possible, we'd believe them. In this sense, Star Wars is science fiction. However, it contains other points of difference (namely, the Force) that are not rationalised through pseudo-science. The Force isn't rationalised at all, so it becomes magical, spiritual, some mystical force. That's a pure fantasy element - although George Lucas infamously tried to recalibrate it as science fiction through that disastrous "midichlorians" idea in The Phantom Menace. Note how different it feels, despite acting exactly the same within the plot - from spiritual essence permeating all living things in the universe to the side-effects of weird bacteria. Science fiction is a despiritualised genre, one where fantasy and escapism are possible, but they are rooted strictly in a godless, scientific perception of reality. So Star Wars is basically a science fiction/fantasy hybrid. Another example of this would be Dune. It's sort of implied in Dune that all the visions and prophecies and religious aspects are side-effects of melange consumption, but there's no attempt at rationalising why. There are obviously various levels of science fiction, based on how much they want to say. The "softest" science fiction operates just like fantasy, it's purely escapist and uses science only as a plot device to justify unrealistic features. The hardest science fiction is extremely rigorous in its pseudo-science. It doesn't mean it's necessarily accurate - Larry Niven's Ringworld made it to print with some massive errors in its mathematics, but hard science fiction is much more concerned with the maximum amount of science and the minimum of fanciful extrapolation. The science fiction critics love the most tends to be allegorical, its nova becoming metonymical devices in a metaphorical text that comments back on our own reality. That, by the way, doesn't necessarily make that kind of SF better than the rest, but critics tend to like something more if they can write an essay about it. Godzilla is an extremely potent piece of allegory, and so is much-lauded even today, but it's quite a shitty film in all honesty. |
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| Originally posted by Lira By the way, Paul, Star Wars isn't science fiction because of the plot: with little effort you can remove the characters from that galaxy far far away and put them somewhere in Medieval times with just a few adaptations (forcesabers that feed on human spirit instead of lightsabers, for example) the story can go on. Science fiction, on the other hand, is porn for geeks. Everything revolves around science and how scientific endeavours make us (or themselves) awesome and/or catastrophic in the long run. Just take the one of the grandaddies of all science fiction: Jules Verne. The guy describes what an exploration to the centre of Earth would be like - and a professor guides the expedition rather than, let's say, a charismatic leader with no relationship to academia. I'm sure Syst can fix any inconsistencies in this paragraph for you, but I'm sure something similar to this is the core of the argument. It does seem to explain the plot of the only science fiction I like (Torchwood). |
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| Originally posted by SYSTEM-J In this sense, Star Wars is science fiction. However, it contains other points of difference (namely, the Force) that are not rationalised through pseudo-science. The Force isn't rationalised at all, so it becomes magical, spiritual, some mystical force. That's a pure fantasy element - although George Lucas infamously tried to recalibrate it as science fiction through that disastrous "midichlorians" idea in The Phantom Menace. Note how different it feels, despite acting exactly the same within the plot - from spiritual essence permeating all living things in the universe to the side-effects of weird bacteria. Science fiction is a despiritualised genre, one where fantasy and escapism are possible, but they are rooted strictly in a godless, scientific perception of reality. |
all this talk has put me in the mood to watch primer.
Star Wars is a space opera, and anyone who says different is misinformed.
space opera is just a sub genre of scifi.
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