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-- Keyed tunes for Harmonic mixers
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Posted by chris harrington on Oct-12-2006 17:14:

is the list in the first post a master list where all the key said get added or if it isnt is there one somewhere?


Posted by Camelot_Sound on Oct-12-2006 18:16:

quote:
Originally posted by 996vtwin
WHAT DOES C# OR C SHARP REPRESENT ON THE CAMELOT?


C-Sharp MINOR = D-Flat MINOR = Camelot keycode 12A
C-Shart MAJOR = D-Flat MAJOR = Camelot keycode 3B

For Chris Harrington: Mixhare.com offers a collaborative database where folks are encouraged to input their own key results. Camelot Sound offers a subscription service where tracks are keyed by professional musicians.


Posted by chris harrington on Oct-13-2006 00:00:

quote:
Originally posted by Camelot_Sound

For Chris Harrington: Mixhare.com offers a collaborative database where folks are encouraged to input their own key results. Camelot Sound offers a subscription service where tracks are keyed by professional musicians.


i have been to mixshare before but it seems to be down at the moment

thanks for the info


Posted by 996vtwin on Oct-13-2006 00:49:

quote:
Originally posted by Camelot_Sound
C-Sharp MINOR = D-Flat MINOR = Camelot keycode 12A
C-Shart MAJOR = D-Flat MAJOR = Camelot keycode 3B

For Chris Harrington: Mixhare.com offers a collaborative database where folks are encouraged to input their own key results. Camelot Sound offers a subscription service where tracks are keyed by professional musicians.


HMM...SO I bought a single from anjuna and it says c# on the TAG it is Daniel Kandi - breathe. Rapid evolution says 11A and Mixed In Key says 12A which one is right? Also, is it 12 a or 3b according to the camelot wheel 12a and 3b cannot go together so which one is it or do I need more lessons in music theory.


Posted by pkcRAISTLIN on Oct-13-2006 01:11:

quote:
Originally posted by 996vtwin
HMM...SO I bought a single from anjuna and it says c# on the TAG it is Daniel Kandi - breathe. Rapid evolution says 11A and Mixed In Key says 12A which one is right? Also, is it 12 a or 3b according to the camelot wheel 12a and 3b cannot go together so which one is it or do I need more lessons in music theory.


this is the #1 reason why learning to do it yourself is easily the best way


Posted by sterilis on Oct-13-2006 01:13:

quote:
Originally posted by 996vtwin
HMM...SO I bought a single from anjuna and it says c# on the TAG it is Daniel Kandi - breathe. Rapid evolution says 11A and Mixed In Key says 12A which one is right? Also, is it 12 a or 3b according to the camelot wheel 12a and 3b cannot go together so which one is it or do I need more lessons in music theory.


well if its on anjuna record label my guess is they got it right.


Posted by chris harrington on Oct-13-2006 01:44:

Anyone know of any (free) software that will key tunes for you? That is acctualy trust worthy. I dont play an instrument so its hard for me to key tunes and mixshare dosent always have the songs im looking for and its down right now


Posted by Allayla on Oct-13-2006 02:01:

quote:
Originally posted by Allayla
Anyone know these?

1) Karen Overton - your loving arms (Markus Shulz mix)

2) Dj Remy & Roland Klinkenberg - Ignite

3) Simon & Shaker - Zero (original/club state mix)

Much appreciated!!

No love?


Posted by pkcRAISTLIN on Oct-13-2006 02:24:

quote:
Originally posted by chris harrington
Anyone know of any (free) software that will key tunes for you? That is acctualy trust worthy. I dont play an instrument so its hard for me to key tunes and mixshare dosent always have the songs im looking for and its down right now


all of the programs are inaccurate to a degree.


Posted by chris harrington on Oct-13-2006 02:43:

quote:
Originally posted by pkcRAISTLIN
all of the programs are inaccurate to a degree.


sorry i asked the question wrong

im looking for a program where i can catalouge things like key and bpm etc. not acctualy find the keys for me. An easy to use program where i can enter song name, artsis, song lenght, bpm, key, etc.

anybody know of such a program?


