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Most talented Ableton DJ
What are your thoughts on todays top DJ's using a digital platform/Ableton Live? Most of all, my question is, who do you think is most talented at it? Sasha with his custome made controller, BT w/ the Laptop Symphony? Or James Zabiela with 2 CDJ's, a sampler, drum machine, and Live? Put your thoughts down on the keyboard.
Mine would be BT for the wild stutter edits he creates with the module he has (I forget the name). I saw him over the summer and really impressed me with a live performance.
you forgot about richie hawtin
Re: Most talented Ableton DJ
| quote: |
| Originally posted by WirelessEyes Mine would be BT for the wild stutter edits he creates with the module he has (I forget the name). I saw him over the summer and really impressed me with a live performance. |
SASHA 4EVA ZOMG!#!@11
actually, James Zabiela gets my vote. "Utilities Disc 2: Recorded" was simply amazing - it was a very flowing and converging set, but somehow maintained my interest the entire way through. It was like one constantly evolving song. Here's a part of the press release that came with the 2 disc Utilities set:
"James Zabiela continues to prove he is at the forefront of DJing with this 2CD mix. Devoting one disc to the much publicised Ableton technology mixed entirely off computer. Whilst he goes totally live on the second using 3 CD decks and samplers and EFX units. Tracklist includes James incredible debut single Robophobia plus cuts and remixes from Aphex Twin/Infusion/Buick Project/Trentemoller/Montero and many more
"
Wheeee - this guy is awesome. Kicks the pants off of Sasha in terms of what he does with the software and where he takes it.
James.
sasha
Zabiela doesn't use it near it's full potential. My vote goes to either Richie Hawtin or the guy who beat-boxes with Ableton.
I don't like software DJ's at all. I can put Armins set on, say it's mine and not do anything while all the people jam to "my" set.
I don't care if it's like SS or FS...that's still beatmatching by way of listening to both tunes and using pitch to get them matched. Sasha takes some wav files, puts them in albeton and moves his faders up and down. Takes no skill. When mixing like sasha with albeton...it's basically boring because there's nothing to listen to anymore....there's no more calling out "TRAINWRECK!" when a live set is on...and it's all jsut one big long boring song 
| quote: |
| Originally posted by SpecRadio I don't like software DJ's at all. I can put Armins set on, say it's mine and not do anything while all the people jam to "my" set. I don't care if it's like SS or FS...that's still beatmatching by way of listening to both tunes and using pitch to get them matched. Sasha takes some wav files, puts them in albeton and moves his faders up and down. Takes no skill. When mixing like sasha with albeton...it's basically boring because there's nothing to listen to anymore....there's no more calling out "TRAINWRECK!" when a live set is on...and it's all jsut one big long boring song |
But I truley don't see any skill being put into their sets.
I did watch that reaktor 5 thing...that actually took some skill. What Zab & Sasha do...requires the brain of an infant.
Zab just turns the efx 1000 on flange and jerks the CD player off as fast as he can...
And sasha moves faders up and down.
I listened to ONE sasha set on albeton. All I can say, is I've never heard anything as boring in my life. I could listen to dead air and have more enjoyment out of that.
If you don't want the same song to be played, remix it...or add efx or something. Put some vocals on top.
Plus...I've seen what sasha requires at ever club he plays at...sounds like a major fag
. A Xone V6 with like 4 CDJ's...and if not...a Xone 62. If you don't have that, he wont play. Also, he needs the monitors the right way. Top DJ's/Producers are fags. Well...most of them.
Re: Re: Most talented Ableton DJ
| quote: |
| Originally posted by sym watch these video's of Tim Exile using Reaktor 5 and some midi controllers. http://www.nativeinstruments.com/in...s&tsr_id=34002# |
I guess Richie Hawtin or Surgeon if you look on how their screens are setup but i usually find Ableton-sets really really really boring.
Sasha's sets are pure sleepers, he adds the Lift Me Up-vocal during the bassline from one track and the beat of another, so what?
He can add whatever elements he wants but as SpecRadio said, his sets are one long sleeper.
