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-- Bleu 13 (Remastered)

Bleu 13 (Remastered)

"Bleu 13 (Remastered)" is my latest trance track. Any comments or sugestions are welcome as usual. click hifi green arrow in this website:

http://www.soundclick.com/bands/songInfo.cfm?bandID=335207&songID=3765242

or just click:

Bleu 13 (Remastered)

THANKS

Hey, cool track

It sounds really dark and kind of reminds me of Astral Projection. What scale did you use? Minor? Major? Oriental? The basslines are very intrinsic, and definetly fit the theme of the song, and so is the percussion. Very crisp and clean.

I am downloading this now

Keep it up man.

eZ

euuuh ... whats a scale

hehehe thanks. the truth is that i am illiterate in musical theory. I dont really follow scales. i just start doing triads with a nice sounding pad. the first triad i did involves b d and f#. i alternated a lot from that point on. i didnt really expected it to sound psychadelic trance but it is rather dark. i wanted to add lyrics to this with a song i made regarding a person instrospecting into his being, as he sits on the floor in front of this huge building with this blue color, with which he painted its entire north wall with. (he paints walls as a living) the color of this french paint is blue # 13, hence the title. i really like the song but im not much of a singer... i could always narrate through it. thanks for the comment. its really encouraging

Just downloaded... listening now.

0:30 percussion is really heavy. Sounds like a hard techno track at 10 or 15 BPM slower. I like it.
0:55 the synth is kinda annoying because it's 1 semitone higher than where my brain wants it to be (which is playing the same note as the bassline). It's not HORRIBLE because you resolve this tension quickly enough, but I think it would be better melodically if you didn't have that dischord (or at least not for so long... you could make the note dischorded for a bar, then make it go down a semitone and sound good for a bar, and go back and forth, etc). It's hard to explain melodic crap over the net. Heheh.
1:10 starting to hear a melody. It's really cool.
1:40 the melody is really nice. Dirty sounding. Very cool. That acid-kinda thing takes away a lot of the attention. I'd make it quieter or EQ it a bit. It sounds cooler at 2:21 when it's filtered to a lower frequency. Maybe it shouldn't go so high earlier.
2:50 What's the deal with that soft little baby kick in the background? Am I supposed to dance, or not? Make up your mind about whether you want a kick here. I vote yes. Use the full kick.
3:05 I'm really liking the way all the sounds are coming together. The portamentos/pitch-slides on that bassy synth are really cool. I very much like.
3:35 full breakdown and the synths come in. Very very cool.
4:15 there are some high pitched synth things. They're ok... but they bug my ears.
4:40 I really really don't like what you did with the percussion. The highs are annoying... they detract from the great little melodies you have below. You should use something closer to the percussion that's in the track at 2:00. This totally kills the song for me. I'm really kinda disappointed.
5:30 better. The high things have gradually been killed. I like this track again. It's fantastic.
6:20 Why does it break down again here? The track had already been dying down for 30 seconds. If you're gonna do the post-climax break, put it either immediately after the climax, or don't do it at all. As a DJ, I can tell you that I'd start mixing in around 6:07. This sudden break during the outro would throw my transition off. I suggest you get rid of it or relocate it. The crowd stopped going nuts a while ago.
6:40 The rest of the outro is actually really cool. The lingering crash/kick at the end is not something I'd leaving playing during a set.

This is a really really good piece of work. It's EQed pretty nicely, it sounds original, and everything fits together well. But plz plz plz kill do something about the percussion at 4:35. I really can't say I like it at all. I would most definitely play this in my sets if that one little glitch was fixed. I beg you! I really want this tune! But I want it without those awful highs during the climax that sound like they're ripped from some hard techno or something.

man. best critique ive recieved

really good points. i must say i must agree with most of them. especially

"4:40 I really really don't like what you did with the percussion. The highs are annoying... they detract from the great little melodies you have below. You should use something closer to the percussion that's in the track at 2:00. This totally kills the song for me. I'm really kinda disappointed."

