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-- What software do famous producers use?
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| Originally posted by CalebGolston Pete Heller :O I love his song 'Simpler (New Mix)' I agree with your thoughts. One exception to the 'crowd' thing: I remember hearing a story that Paul Oakenfold was playing a stadium and had 'Southern Sun' on and the crowd wanted it again. He literly let the record play out and put the needle back at the beggining. That is an example where I think it was incredible atmosphere and a legendary moment. Now, if they were screaming for 'The Reward Is Cheese' it just woldn't be the same Of course, in my opinion there aren't DJs like the old Paul Oakenfold anymore (and I only know from hearing old sets, I hadn't even heard of most electronic music until 2006 well after Oakenfold 'sold out'). |
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| Originally posted by Beatflux No it doesn't. |
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| Originally posted by CalebGolston Only thing I would debate, I think 90% of people want to be DJs and 10% producers. I imagine most people try producing for a year realise it is next to impossible and give up. Also, ironically, I think it is easier for people to give your productions a chance, becuase it is so easy to tell in 30 seconds if they are good or not. Wheras a DJ set takes a long time to know. Also, I am not implying being a Sasha or Digweed at their peak is easy. Creating an amazing flawless set is really hard. Putting together a good set though, is not very hard at all. |
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| Originally posted by music2dance2 Care to elaborate? I'm going by experience and many people have said the same in the past. M4B has just explained what I am saying. I'm certain most people who dj'd on a regular basis for a few years and then turn to producing can say that spinning records helped in some way. It does help as you understand where to have the break, build up's break down's, what sounds you would use in a track etc etc. I'm not saying you have to dj to understand structure, I'm saying it helps. Just listening to music at home is just as good but if you are dj-ing every week then its going to give you an some understanding of what works and at least what direction you want. |
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| Originally posted by music2dance2 Care to elaborate? I'm going by experience and many people have said the same in the past. M4B has just explained what I am saying. I'm certain most people who dj'd on a regular basis for a few years and then turn to producing can say that spinning records helped in some way. It does help as you understand where to have the break, build up's break down's, what sounds you would use in a track etc etc. I'm not saying you have to dj to understand structure, I'm saying it helps. Just listening to music at home is just as good but if you are dj-ing every week then its going to give you an some understanding of what works and at least what direction you want. |
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| Originally posted by Beatflux As opposed to careful listening? |
even if it isn't careful listening, it is listening and better than not listening.
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| Originally posted by Beatflux As opposed to careful listening? |
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| Originally posted by kitphillips I was a musician first and it helped me understand how to DJ. They are very complementary skills IMO whichever order you learn them in. |
I have the feeling that dj's are booked according to their productions since most just mix , don't have any representative skill , but some people say that for producers djing is the easiest part, i know some producers whose sets are cow crap but generally is something that comes in the pack.
Djs will make their tracks appealing for the crowd, with the risk that instead of making art/music they start to make just groovy noise, in this matter you can see that some producers like Andy Blueman, Chris Reece , Vincent de Moore have a special sensibility for the music, isn't just a drum with nigga vocals.
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| Originally posted by Rodri Santos I have the feeling that dj's are booked according to their productions since most just mix , don't have any representative skill , but some people say that for producers djing is the easiest part, i know some producers whose sets are cow crap but generally is something that comes in the pack. Djs will make their tracks appealing for the crowd, with the risk that instead of making art/music they start to make just groovy noise, in this matter you can see that some producers like Andy Blueman, Chris Reece , Vincent de Moore have a special sensibility for the music, isn't just a drum with nigga vocals. |
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| Originally posted by Rodri Santos isn't just a drum with nigga vocals. |
nah i wasn't being racist just a kind of joke we call here a lot of the commercial house "black music house" but didn't pretend to be racist sorry if i was unpolite.
It's impolite, spick.
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| Originally posted by Rodri Santos nah i wasn't being racist just a kind of joke we call here a lot of the commercial house "black music house" but didn't pretend to be racist sorry if i was unpolite. |
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| Originally posted by JEO spick. |
Take a "joke", man.
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