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-- Silverstone - Sooth
Silverstone - Sooth
Yo this is one of my new tracks
Sooth
the details are on the page of the tune.....
http://www.internetdj.com/artists.p...=21245&genre=15
gutted about england 
Nice patches in the intro, and your kick and clap sound good. However when the claps drops out, it kind of sounds empty. I would use a hihat there, and more percussion in general. Again good synth arp patch in the break. Hey there's the hihat I was looking for. I guess it's good like that after all because I didn't notice at first how long the track was. About half way thru you should bring in a countermelody, to avoid overexposure of the main melody over time. Well I hope that makes sense, cheers!
great review mate u reviewed my last track, very nice of u
nice to see its so positive!!!!!
iall write a counter melody then!
iam dying to get this track in great form
and if i have to write a counter melody.... i will.
thanks kotus
cheers, silverstone.
Link doesn�t work
Hi!
The link doesn�t seem to work.
//Micke
yea they have gone down mate... should be back up soon hopefully.
Link is back up
enjoy!
Anymore listners...?
need lotsa comments :P
can't listen to, mate! waiting anxiously till it is online 
sorry about the hosting problems heres a new link
http://mp3.openmusicsource.net/artists/87448/Sooth.mp3 
I'll review for you if you review for me 
I think that the Intro would actually be better minus the bass. For some reason, the bass in there just seems a bit cheesy with the pads. A nice chilled piece. Has a bit too many high freqs though; I would add some lower and middle frequencies to give it a bigger sound. Wow, that lead is painful to my ears. Perhaps a lower octave? I agree that a counter melody would certainly help this track. More percussion overall wouldn't hurt either. Nice and relaxing. Not bad at all.
i aint got monitors heh...
played it on my headphones on cd player, yea the lead broke my ears as well , the octaves rite imo its just the high frequencies are too much on the track overall
glad ya liked it.
I dislike the clap... It's too loud, imo. I love the way you faded the melody in, but you should have waited with the percs, and instead added a stronger synth to play the mainmelody. Then hit the takeoff-button
I think the song is a bit long, but it's quite nice to listen to actually 
I like the way you have remixed it, your contributions are good, the smooth fm-ish synths playing the main melody, the sharp and perc bass... but I agree that the clap should be quieter and less agressive, try to compress it a lot and then put a shorter reverb... sometimes!
But if you polish it a bit, it'll be great
!
thanks shockwave, was waiting for ur reply, very positive review from u, really great.
problem is i cant master for shit
so polishing is.....not easy.
not sure if u guys want me to update this anyway.
some advice can be:
1. try to eq always removing (or attenuating) freqs, not enhancing them. listen to the whole mix and then decide if your sound loose its sound if you remove each freq.
2. try to compress only if a sound has a great dynamic range (when it's cutoff it has a very low level and, as it sweeps, its level increases rapidly -> so you need compress) or if you are looking for a concrete effect: give more attack, soften release... but not only to increase loudness.
3. it's good to increase the stereo image. A good way to start is using stereo samples (for drums, synths, fx). if you don't have them, try to emulate it... how? adding reveb to crash, cymbal, claps; chorus/phaser to clap, snare, ohh...; flanger to chh; delays... but moderately, don't abuse. I use a correlation meter to check my stereo, firstly only with drums... the meter should be range from +1 when the kick hits to +0.5 when chh, ohh are sounding... If the meter is always +1 is bad... always 0 - 0.5 is bad too since the stereo is one more dimension to locate elements, so we are loosing space to put and distinguish them. And with drums a corr. meter less than 0 is a bad new as we have one or more sample with near phase reversal (not good for mono mixdown).
Most of synths can by itself stereo sound, but sometimes its a good idea to add them some kind of fx however... again: don't abuse of them!
4. Once, someone said that is better a compressor per track than a multiband at the end. I'm not so sure relating to trance music, so multiband gives you a extremely detailed control over freqs and dynamics. But i think there are tracks that must be compressed: kick, bass...
5. From every sound try to leave only the essence of it.
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