Clovis FTW.
| quote: |
| Originally posted by SpecRadio But I truley don't see any skill being put into their sets. I did watch that reaktor 5 thing...that actually took some skill. What Zab & Sasha do...requires the brain of an infant. Zab just turns the efx 1000 on flange and jerks the CD player off as fast as he can... And sasha moves faders up and down. I listened to ONE sasha set on albeton. All I can say, is I've never heard anything as boring in my life. I could listen to dead air and have more enjoyment out of that. If you don't want the same song to be played, remix it...or add efx or something. Put some vocals on top. |
Hawtin/Zabiela would be tied...
Sasha is using it to achieve his own sound he doesnt really care about "using it to its full extent".
| quote: |
| Originally posted by SpecRadio I listened to ONE sasha set on albeton. All I can say, is I've never heard anything as boring in my life. I could listen to dead air and have more enjoyment out of that. |
sasha and hawtin both use it for different purposes. Sasha as someone said before to further his sound. Hawtin really takes abelton to the limit. Very nice work from both of them.
| quote: |
| Originally posted by Vlad Clovis FTW. |
| quote: |
| Originally posted by SpecRadio But I truley don't see any skill being put into their sets. I did watch that reaktor 5 thing...that actually took some skill. What Zab & Sasha do...requires the brain of an infant. Zab just turns the efx 1000 on flange and jerks the CD player off as fast as he can... And sasha moves faders up and down. I listened to ONE sasha set on albeton. All I can say, is I've never heard anything as boring in my life. I could listen to dead air and have more enjoyment out of that. If you don't want the same song to be played, remix it...or add efx or something. Put some vocals on top. Plus...I've seen what sasha requires at ever club he plays at...sounds like a major fag . A Xone V6 with like 4 CDJ's...and if not...a Xone 62. If you don't have that, he wont play. Also, he needs the monitors the right way. Top DJ's/Producers are fags. Well...most of them. |
very interesting inputs you guys
i am thinking of buying a serato scratch live and hook it up with my pioneer cmx 3000 cd player.
can someone tell me how i can put ableton in between? ... i would like to make edits and nice loops.. but is ableton's job to make things on the fly or pre-edit and play the music at a later time?
those djs doing edits,adding funky sounds or any other effects to tracks, dont they need prior approval from that artist?
I don't know guys.
Whilst I hear good input in this thread I have certain reservations.
Whilst the above mentioned are good DJ's in their own right if you understand music a bit you will soon see some of the question marks I have about Ableton etc.
Agreed beatmatching is trivial no doubt and isn't and should never be the focus on this arguement.
My own gut reaction is that Ableton removes the spontaineous element of DJing.
Sure these guys are dropping in some really clever aditions and re-edits into their sets. But in order for it to work etc. there is a certain degree of preparation required before hand. You have to know if the section you drop is in key and so on. If you don't do this it will sound shite and there are no two ways about it.
There is also a limit to how much you can remix on the fly too without it getting messy and truth be told it sounds to me as if these guys work harder on their sets before hand than the actual performance itself.
When I saw Zabiela I saw about 20 people standing round him just watching him work, some even had notepads... This guy would make a fortune if he released a DVD.
That's not DJing that's just being a total Anorak and sometimes I don't think that everything Zabiela does sounds good, it's clever for the sake of it and I'm not really into that. His technical skills are good but I don't always rate the end content.
With regards to Sasha, well ok so he's not taking Ableton to the next level... does he have to?
In my opinion his sets were one big sleeper long before he went digital but that is personal preference.
Ableton does give you a nice edge on being able to do something unique if you have the talent for it, besides if I want to add a vocal into a breakdown I can anyway without digital.
One of the overhanging factors with Ableton with a lot of people is that it perhaps requires just an understanding of the technology rather than an aquired skill to perform. Granted you still have to have a good musical imagination to come up with the goods.
Some people may compare this to the time when computers were coming into music vs real instruments. The difference being that you still have to be musical even to write it on a computer.
You don't have to be a good DJ to use Ableton although it will certainly help.
I do however like the idea of Ableton in terms of perhaps doing some funky things to a track at home and then throwing that into your mix. In effect you play your own remix, although you don't need ableton to do that but it may make that a little less time consuming.
I'm not yet sold on the product but can see a lot of good things.
My vote would have to be Richie though, as the other to are about the same as watching paint dry for me in any context.
Cheers
Nem
| quote: |
| Originally posted by Psiweaver sasha and hawtin both use it for different purposes. Sasha as someone said before to further his sound. Hawtin really takes abelton to the limit. Very nice work from both of them. |
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