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-- Wolf + Lamb Podcast
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listening to gadhi's podcast #90
regardless if on some transitions he fucked up he bought me with " el bandido " , " wicked game " and " slow hands" this stuff is good 
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| Originally posted by stev� ... here's something to cream your pants to. merry xmas woscarclovisbasidoru and anyone else who likes to stay awake for 48 hours surviving on merlot, blow, and techno... |
stevo, not sure what the problem is with being a hipster...?
i don't shop at vintage stores in the village, don't wear skinny jeans and retro clothes, don't listen to indie music (although some of it is good), don't live in brooklyn, don't drink wine regularly, although when i do i thoroughly enjoy it, don't do blow (although i didn't know that was a hipster stereotype) honestly most of them are so broke they can't afford it.
having said that, i fucking love wolf + lamb's releases and fully support them as well as labels like crosstown rebels.
i have a LOT of friends living in Williamsburg, park slope and the area and i guess they may come across as elitist pricks but i can assure you that after 5 minutes of talking to them you will realize your perception is completely biased by common wisdom. in any case, the parties in brooklyn are becoming more and more commercialized that it's not really hip anymore so don't worry, your wishes are coming to reality.
JPlay, FYI you're explaining yourself to someone who once said that wiimotes were the future of deejaying.
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| Originally posted by JPlay stevo, not sure what the problem is with being a hipster...? i don't shop at vintage stores in the village, don't wear skinny jeans and retro clothes, don't listen to indie music (although some of it is good), don't live in brooklyn, don't drink wine regularly, although when i do i thoroughly enjoy it, don't do blow (although i didn't know that was a hipster stereotype) honestly most of them are so broke they can't afford it. having said that, i fucking love wolf + lamb's releases and fully support them as well as labels like crosstown rebels. i have a LOT of friends living in Williamsburg, park slope and the area and i guess they may come across as elitist pricks but i can assure you that after 5 minutes of talking to them you will realize your perception is completely biased by common wisdom. in any case, the parties in brooklyn are becoming more and more commercialized that it's not really hip anymore so don't worry, your wishes are coming to reality. |
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| Originally posted by idoru Just for the record, I hate wine |
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| Originally posted by bogartgreens yeah that pretty much sums it up. not sure what his deal was, but he came off as really pretentious and self absorbed to everyone, including a lot of people who were excited to see him. started off mixing pretty decently, and then seemed to stop caring altogether. just fade in, fade out, next record, and so on...which would have been fine if there was any sort of cohesion at all. and it didn't help that he just sat down behind the decks at afters and curled up in a fetal position after putting on a record. |
It's pretty stupid to just assume things, without any actual proof.
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| Originally posted by Max Thomson nothing like white guys stealing black music, history repeating itself I guess. |
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Originally posted by bas |

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| Originally posted by Max Thomson nothing like white guys stealing black music, history repeating itself I guess. |
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| Originally posted by Max Thomson what can you expect from a group that makes their name on ripping off old disco tracks then slapping their name on it and charging $2.49/track on beatport? I'm all for white labels/bootlegs/remixing but when you take the main component of a track, put a drum beat behind it, then call it your own and have the fucking audacity to release it digitally and charge full price for it you deserve to be owned up the ass in my opinion. wolf + lamb is the the first label I've actively boycotted for this reason. what they've done with that stevie wonder edit is fucking shameful, I hope lawyers crawl so far up their asses they're never able to pay off their debt. nothing like white guys stealing black music, history repeating itself I guess. |
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| Originally posted by Clovis Those two white guys have more funk than almost anyone making dance music right now |
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| Originally posted by Max Thomson what can you expect from a group that makes their name on ripping off old disco tracks then slapping their name on it and charging $2.49/track on beatport? I'm all for white labels/bootlegs/remixing but when you take the main component of a track, put a drum beat behind it, then call it your own and have the fucking audacity to release it digitally and charge full price for it you deserve to be owned up the ass in my opinion. wolf + lamb is the the first label I've actively boycotted for this reason. what they've done with that stevie wonder edit is fucking shameful, I hope lawyers crawl so far up their asses they're never able to pay off their debt. nothing like white guys stealing black music, history repeating itself I guess. |
New episode from Gadi. Listening right now, some good stuff here.
Arthur Russell - This Is How We Walk on the Moon
That one totally caught me off guard, one of my favorite tracks and I hadn't heard it in years.
soul clap is really killin it right now w/ their edits and productions. i whore their tracks out around town and always get a great reaction. i really wish i could get a copy of that janet jackson edit.
cant wait to see them at wmc.
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| Originally posted by Clovis If you're talking about the Soul Clap edits, those guys have been making edits of old songs for quite a while now and they are releasing them because people WANT them. Those two white guys have more funk than almost anyone making dance music right now and their original productions back that up. They're putting out these edits because they love the music not because they're trying to rip off Stevie Wonder. |
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| Originally posted by epdarks that's nice that people want them, ok. but it's still illegal. you don't think they have the rights to that music, do you? b/c they don't. i happened to ask that question to a very close personal friend of theirs, who will go unnamed. |
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| Originally posted by epdarks that's nice that people want them, ok. but it's still illegal. you don't think they have the rights to that music, do you? b/c they don't. i happened to ask that question to a very close personal friend of theirs, who will go unnamed. |
well by that logic we should all be stealing our music from blogs/p2p sites.
Wow. 
so it's ok to rip off steve wonder.... but not ok to steal Tiesto - Traffic from kazaa?
frankly, i could give 2 shits about stevie wonder, or W+L for that matter.
i just fail to see how "they are the funkiest guys in dance music" translates to "let's buy music that was stolen"
Wolf + Lamb make all the rules. They'll sell Stevie Wonder's music all day, and not think twice about it.
They exist solely to shit on your morals.
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| Originally posted by epdarks so it's ok to rip off steve wonder.... but not ok to steal Tiesto - Traffic from kazaa? |

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| Originally posted by epdarks i just fail to see how "they are the funkiest guys in dance music" translates to "let's buy music that was stolen" |
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| Originally posted by woscar New episode from Gadi. Listening right now, some good stuff here. |
It's different, but not my cup o' tea.
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