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-- GRR at CDJs!
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| Originally posted by hansolo My morals are equal to yours, except in one area and that is you've taken your piracy one level higher and showcased it for other people. |
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So I guess when Bush takes it one step further then you can become president. |
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How do you know how much money I have spent on vinyl, Dj's. I spent $3000 just so I can get to hear trance on an Island (Ibiza) and at a festival. Can you say the same??? Stupid arguement. |
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But the main issue here is whether or not your going to cry about it or have a nice debate, which Im enjoying. But why dont you argue with this |
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"You proberly heared that "Lightning-records" is closed. It was my home for many years,and with lots of pain and sorrow it's an end of an era. As we all know Lightning suffered from low CD sales,getting attacked by MP3 downloading,and sales droping all over." Thats a quote from MIKE. Join his forums tell him you played a burnt CDR for an audience and see what he says. |
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You know what, I dont know enough about you and you dont know enough about me, but I do know that there are people out there who make no effort to support and happily played pirated music with out trying to get it legimately. The fact of the matter is this trend has started and its not going to stop, whether I like it or not. But like I said Im cynical, to the point where I am willing to be a hypocrate. So whether I am a thief or not in regards to DVD etc, I dont care about that shit. I care about trance music and how the some of its biggest fans are killing it. *Note: Not saying wushboy is killing the scene. "Its Time for A Revolution" |
lol
Jask - Wow you took the time to quote everything. Good for you.
Please read the other post I made (see below) and please, please send me a pm and I wont resond cause its too cold in Toronto to argue with you. I hope wushboy can let this go and even if not, im pretty sure I wont respond cause arguing through a screen bores me. If your ever in Toronto, give me a ring we will argue over some snow and trance. God Bless you my singaporian friend.
"I agree no more of this. but as for my accusations bad place at the wrong time for wushboy. Im not singling him out, but my anger is more generalized. The odd post of igonrance and lack of support have built up to a point and unfortunately it gets to this point. But just like my trance, my frustration builds up to a crest and then crash and I have to open my mouth, even if it means calling someone a theif. Sorry if I hurt your feelings calling you a theif, you must understand that when I argue, my goal is to piss the other person off as much as possible, thats why I often avoid these fical discussions that do nothign but take up Swampers Bandwith."
thank you for pointing those out JasK . hahahah
nice debate.. it was fun
Come on now Wushy Wushy, dont be flaming me and have me point out who brought up Bush and Spending money to support DJ's.
I told jask the avenues he can take to argue with me as for you and I, Toronto is better than LA.
j/k.
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| Originally posted by hansolo Come on now Wushy Wushy, dont be flaming me and have me point out who brought up Bush and Spending money to support DJ's. I told jask the avenues he can take to argue with me as for you and I, Toronto is better than LA. j/k. |
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| Originally posted by jdat The name's wushuboy bitch and you don't seem to be deserving anymore respect then the one you give to others . you are the one who deserved to be flamed and secondly you are not a good debater AT ALL cause you like bringing off subject things in this .... that's totally irrelevant .... am I accusing you canadian for mistreating the natives? And lastly keep your nasty comments about T dot to yourself, I do not tolerate people talking about themselves as if they were the elite, you are as low as anyone I could ever know so please, don't claim you're better cause you are from Tdot, oh and might I add , one affirmation I believe strongly, you're not making T DoT any better then it already it SO STFU ! |
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| Originally posted by hansolo Jask - Wow you took the time to quote everything. Good for you. Please read the other post I made (see below) and please, please send me a pm and I wont resond cause its too cold in Toronto to argue with you. I hope wushboy can let this go and even if not, im pretty sure I wont respond cause arguing through a screen bores me. If your ever in Toronto, give me a ring we will argue over some snow and trance. God Bless you my singaporian friend. "I agree no more of this. but as for my accusations bad place at the wrong time for wushboy. Im not singling him out, but my anger is more generalized. The odd post of igonrance and lack of support have built up to a point and unfortunately it gets to this point. But just like my trance, my frustration builds up to a crest and then crash and I have to open my mouth, even if it means calling someone a theif. Sorry if I hurt your feelings calling you a theif, you must understand that when I argue, my goal is to piss the other person off as much as possible, thats why I often avoid these fical discussions that do nothign but take up Swampers Bandwith." |
This thread quickly turned from a interesting and informed read into a bagging contest between several people with different oppinions and an abbility to twist facts to suit themselves.
FACT - Record labels big and small are struggling. The difference is in 3 years time it's the small labels that will have died off while the big labels will have survived. Then what will happen? Originality, innovation and the music scene we all love will have shrunk to obscurity and the closest we'll get to dance music is the club mixes of Britney Spears et el.
