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-- having more problems with my club mix no. 1
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having more problems with my club mix no. 1
well.
after a number of years i finished a dance-like track which is 3 and a half minutes.
i am unfortunately having problems with structuring my club mix version of it.
do djs like to fully move to the 2nd record by bar 33, where a pretty important motif starts or by bar 65 where the big banging theme starts.
is it difficult to change over by bar 16.
when does a structure become dj unfreindly.
also beat matching without pitch alteration can be achieved by products like virtual dj.
is this the way nowadays
excuse such silly questions but i am in a state of sheer frustration.
Look, stop trying to make such a formualaic record. It's getting ridiculous.
That said, all 4/4 time music should do everything in multiples of 4. Four bars to a phrase. Shit should happen on the 8th, 16th or 32nd bars. If your track doesn't do this, you'll lose DJs.
| quote: |
| Originally posted by SYSTEM-J Look, stop trying to make such a formualaic record. It's getting ridiculous. That said, all 4/4 time music should do everything in multiples of 4. Four bars to a phrase. Shit should happen on the 8th, 16th or 32nd bars. If your track doesn't do this, you'll lose DJs. |
thanks for the reply system j.
currently i have
bar 1-16 kick drum and hi hhats
bar 17-24 a new percussive section
bar 25-32 another percussion section (still no bass instrument )
bar 33 - 65 a melodic motif taken from the main melody with heaps of percussive stuff underneath and no bass line - plenty of tribal percussion though
bar 66 - the start of the full melody and then the piece continues.
just wondering if i started the bar 33 section at bar 41 therefore the main melody starts at bar 73.
would that be okay.
Are you producing this track or are you expecting us to produce it for you?
i guess i will now probrably buy virtual dj 3 so that i can test my intro against other tracks.
at the moment i reckon that certain textures make djs react musically
and i am trying to work out whats best for my track and the previous.
actually it would be intersting to know if proffesionals are using that software, the virtual dj
For fucks sake, just do what you think sounds best.
You think Shakespeare would have become that great when 'should this be put on page 17 or 18' was the only thing he was thinking about?
| quote: |
| Originally posted by technomonster actually it would be intersting to know if proffesionals are using that software, the virtual dj |
| quote: |
| Originally posted by technomonster thanks for the reply system j. currently i have bar 1-16 kick drum and hi hhats bar 17-24 a new percussive section bar 25-32 another percussion section (still no bass instrument ) bar 33 - 65 a melodic motif taken from the main melody with heaps of percussive stuff underneath and no bass line - plenty of tribal percussion though bar 66 - the start of the full melody and then the piece continues. just wondering if i started the bar 33 section at bar 41 therefore the main melody starts at bar 73. would that be okay. |
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| Originally posted by paranoik0 where you put the kicks at bars 85, 86, 86.5, 87.5 |
you really need to keep threads like these to the production forum.
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| Originally posted by Floorfiller you really need to keep threads like these to the production forum. |
| quote: |
| Originally posted by basd You think Shakespeare would have become that great when 'should this be put on page 17 or 18' was the only thing he was thinking about? |
Your track needs to be about twice as long as it is.
| quote: |
| Originally posted by basd For fucks sake, just do what you think sounds best. You think Shakespeare would have become that great when 'should this be put on page 17 or 18' was the only thing he was thinking about? |
| quote: |
| Originally posted by Floorfiller you really need to keep threads like these to the production forum. |
hey you guys,
the problem is that i have been experimenting with a new beat, a new feel.
and it can sound a bit odd against other music, and i am trying to get a mix in which blends more naturally with mix outs or when dj's decide to cut the previous track early.
currently whats happening is like 'traffic' by tiesto being blended into Handels Messiah.
i would like to do things quite differently but i would also like it to be played if possible if its good enough,
| quote: |
| Originally posted by Majutsu No, he doesn't. He literally posts the same question like every two days over there. He's just started here. It's really bizarre. I think he has OCD or something. |
samples of current unfinished work (so we can help you) or stfu
| quote: |
| Originally posted by technomonster and it can sound a bit odd against other music, and i am trying to get a mix in which blends more naturally with mix outs or when dj's decide to cut the previous track early. |
| quote: |
Originally posted by D-res samples of current unfinished work (so we can help you) or stfu |
| quote: |
| Originally posted by technomonster hey you guys, the problem is that i have been experimenting with a new beat, a new feel. and it can sound a bit odd against other music, and i am trying to get a mix in which blends more naturally with mix outs or when dj's decide to cut the previous track early. currently whats happening is like 'traffic' by tiesto being blended into Handels Messiah. i would like to do things quite differently but i would also like it to be played if possible if its good enough, |
| quote: |
| Originally posted by Mr.Mystery We don't need shit like this there. |
| quote: |
| Originally posted by technomonster hey you guys, the problem is that i have been experimenting with a new beat, a new feel. and it can sound a bit odd against other music, and i am trying to get a mix in which blends more naturally with mix outs or when dj's decide to cut the previous track early. currently whats happening is like 'traffic' by tiesto being blended into Handels Messiah. i would like to do things quite differently but i would also like it to be played if possible if its good enough, |
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