well my speakers in my studio are kinda broken. but then when i listened to my track in my car at this portion of the song, almost got in a car accident as i had my fingers shoved in my ear temples. just kidding but defnitely see what you mean with good quality speakers. Its actually a chorused, reverbed, echoed white noise i did with a synth. ill fix it. and as far as the synth at 50 seconds, i just didnt know how to introduce the mofo, so i guess i got lazy. mmm and the end is easily changeable at the post break thingy. i just needed a change at that point.... (i listened to that part for 2 hours straight probably trying to do something magical with it, gave up on it), youll understand one walks blindfolded after hammering a song for 2 days or so. And yeah ill get rid of the wimpy kick prior the full break at 2:50. i just promised myself to study for this huge pathophysilogy test today.

i was wondering if the alteration between the melody from 1:25 to 1:53 wasnt too different from 1;53 to 2:20. I mean if the change wasnt too rough. Then i also thought of making this track 140. instead of 136 bpm. ill but them both up by sunday eveniing

man. thanks for the criitque man. incredibly constructive. but i iguess thats what good djs do right?

Re: man. best critique ive recieved

quote:

Originally posted by serginka i was wondering if the alteration between the melody from 1:25 to 1:53 wasnt too different from 1;53 to 2:20. I mean if the change wasnt too rough. Then i also thought of making this track 140. instead of 136 bpm. ill but them both up by sunday eveniing

No, the alteration is not too rough; people dancing won't even notice... subtle changes in melody like that are easily missed.

I wouldn't change the tempo to 140. Consider some similar tracks... I would be mixing this in a set with something like Purple Haze - Adrenaline, which is only 132.

quote:

man. thanks for the criitque man. incredibly constructive. but i iguess thats what good djs do right?

I think you have to try DJing to become a really good producer... you learn to understand what works, what makes people go nuts, what tires people out, and what's easy to mix or sounds good when mixed. I definitely produce for the style in which I like to DJ.

let me know what you think

http://www.soundclick.com/bands/pag...m?bandID=335207

remastered is through your suggestions. and the other is the old one.... both are 136. is it more dj-friendly now?

Re: let me know what you think

quote:

Originally posted by serginka http://www.soundclick.com/bands/pag...m?bandID=335207 remastered is through your suggestions. and the other is the old one.... both are 136. is it more dj-friendly now?

OMG. I love it. Much improved. I listened 2 or 3 times. Still some comments, hopefully I'm not being too nitpicky.

Around 1:40... the synth sounds much better now that it's not so high.

3:20 So much darker and harder sounding! Such an improvement over the baby kick that was there before! It really makes a big difference!

3:50 The swell in those pads is just great!! I know you didn't change anything, but this is still really good!

4:40 It's better, but IMO it would be better if killed the white noise and those whooshey sound effects going on. They're fine for the build-up from like 4:25 to 4:35... but after the kick comes back in, they should just go away. There is so much going on below that I really want to hear. You fade the white noise out from about 5:03 to 5:31, yes? I think it's at the perfect level at about 5:16 - 5:18. If you got rid of the whooshes and kept the white noise, but used it at the level it's at around 5:16-5:18, then this would be a lot more pleasant. If your studio speakers are still broken, then you'll just have to trust me on this one!

6:07 I don't like how you've got a crash cymbal over and over again on the kicks slowly trailing off. I would change this back to how it was in the old version. There are 2 or 3 other places in the song where you have a crash cymbal like this (maybe I didn't notice before, or you added it). It's not horrible, but it kinda sticks out and makes the track sound less professional than it could.

6:21 It's better for mixing, but I feel like the synths go away a bit too suddenly. Maybe instead of cutting the synth straight out at 6:21, you could filter or fade it out over 6:21 - 6:36.

A few more things I notice. I really like this track, so I'm being as critical as I can.
- I can hear the synth stabs being faded in a little from 0:51 to 0:56. I think it would be better to bring it in after the downbeat at 0:56. It sounds awkward to have a new instrument come in at the END of a phrase. You could not play it at all before 0:56, start at about 30-40% volume at 0:56 (so it's very clear and obvious that something new has come in), and then fade in fully by 1:05 or so.

- I think the resonance/Q is just a little too high on the synth that comes in from 2:35 to 2:50. It sounds fine after 2:50, but there are a couple resonant notes around 2:42 or so that are really loud, when the lower fundamentals are within the band. You'll have people putting their fingers in their ears. You've got a similar (but less severe) problem at about 3:43. Maybe have the Q lower to start, but increase it to the level you've got it once the band goes past the lower frequencies so you can get more resonance in the higher overtones.

