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Sounds Good have digitised some of their back catalogue of Dutch deepeness, including the likes of Saints & Sinners, Van Bellen, Power Dove et al:

https://www.beatport.com/label/soun...s/111490/tracks

Deutsche*

And thanks for the heads-up. Seem to be decent-quality files.

Ah, my mistake. Founded in Dusseldorf. I assumed they were Dutch because a lot of the artists seem to be.

You're not doing the classic Yoogie and Joost van Bellen mix-up, are you? Dove Beat, Saints & Sinners, Christian Linder, World Clique, Audiophile, Arnim - it's all German. But that's enough pedantry.

It's beyond me though why someone with a perfectly decent German name would call himself "Yoogie van Bellen".

All German?! Clearly I know nothing.

East West Connection Featuring Daniel Vacchio � High On Life (Lexicon Avenue For The House Heads Mix) Beatport, originally 2003 on Chillifunk Records.

Probably no recent addition but worthy of mention perhaps as it's one of those you need to know you're looking for it to find on BP... In Sasha's record case back in the day (edit: and Digweed's GU 006, of course). Velvet Vision in particular is a tune and a half.

DJ JVM & Georgio � Subversal / Velvet Vision [90 Watts, 1997/8] Beatport

(Same Georgio as the one of Manjaro � Apperception, for those who only know records that Armin played...)

Been after this for ages. Appeared on BC in the last couple of months.

Pink Bomb now have a Bandcamp page. Finally Purple Kush is available digitally!

https://pinkbomb1.bandcamp.com/

Yeah, I meant to share that. I have it on good authority that the originals will be remastered and released on Hooj along with the new remixes from that competition. Although disappointingly the Tyrantanic stems are for the Slacker Mix, which I've never been much of a fan of.

What are stems?

quote:

Originally posted by Mattsanity What are stems?

In music production, a "stem" refers to an audio file that contains a group of related tracks or elements from a multi-track recording or project. Stems are used primarily for mixing, remixing, and post-production purposes. They allow greater flexibility and control over the individual components of a song or audio project.

quote:

Originally posted by SYSTEM-J I have it on good authority that the originals will be remastered

Excellent. Still gutted by the quality of some of the current digital files.

Such a shame they are not sharing the drums and percussions

quote:

Originally posted by trancedanne Such a shame they are not sharing the drums and percussions

I know. I was even thinking I'd have a go at a Reflex style rearrangement of the existing elements myself, just for fun, but it's only the synth lines.

I wouldn't say no to a DIY reconstruction kit for the Pariah tracks...

Allan Cowie's 'Red Devil' tracks here. Not just Gamelan and Secrets on Choo Choo but also the three releases on Covert Operations and one remix.

https://futuresound2.bandcamp.com/ large back catalogue here including Underworld Recordings and related labels. Marc O'Tool, Criss Source, Trans Motion, Frank Brook, La Forge, Marc Vision etc.

I was very briefly excited about finally getting La Forge - Second Contact, but the sound quality on it is useless.

quote:

Originally posted by Midlothian https://futuresound2.bandcamp.com/ large back catalogue here including Underworld Recordings and related labels. Marc O'Tool, Criss Source, Trans Motion, Frank Brook, La Forge, Marc Vision etc.

This also has a lot of crucial stuff from the back catalog of BOY Records, which released a lot of really underrated new beat/proto-Frankfurt trance material in the early 90s (Time Modem(!!), Hypnopedia, New Scene). Very happy to see that Michael Zosel (who seemingly still owns Future Sound Productions) considered all this stuff worthy of archiving.

Set In Stone / Forbidden Zone. Re-released on Bedrock with no useless 124bpm update mixes, just the originals in all their overwrought glory. Time to revisit that age old DJ dilemma: play Set In Stone right from the spine-tingling intro and feel like Conan The Barbarian wielding a claymore atop a mountain, and then wait three minutes for anything else to happen in the tune, or be a dreary professional and just mix it in normally?

https://www.beatport.com/release/se...en-zone/4336560

They've also re-released For What You Dream Of, which I'd be much more pleased about if it didn't just include 3 minute butchery edits of the originals.

quote:

Originally posted by Sand Leaper This also has a lot of crucial stuff from the back catalog of BOY Records, which released a lot of really underrated new beat/proto-Frankfurt trance material in the early 90s (Time Modem(!!), Hypnopedia, New Scene). Very happy to see that Michael Zosel (who seemingly still owns Future Sound Productions) considered all this stuff worthy of archiving.

Like I haven't spent enough money on music already.. I've got all their albums on CD (Time Modem) but missing many of the singles. Hopefully from good sources, and not ripped through crackling vinyl on cheap turntables.



I bought this superb track through bandcamp, but the quality was awful, so I ended up ripping this from YouTube and playing that version instead.

Jimpy - What A Day (Original 1998 Mix)

Antidote - Edam (Original Mix) on Celsius in 1998,
Jimpy - What A Day (Original Tribal Mix) on Progression Records in '98/'99, and
Jimpy - Infectious N (What A Day Mix) on Dorigen Music in 2001. I think they were all the same.

A new selection of old tracks from Chris Fortier here that includes some good stuff previously available (like Psiphonic - The Unknown) but also a few hitherto unreleased or unavailable digitally (Sarah McLachlan - Plenty (Fade Original 1997 Remix), Digweed's recent rework of Fade - Heaven to Heaven, Fortier's own rework of SLP - Supernova).

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