Posted by skip on Oct-13-2006 04:22:

quote:
Originally posted by chris harrington
sorry i asked the question wrong

im looking for a program where i can catalouge things like key and bpm etc. not acctualy find the keys for me. An easy to use program where i can enter song name, artsis, song lenght, bpm, key, etc.

anybody know of such a program?




microsoft excel.


Posted by chris harrington on Oct-13-2006 04:59:

quote:
Originally posted by skip
microsoft excel.


yeh thats what i was gonna use but i figured if there is a program that is designed for it that would be better. instead of having to scroll through looking for the track i could just type in the track i want and find it.


Posted by Camelot_Sound on Oct-13-2006 07:19:

For software try Mixed In Key.


Posted by pkcRAISTLIN on Oct-13-2006 08:37:

quote:
Originally posted by Camelot_Sound
For software try Mixed In Key.


no, dont try that. $50 for something that isnt even 50% accurate? bollocks.

i have NO musical training (unless you count the recorder in primary school!) and its dead fucking easy to learn how to key.


Posted by Nemesis44 on Oct-13-2006 09:22:

I agree, learning to key isn't that difficult and to be honest key matching software is far from perfrect.

Here is a little something that I put together for anyone looking to key tracks.


_____________________________________________________________________

How to key your tracks.

I am going to avoid getting into music theory, I have seen many posts on the net that get really into it but frankly speaking, you don�t need it and its total overkill.

Ok, so here is where we get to a point that many people ask me about. It�s no big secret but it does take a bit of practice and dedication to get right.

What you will need is the following:

One record player, preferably a �Technics� 1200 of some sort.

An instrument that has the western musical scale , so whilst you may have the urge use your Sitar, it may be making your life more difficult than it need be. I usually use a keyboard or guitar for this purpose. If you are using a guitar then make sure that it is properly tuned.

You will need knowledge of twelve major and minor chords (24 in total). For Trance music however you will find that the majority of music is in minor keys. The reason being that it is believed that minor keys generally convey more emotion (Or so they say).

Start by playing the intro of the track on the record deck. In most cases this will be the bassline and percussion parts that you are hearing. It is usually enough to key from this although some tracks can in fact change key through the course of the song itself.

What next?

What you are looking to do is find the single note that fits with the track that you are playing. Don�t get into chords yet as you don�t need to do it. When you are playing around you will eventually find one note on the key board that fits better than any other regardless of what the actual song does.
Once you have found this it will be considered your root note and this is what decides the key.
The reality of this is that you do need to be able to hear this and it may not come naturally at first for some people but you can train this ability. It can be done but you may just need a little patience.

When you have discovered the root note you will then be able to see if you can play a major or minor chord with the track itself. Take the root note and apply the Minor and Major chords and then decide which sounds the best.

Keep in mind that this is something that does take a little practice and have patience as it may not come naturally at first.


Cheers
Nem


Posted by gsfg on Oct-13-2006 12:48:

All i wanted to ask is if can someone explain me what mixing in key can help you in djing?
Also how do you mix in key?
I ve been djing for a year now and i know how to mix two tunes together but i ve never try the key thing
I just dont know anything about it so be nice
thanks


Posted by Allayla on Oct-13-2006 16:30:

quote:
Originally posted by gsfg
All i wanted to ask is if can someone explain me what mixing in key can help you in djing?
Also how do you mix in key?
I ve been djing for a year now and i know how to mix two tunes together but i ve never try the key thing
I just dont know anything about it so be nice
thanks

www.harmonic-mixing.com

That should give you most of your answers, read through the website.


Posted by chris harrington on Oct-13-2006 22:34:

quote:
Originally posted by Nemesis44
I agree, learning to key isn't that difficult and to be honest key matching software is far from perfrect.

Here is a little something that I put together for anyone looking to key tracks.


_____________________________________________________________________

How to key your tracks.

I am going to avoid getting into music theory, I have seen many posts on the net that get really into it but frankly speaking, you don�t need it and its total overkill.

