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-- Pro DJs that use burnt mp3s @ gigs
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| Originally posted by dinoXpress Tis is the biggest piece of bullsit ive read in a thread my god. If an mp3(320kbps)/wav is recorded directly at the source, straight from the dat, it will sound just as good if not better than anny vinyl. its all digital anyways. The problem is a lot of mp3are converted from the DAT to vinyl to 320 to 192 back to 320 and each step loses sound quality. i guarantee you that if you put it on mp3 direct it would sound as good. I know for a fact a lot of producers use pc only software to record etc, are u trying to say that its gonna sound better AFTER they put it on vinyl? If 2 exact same systems were used, there would be no difference. Unless you are a dog (they have better hearing) you are lying if you still think vinyl sounds better vs. direct 320kbps mp3. |
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| Originally posted by Magnus Well said. I'd like to see anyone who thinks otherwise to stand in a club and take the Pepsi challange to tell the difference for the same song played on vinyl and by a 320 rip. |
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| Originally posted by dinoXpress Tis is the biggest piece of bullsit ive read in a thread my god. If an mp3(320kbps)/wav is recorded directly at the source, straight from the dat, it will sound just as good if not better than anny vinyl. its all digital anyways. The problem is a lot of mp3are converted from the DAT to vinyl to 320 to 192 back to 320 and each step loses sound quality. i guarantee you that if you put it on mp3 direct it would sound as good. I know for a fact a lot of producers use pc only software to record etc, are u trying to say that its gonna sound better AFTER they put it on vinyl? If 2 exact same systems were used, there would be no difference. Unless you are a dog (they have better hearing) you are lying if you still think vinyl sounds better vs. direct 320kbps mp3. |
Again, the 2001 thread posted here is extremely informative. Some very knowlegdeble postings there.
On the argument weither mp3s should be used by DJs, I say that it's probably going to happen more and more and there is nothing we can do but support DJs that use more vinyl. As a bedroom DJ I use many mp3s but I find vinyl to be much more 'fun'. It is easier to beatmatch with as well as manipulate. I also think the sound is better; the acoustics just seem to be more emphasised. I like the description from the 2001 thread that the sound from vinyl is "warmer". There is a couple explinations for this in the thread but I like this one:
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| The 'warmer' sound of vinyl (and analogue tape) is because the clipping nature is non-linear. This makes peak signals rounded instead of square which emphasises the 3rd Harmonic of the signal whilst reducing the others and that's the warm sound. |
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| Originally posted by sektile final scratch is a product from stanton, you get 2 vinyls that you literally 'load' mp3s into and you can cue, scratch, cut like a normal vinyl (apparently) - now i havent used it, but ive read a lot of good things about it, for one, Richie Hawtin uses it. but yeah, the plus is obviously being able to have a laptop at a gig with thousands of mp3s... |
Perhaps this is why DavidScott didn't like this thread. 
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| Originally posted by DavidScott I am a DJ and I spin only CD. That was not my first choice, but that is how is happened. WIthout MP3, I could not do what I do. I still support the labels and buy CD compliations and CD releases of my favorite artists. As for labels blaming MP3 downloading, that is a complete cop-out. The fact of the matter is if a label puts out quality music, then they will sell. I like many of the tracks that Bonzai has put out in the past, maybe their music is not as attractive to some as it was in the past. The same with some other labels. I understand labels and producers having issues with downloads, but unfortunately that is the way this comunity works. That is the way we live today. One good thing comes out of it..People are listening to their music, enjoying the productions and spreading the love and passion for the music. Maybe it is time for lables to come up with alternative ways to generate money. Planning events, parties and festivals is a good way to generate money and get your name out. This message may piss some people off, and since I don't know how to run a label, my words and ideas may be far off, but to me, this music is spread in various ways. To me, if the music is getting out there, that is the most important thing. If anyone agres or disagrees, please let me know your thoughts D |
im sorry but im not buying mp3s. I want the fuckin cubase files, Midi's & accapellas, then we can talk.
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| Originally posted by sandstorm03 im sorry but im not buying mp3s. I want the fuckin cubase files, Midi's & accapellas, then we can talk. |
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| Originally posted by djmetatron As a n00b, I'd expect people who've been around this forum for more than a couple years to leave their "I'm better than you because of.." bull-shit at the main page. Maybe thats too much to ask on this forum. |
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| Originally posted by b i n k u n the reason why people say vinyl sounds better then a 320kbps mp3 or even full-cd quality wav, is due to the inherent analog quality of vinyl.....in this i mean that vinyl actually has a slight high frequency roll off at the 15-20 kHz range, in the range where u can't really hear but its there. an analog vinyl recording isn't as flat across the spectrum as a digital recording would be, but it is precisely this difference that adds to the warmth of vinyl and other analog recordings which is why people like it so much. a lot of times, a full quality digital recording is just too "clean" for our ears...you don't want to hear each click and pop of the kick drum...you want the oomph. basically so....vinyl sounds "better" then digital recordings, but if you want to get technical, a 24/196 dvd quality recording is better "quality" then vinyl...hence the mixup between vinyl is better, cd is better quality...etc. comparing the technical quality of cd and vinyl is a toss-up in my mind, but to most, comparing the listening quality of cd and vinyl, vinyl wins in most cases. hope that kind of makes it clear without getting too technical... |
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Originally posted by sandstorm03 |
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| Originally posted by djmetatron Were you not saying that this discussion is moot because you don't use mp3s yourself? I dunno, maybe I took your post wrong, it's pretty late. |
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| Originally posted by sandstorm03 It doesnt matter to me anymore what people play. Its their choice what they feel comfortable with. I just don't see a reason to buy mp3s. I have my friends cdj sitting on my desk but i havn't felt the need to use it yet. |
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| Originally posted by djmetatron You use cubase, midi's and accapellas instead of mp3s? Now I'm curious, where do you get these files and how do you use them? |
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| Originally posted by sandstorm03 there is a ta producer midi site, with just about every song there. Acapellas are hard to find. And someday when im not lazy maybe ill go find cubase and mess around with it again. If i was giving cubase files, id jump at the opertunity. I need the production files for Matthew "i mess up every track with boring melodies" deekay - bad. |