The original intention of the thread as far as I can tell is that there are ALOT of CDJ's emerging that are simply not supporting the industry at all. Let's forget for a minute the arguments of 'rare and unreleased' or 'I own the original and are just using my own rework/copy'. No doubt this happens. But lets be realistic. In 9/10 cases this ISNT what has happened.
It basically comes down to conscience. If you are getting paid to play tunes then the very, very least you can do is pay for those tunes. This can not be argued. Max Graham and so forth may be making a lot of money from playing gigs. But he is speaking for the many producers who do simply that, produce. And get very little back to show for it.
People arnt pretending the industry is in a bad way, just to scare you into purchasing music. Record labels are dieing and almost none are starting up. Flaming each other on forum after forum isnt gonna achieve sweet FA.
I say we just end this forum. It has obviously gone too far. There has been alot of good and stupid points that have been made but in the end we all love our music and this flaming war aint going to acomplish anything.....
_BRETT
this is not directed at anyone inpaticular, i feel though that i should say something,
i am not a dj, and i don't buy vinyl, although if i wanted a record enough i would probably buy it just to have it.
so where does that leave me, yes i can buy the occasional mix cd, but that means i have to import them since i live in australia, there isnt that much of a demand out here (unless i want to buy SKITZ MIX or something lame like that).
to import them it costs way over double the price of what you would normally pay and i just can't justify that. another thing is when they do finally get out here on a mix cd i have already heard the tracks WAY earlier (for example listening to the ASOT streams).
that seems like a problem, if it wasn't for the internet i don't know where i would be, i know for sure that i wouldn't have a clue who armin was, so then i wouldn't want to buy them anyway, so we are back to 0 again.
it seems that this problem isnt going to go away any time soon, so i'm not going to speculate anything...
just my 2c
dave
Hi all, it's your "CDj" again... although I'm not exactly the topic of discussion, I was the reason this thread got started. Everyone's got a different point of view on this, and it's doubtful any amount of debating will really change what things people believe are morally sound.
laborate on my point before, I began to love this scene because it was underground in the sense that it was not commercially fueled. From it's inception until the mid to late 90's the whole scene was still relatively pure in the respect that people who attended and performed at events were there for the love of the subculture. Which is why I dislike Oakenfold now for his intentions to try and commercialize this music and cheapen it by making it trendy.
Someone quoted Max Graham in the beginning of this thread, and Graham cited Sander Kleinenberg when saying that fellow artists don't condone or appreciate online distribution of their sets. On the contrary, Sander is by far my favorite DJ, and I never miss a chance to support him by attending his events whenever he comes down to spin, shaking his hand, and maybe having a few words with him. Which is why it pleases me that he was the one speaking in this interview and said what he said on his feelings of Internet distribution. Heres a link to a new thread that contains a link to the interview. And let's try to keep the conversation civil and relevant. Even if we have extremely different opinions on such a controversial topic, I'd enjoy discussing it.
new thread:
http://www.tranceaddict.com/forums/...&threadid=95650
hey adam...
do you still have your tracklist written down from that day? There was this one song you played and i forgot to ask you the title of it. anyway... if you do.. contact me on aim. My SN is wushuboy111
there is no feeling with cdj'ing plus the sound qaulity is bogus unless you have a 320k stream+
vinyl is where its at. The good thing about vinyl is that its sampled at real time analog complete reproduction of the actual airwave :O
I would only use cd's if its a rare item... a single thats unreleased or extremely hard to get.
Vinyl is just plain keen
Okay, about the no feeling, I don't even think that's a justifiable statement. Although I mainly spin CD's, I do also spin vinyls that were hard to find tracks. There is no difference in "feeling". If you want to talk technically, if you learn to spin on either, mechanics are still the same, push, drag, cue, adjust pitch. And then learning to use those skills and beatmatch... then you learn how to effectively use the mixer... after you got all that down, it comes down to song selection and how well you put together sets. So unless you're being literal and talking about touching a vinyl disc as opposed to a rubber platter or jog wheel, the ability to take a group of tracks and put them together in a way where the total is greater than merely the sum of it's parts is the most integral part in creating feeling.
I use at least 192kbps, anything less and yes, the spectrum is noticeably lacking but at 192, especially HQ 192, the quality difference is negligible (most removed frequencies are sub or supersonic), if not a recurring trade-off of vinyl quality: static, dull needles, worn vinyls, etc... and pumping it through a PA pretty much dissolves most of the audible differences. I mix back and forth from vinyl to 192 on B&W Matrix 803 Speakers through a McIntosh amp, sound is clean and full.
And there's a caveat to the idea that the sound quality of an analog airwave sampled in realtime is ideal... that is: it's true when the recorded source itself is also analog (i.e. live instruments or voice recorded via condenser mics) But most electronica tracks are only partially analog at most. In fact many analog signals are digitalized and then effected with digital processors. Keeping this in mind, the rest of the instrumental elements are also digital giving rise to a digital source. It follows in this case, that converting a digital source to an analog signal, which is passed to the lathe that etches the wave vibrations onto the vinyl analog medium, produces an analog interpretation of a digital source. The best idea is to obtain a sound, place and work with it in a medium that will most faithfully represent the signal type, and optimally keep it in that form until the last possible moment before output to speakers. Plus CD's don't wear out from play like vinyls.
