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-- How to make a breaks/D'n'B type tune?
How to make a breaks/D'n'B type tune?
I was checking out Plump DJ's "Big Groovy Fuker", Herbie Hancock "Rock it", and others alike(Break Dance type of stuff) - can anyone tell me how do these mofos get such a tight-ass type of sound and patterns? I was always a closet breaks fan and wanted to experiment.
Also, anyone seen the new "you've been served"? Is it any good or mostly CG? Old-skool movies like "Breakin'" were quality stuff. I also have a russian movie that has some decent break dancing in it, plus most of "Flyin' steps videos" - that stuff is just surreal! I am envious!
Anywho, back to the topic.
/breaks out into windmill
its not that hard really! sounds like they use a fair amount of compression to get a slammin' sound, most breaks is like that
just play around 
check this out a little something i did.
you can get a phat arse sound with some EQ and the right compression
http://members.optusnet.com.au/burles/slammed.mp3
They tend to not use much bass on their kicks, and they compress the shit out of their kicks and snares to give them a *THWACK* type sounds that rocks it on the big system. Try layering a lot of different breakbeat loops together as well, this usually gives interesting results.
I really love Plump DJ's - Big Groovy F�cker too, and wanted to make a stomping Break Beat tune similar to that...so, what I did was cut a 1 bar loop out of it then bunged it into ReCycle, then to a Dr. Rex. After that I tried to match the loop. The drums and percussion was easy but the bass was difficult to nail, I gave up in the end. However, that little experiment gave me a good insight into the construction of break beat tunes, so I recommend you do something similar in which ever progs you use to have a play with! 
| quote: |
| Originally posted by Spin Doctor I really love Plump DJ's - Big Groovy F�cker too, and wanted to make a stomping Break Beat tune similar to that...so, what I did was cut a 1 bar loop out of it then bunged it into ReCycle, then to a Dr. Rex. After that I tried to match the loop. The drums and percussion was easy but the bass was difficult to nail, I gave up in the end. However, that little experiment gave me a good insight into the construction of break beat tunes, so I recommend you do something similar in which ever progs you use to have a play with! |
Unfortunately, production doesn't work like that.
I struggled with beats, had no idea at all, but I experimented, listented to other tracks and tried to dissect what they are doing. Especially the rythms.
If you wanna create bad-ass sub bass, then use a synth.
Use different bass drum, hi-hat, percussional samples for the beat. Play around with different effects on the samples, for example filters, flangers and phazers (can sound wicked in dnb)
Just my two cents anyway.
There is no easy way to start producing, you just gotta play about with it.
| quote: |
| Originally posted by CynepMeH I'm still not clear, though... How can you create a breaks tune? is it by using samples or do you think they have drum machine or drummer or combination or what? I would imagine that the easiest thing to do is splice bunch of patterns in sampler and there ya go. That's a top level view... I wanna actually dig deeper into the guts of it - the actuall rythm patterns - on that level. |
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