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-- Best Male Vocal Track?
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Yet Another Day
Insomnia
Love Comes Again (for pure cheesey sing-along factor 
)
Not really a big fan of Jump The Next Train
most second sun tracks
most of u2
schiller - i feel you
wolfshiem - wondervul
yet another day
velvet morning
blackeight - the silence
numb
clocks
jump the next train
alive
off the top of my head
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| Originally posted by clubbersking2001 Love Comes Again  |
Syntax - Bliss (Wrecked Angle Remix)
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| Originally posted by UWM Syntax - Bliss (Wrecked Angle Remix) |
Icehouse - Don't Believe Anymore (Ivan Gough and Colin Snapes Mix)
NuBreed Feat... somebody.. - One Day
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| Originally posted by A.J. Underworld - Born Slippy. Contest over. Close this thread. |
Z2 - I want you
Duncan Sheik : On a high (g & d mix)
Boss@nova - Stone Cold
Wolfsheim - Wundervoll [Blank & Jones Remix]
Young Parisians feat. Ben Lost - Jump The Next Train
Kyau vs. Albert - Velvet Morning [Aalto Remix]
Moby - Why Does My Heart Feel So Bad [Ferry Corsten Remix]
Underworld - Born Slippy
not the best but deserves mention:
ronald van gelderen - crying out
bt - force of gravity
Unkle - In A State or Grayarea - Gravity
Also, Tiga & Zyntherius - Sunglasses At Night (Liebing Mix)
Some of the best tracks period.
im surprised more depeche mode tunes havent been mentioned
i wuld have to say
depeche mode - enjoy the silence
orginal mix or 16 b mix
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| Originally posted by Perfect_Cheezit Amoeba Assassin - Piledriver (Greyed Out Summer mix) |
Chemical Brothers - Out of control 
Quivver - These Are The Days
BT - Force Of Gravity (Ferry Corsten RMX)
Gigi D'Agostino - La Passion gotta be one of my Fav's
The Killers - Mr Brightside (Thin White Duke Dub)
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| Originally posted by IpLaYWiTLiGhTs Masterpeice. |
Kane - Rain Down On Me (Tiesto Mix)
D-Devil - Dance with the Devil
| quote: |
| Originally posted by Thunder5 Three words: Dirty Sticky Floors. |
Icehouse - Dont Believe Anymore )Ivan Cough & Caffe Latte remix)
Knightsgroove - Hide
| quote: |
| Originally posted by DROSDAMAN D-Devil - Dance with the Devil |
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| "OK i'll let you know what went on. i had played for 2 hours, and things were going fine, and then the owner of the club wanted me to play a 15 min, techno trance record called dance with the devil, which was about 160 bpm!!! so of course i refused to. I knew nothing about this performance and i wasnt about to break up what i had built musically.. so they told me to play the record or get off, so i came off, then when myself, my girlfriend and my agent went to leave the club, they freatened us with 10 bouncers, we were going to get the shit beaten out of us, so they forced us back into the club, litterally physically forced us, i went back in and was made to play 1 more hour surrounded by bouncers etc.. i have to tell you, in all my career i have never ever had anything like this happen before, i was very worried for my girlfriend and had to do as they said. i will never again come to gaudalaja, im sorry for those of you that live there, i will how ever be doing shows in other parts of mexico, but i will never step foot into that city again. sorry. this was a very scary incident that i never want to be in again.. that club can go and fuck themselves, and i advise no one to play there, it was completely un real what happened.. words do not describe how concerned i was that evening.. the show in mexico city was great i ended up playing for just over 4 hours to a great crowd. so i will definately be back there again some time in the near future.. i hope this clears all rumours.." Steve |
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| To whom it may concern, This is a formal letter which will help explain, and, act as a warning for any artists, agents, managers, and potential promoters regarding the events that occurred on November 19, 2004. My client, Steve Lawler, was booked and played for Edgar Diaz - a proven promoter in the Guadalajara market - at Space Club on its opening night. At 2.50am Saturday morning November 20, 2004 Steve Lawler, his girlfriend and I were put in an un-compromising situation. A situation occurred between the club staff and the club promoter (Edgar Diaz) regarding another act the club had also booked for the opening night. The agency nor Steve were never told about any such performance by another act which included was a 15-minute gap where the club would play a �techno trance� CD. We found this out only after Steve had begun playing and, thus, were not prepared to interrupt Steve�s set. We also informed the club the other act could go on after Steve had finished and that we could cut his set short to three hours. The club then told us that Steve could either play the �techno trance� CD that supported the other artist�s performance or get off the decks; we decided that Steve would finish his set and leave the club. My client and I were very clear to the club promoter and club staff that once Steve was off the decks, and, had played for almost 2.5 hours, that we were done and were calling it a night. As we walked out of the club and headed to the car, our party (Steve, his girlfriend and I) were surrounded by ten bouncers from the club and three of the acting club owners. Edgar started to talk with one of the owners which quickly turned into an argument and escalated to the point where we thought things could become violent. I immediately put Steve�s girlfriend and records into the car. I then turned around and noticed that the club was not letting Steve out of the circle of bouncers. As I rushed back into the circle, I asked Edgar what he could do to defuse the situation. He said we couldn�t do anything except for telling us go back into the club and start playing again. I then asked what would happen if we didn�t. He said we only had one choice or the club and its staff were going to �take matters in there own hands� that things �were going to get violent�. This was more than a basic threat, we reasonably believed that our safety was in jeopardy. The bouncers started to get physical with myself instructing me to not move and told Steve that he had to go inside immediately. We were then forced to walk back into the club escorted by the bouncers and owners. Steve went back on - still surrounded by bouncers � and played for an additional hour then quietly exited. The hostility from the club followed us to the hotel as we knew that the club owners also had our lodging details. This is a warning to anyone that works with these people in the future, as they are not professional. TCA has been in the DJ bookings business for over a decade and has had to deal with many situations that commonly arise in this profession and a few that are not so common. This was far and away one of the most frightening and unprofessional displays by anybody we have ever had to work with. We strongly encourage you to think twice before doing business with Space Club in Guadalajara, Mexico. Joel Zimmerman |
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| Christopher Lawrence has cancelled his upcoming performance! |
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