Since so many DJ's incorporate CD's into their sets now, it's a wonder why labels don't just sell LP's as single CD's too, they're cheaper, easier to manufacture, at 2-3 bucks a single, they'd still make a profit in the ballpark of 5-10 times manufacturing costs and materials. I would definitely buy those, thats a reasonable price I'd be willing to pay.
Belated response, sorry was away for a week or so lost track of this post,
OK wushu, i dont think it was you spinning the CDs im talking about, the tracks dropped that i heard on CD i have both of em on vinyl at least when i was wandering past the booth, Someone played lustral broken pitch and sulfur mix and also dropped IIO - at the end made edit, i have both these records on vinyl and they arent super hard to get atm that is the kind of shit im talking about, And my only thoughts on burning shitloads of music is this, how can you say you like the music so much if you arent purchasing the vinyls all this does is bankrupt record companies so vinyls become unavailible, wushu it appears to me you buy a shit load of vinyls so this isnt dirrected at you, I saw the record crates, hell i was trainspotting and rumaging through a few of em :P, but i also saw your 240 disc case logic filled to the fucking brim with burned CDs im not sure who it was but he better have just been backing his vinyl collection up so he could fool around with the CDJs ahha.
But amidst all this bitching people are forgetting about 1 thing, they are called CD SINGLES! yes those things availible long after the rare vinyl vanishes. CDJs i have loads of respect for, but music pirates you suxors! As for dropping those rare vinyls yeah 100 bux is pretty ridiculous for em, but thats what makes them so rare and 1337 heh. So to wushu and and all the other guys who worked at this show, this aint like a slander on you, unless your exploding cuz you dont own anythign but endless cdr spools :P.
Moral of story is buy music so our record labels dont go under, cuz music doesnt become rare from an artist going under so much as the record label going under. Artists get money from gigs, not record labels.
PS: as always alot of people misstook the point of this thread thinking it says CDJs are thiefs, it says no such thing, i support a CDJ spinning a legit CD as much as a Vinyl DJ, this is not regarding people spinning bought CD singles or CD promos it is merely about burnt CDs, and no not a cd with one or 2 legit songs a whole caselogic full of burnt CDs :P
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| Originally posted by byakko Since so many DJ's incorporate CD's into their sets now, it's a wonder why labels don't just sell LP's as single CD's too, they're cheaper, easier to manufacture, at 2-3 bucks a single, they'd still make a profit in the ballpark of 5-10 times manufacturing costs and materials. I would definitely buy those, thats a reasonable price I'd be willing to pay. |
Lol byakko my apologies bro, I didnt mean for this to turn on you lolz Are you OK? haha, well aside from your MP3 collection you were mixing good :�, forgive me plz heh can we still be friends jolzin. =�,
yeah By is right, mechanics are the same with CDs and vinyls plz stop that stupid shit about vinyls are better for performance its a MYTH! heh
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| Originally posted by DJDigDug Lol byakko my apologies bro, I didnt mean for this to turn on you lolz Are you OK? haha, well aside from your MP3 collection you were mixing good :�, forgive me plz heh can we still be friends jolzin. =�, yeah By is right, mechanics are the same with CDs and vinyls plz stop that stupid shit about vinyls are better for performance its a MYTH! heh |
To DJDigDug... i was the one who dropped Lustral - Broken (pitch and sulfer remix). I know that this is a widely available record butlet me explain why i had it burned. Like byakko, i do this for a hobbie and cant afford to buy every single record out there. The reason i used a downloaded copy of it was because i hadnt heard it till that week and i didnt have time to go find the vinyl since i work fulltime to bout 9pm. Since i couldnt find it i decided that using this would be the next best thing for this event. But you can be rest assured that i liked the song so much that its already on its way in the mail :P Sometimes you just have to take into consideration wat the situation is where people use CDRs. For me it was a time constraint thing where i wanted to play some songs but didnt have the time to go order or buy them. Just keep that in mind before flamming people for using cdrs. Another thing is...i dont think that cd-singles are created for every vinyl release. So you cant just say get the cd single. The older stuff prolly did not have cd releases. And even now, cd singles probably are not created for every vinyl released. Another thing is that some people dont realize that the equipment is just as expensive as buying vinyl. CDJs are there for a purpose and its to supplement the DJ. Now.. if you're blaming the DJs for using burnt CDs.. then you might as well turn your blame to the manufacturers of the equipment as well since they create the technology whereby people can use the cdrs. I acknowledge all your points..but lets not look at it from one point of view. There's many facets to this debate.
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