- At 4:34, the beat comes back in rather suddenly. I could have expected it to come in 4 or 8 bars later. It's fine, but generally it's a good idea to give the people listening some kind of clue that the kick is coming in RIGHT NOW. Maybe you could do something with those whooshes to bring it to more of a swell right before the beat drops, or bang a couple of snares during the last bar before it comes in. Just a suggestion; it's not vital.

Hey... definitely good work!! The beat rolls on well, nice melodies with a twist!! All the elements for a good track are included... the mixing is not perfect but pretty good. I think a guitar playing some chords would work really well at about 3:10, the idea just came to my head. The chord progression of the song is really cool!!

Good work...

Cheers, Lakeus

www.lakeusmusic.com

Great track. I liked it.
I�m not much for writing reviews and stuff so this is all I have to say.

Cheers!

guitar?

mmm interesting guitar huh? electric, acoustic, could you specify?

anywho thank you both for checking it out. masterins still is a pain to do manually. ill try remastering later on this week

this sounds good right from the start, i love it!!!!!!!!!
it has a different bass set up, sounds kinda dark but then switches to light hearted . oh yeh and nice kick drum, kinda funky more than trancey though, on the brake now, hopein 4 it to change from the intro??? but it dos'nt. but still nice to listen 2. keep it up,

kicking hard?

i cut it up from a hard house track. then i applied a really wet reverb on it and then played it simultanously with it self on a pitch lower and now reverb. a pretty standard technique ive been using recently fairly often. thanks for stopping by

Woah, great work! This sounds very clean and crisp, loVEe it dude!

It sounds much more improved than the previous version that I listened to. Keep it up.

eZ

there are some nice trance elements in the track and the oveall production is fairly well done, but the melodic progression and the instrumentation is not my taste, as well the arrangement is seeming to standard so a lack of energy is missing... thanks for sharing though

thanks for the feedback

yeah. actually the melody progression is this new formula i developed and so far i like the results it has given me. It helps me stay original in melody developement i think, coz i used to stick to the basics of trance too much. Now i decided if its not original... dont bother. I hope ill have as much luck on my next production that shouldnt be until friday. For those of you who i havent reviwed yet ... give me until monday or tuesday. this tracks has already put me far behind in my job. thanks for listening again. this site is the best place to improve in trance.

hey serginka!
never heard the previous version, so I cant compare, but this sounds tight man!

the fx in the beginning is way cool
bass/gate at 00.44 is awesome. pounding.
00.58 That alarm-sound didnt sit very well..
1.12 when you moved down some keys/scales it sounded better.
1.25 The progression chord gives the track a good drive. I was waiting for a shift/alteration on it, but I didnt hear it.
2.50 That kick sounds excellent on my speaker system.
4.35 The "klimax" here came abit sudden I think. I thought it would go abit further before the beat would come. And some announcement, but thats just how I like it.

Overall it sounds tight and very wellproduced and nicely executed, with variations that never made the track boring.

take care!

"mmm interesting guitar huh? electric, acoustic, could you specify?"

I was thinking of a clean electric guitar strumming some chords... the idea just came to my head...

Cheers, Lakeus

www.lakeusmusic.com

Good beggining, good piercing sounds, I like the balance between the elements. Cool snare and the rest of percussion. Even though the sounds work together, the track has an old feeling (off beat bass is boring)....been there, seen that, if you know what I mean. The drive is good but not comparable to current pro-releases.
I like the acid sounds, the bass sweeps before the break are awesome, now that's really original. The break is empty and nothing special. The second part after the break is much better, but it does get boring...not too much variety.
I think this track has potential, but it needs better arrangement.
Cheers
Effero

Addicted to offbeat basslines

i just have this physiological addiction to offbeat basses, and openhihats. I'll force myself into something new every now and then. But i just really like the bassline here and its evolution throughout the song. however, You're the fourth person to suggest that. The problem is that i go into withdraw symptoms whenever i try: shaky hands, sweating heavily, skin bugs ... etc. I'll evolve one day. thanks for the suggestions, and just let me know if you want me to return the favor on any of your songs.

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