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| Originally posted by djmetatron could you tell me this site pls? ![]() and OMG cmon, Bad is prolly my fav production of his, at least the vs Proluctors vers. (not sure if there is another). I actually like the melody... a lot. ![]() Ok get this thread back on topic, heh.. DJs use mp3s.. good or bad? |
Don't most majour djs get all their stuff via promos anyways? Why is this thread even here? I doubt Tiesto is in his basement right now going "ohhh my precious...yessss i just go the new armins and schmulz tracks oooooohhh yeahhhhh oh oh shivers omg i pirate yessss"

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| Originally posted by sandstorm03 I dont get why he would make a deep bassline, then get all fluffy with no direction melodic like the rest of his crap. check out the first link in this thread up top |

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| Originally posted by placebo Don't most majour djs get all their stuff via promos anyways? Why is this thread even here? I doubt Tiesto is in his basement right now going "ohhh my precious...yessss i just go the new armins and schmulz tracks oooooohhh yeahhhhh oh oh shivers omg i pirate yessss" |
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| Originally posted by sandstorm03 lol im sure that Tiesto is also the type that would DL the track is the producer wouldn't give it to him. |
you don't have to buy mp3s. you can get free ones from Netlabels that are by and large meant to be played out to express and promote the freedom of sound.
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| Originally posted by dj tek hahaha i love these assumptions |
I havent read the whole thread, but J00f does this all the time.
A producer uploads a track to him over the internet, he burns it and plays it. He's give info on his forum about bitrates etc and says he does it.
Only legal stuff though, he doesnt download off filesharers. People email him tracks and stuff.
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| Originally posted by amit well thing is...if they dont get the mp3 from the ARTIST...then they shouldnt spin it unless they buy it! thats the bottom line. |
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| Originally posted by dinoXpress But if those ranges cant be produced digitally, then nowadays this is a non issue because *nearly* all tracks are produced using mainly digitial. You are the #1 candidate for the pepsi challenge. and i bet a shitload vinyl is pressed from some guy bringin a cd into the factory or whatever, and them cutting the vinyl from that. Unless you are dead sure there is ZERO digital in the mix from original studio --> vinyl. this is a dead issue. |
128 is def noticeable. it sounds soo crappy
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