Ok, so here is where we get to a point that many people ask me about. It�s no big secret but it does take a bit of practice and dedication to get right.

What you will need is the following:

One record player, preferably a �Technics� 1200 of some sort.

An instrument that has the western musical scale , so whilst you may have the urge use your Sitar, it may be making your life more difficult than it need be. I usually use a keyboard or guitar for this purpose. If you are using a guitar then make sure that it is properly tuned.

You will need knowledge of twelve major and minor chords (24 in total). For Trance music however you will find that the majority of music is in minor keys. The reason being that it is believed that minor keys generally convey more emotion (Or so they say).

Start by playing the intro of the track on the record deck. In most cases this will be the bassline and percussion parts that you are hearing. It is usually enough to key from this although some tracks can in fact change key through the course of the song itself.

What next?

What you are looking to do is find the single note that fits with the track that you are playing. Don�t get into chords yet as you don�t need to do it. When you are playing around you will eventually find one note on the key board that fits better than any other regardless of what the actual song does.
Once you have found this it will be considered your root note and this is what decides the key.
The reality of this is that you do need to be able to hear this and it may not come naturally at first for some people but you can train this ability. It can be done but you may just need a little patience.

When you have discovered the root note you will then be able to see if you can play a major or minor chord with the track itself. Take the root note and apply the Minor and Major chords and then decide which sounds the best.

Keep in mind that this is something that does take a little practice and have patience as it may not come naturally at first.


Cheers
Nem


ok sweet thanks i will try that out


Posted by gsfg on Oct-14-2006 09:04:

quote:
Originally posted by starboy
www.harmonic-mixing.com

That should give you most of your answers, read through the website.


many thanks bro


Posted by Pinokio on Oct-14-2006 13:17:

quote:
Originally posted by starboy
Anyone know these?

1) Karen Overton - your loving arms (Markus Shulz mix)

2) Dj Remy & Roland Klinkenberg - Ignite

3) Simon & Shaker - Zero (original/club state mix)

Much appreciated!!



I know one only.

7A (Dm) Karen Overton - Your Loving Arms (Markus Schulz Remix) 130.0


=)


Posted by phobosCGS on Oct-21-2006 06:34:

Is anyone finding that the majority of their tracks are A minor, E minor, F minor?

Makes it kinda hard to go around the wheel to diffrent songs. Does everyone here just have 1000000000 tracks so it's easy to transition or just stay in keys that have lots of songs?


Posted by Allayla on Oct-21-2006 07:01:

quote:
Originally posted by phobosCGS
Is anyone finding that the majority of their tracks are A minor, E minor, F minor?

Makes it kinda hard to go around the wheel to diffrent songs. Does everyone here just have 1000000000 tracks so it's easy to transition or just stay in keys that have lots of songs?

Not really, because you can mix any given track with seven different others and still sound good.. for example..

The track above your post is a 7A, you can mix it with a 7A, 6A, 8A, 11A, 4A and even a 2A & 9A if you do a quick transition.

Also if you have other tracks that are way off in bpm's you can increase or decrease the pitch to make it compatable with others.

Use your imagination and ears to make things happen the way you hear it in your head.. i garantee you there is no limits, you dont have to have a huge selection of music to mix harmonicly.


Posted by 996vtwin on Oct-21-2006 13:46:

According to the Camelot system 7A only goes with another 7,6 or 8 how are you teling me 11A can also me harmonically compatible?


Posted by Allayla on Oct-21-2006 18:28:

quote:
Originally posted by 996vtwin
According to the Camelot system 7A only goes with another 7,6 or 8 how are you teling me 11A can also me harmonically compatible?

If you try the +4 -3 it sounds really nice most of the time, just have to be sure it doesn't drop the energy..

Nem i think created this theory with his musical knowledge.


Posted by 996vtwin on Oct-21-2006 19:25:

quote:
Originally posted by starboy
If you try the +4 -3 it sounds really nice most of the time, just have to be sure it doesn't drop the energy..

Nem i think created this theory with his musical knowledge.


is there a link to this theory?


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