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-- cheating with midi - ever done it?
cheating with midi - ever done it?
So tell me how many of you have have taken the midi info of a track you like, mucked about about with it to come up with your own melody?
I've read it happens quite a lot - but do you consider it cheating?
Has anyone got any experiences of when this did this - moving from the well known track to there own?
I did it alot in the beginning to get a hold on how things work, but with time you will know how to create your own. But i dont think its cheating, just another way to self learn the basics like in all other matters.
Cheers
C
I've never even used any midi files save the ones I create myself from scratch. Maybe I should start using this method.
ive stolen the bass pattern from midis before, like arpeggio notes and stuff because i dunno how to write a nice arpeggio but the chord pattern and such is different?
i dunno, it could be classed as cheating, but whos to judge?
I don't really do this all that often, although listening to music has often pulled out musical ideas in me that are not so far removed from the song they came from.
Recently, though, I was experimenting with imitating the supersaw sound using a midi I made based on Carte Blanche, and when I pulled the filter cutoff down to a certain point, that opened up a new chord idea for me that is completely different from the melody that I had been using.
Not once, not ever.
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| Not once, not ever. |
+2 
I didn't even realize you could do this? At the end of the day, I figured everybody just bounced their stuff to audio and mixed down that way. I didn't think people would mix with their MIDI data (even if it's from hardware synths).
I don't know. I don't know if it's cheating. That's a really blurry line to draw. I can see (now that I'm aware of it) perhaps looking up really sporatic lines that I couldn't pick out on my own, and just seeing their structure and trying to apply, theoretically, the concepts I learn into something of my own. However I get MUCH more out of it when I repeatedly listen, ear-training style, and dictate or try to receit on the piano/synth. You'd be surprised because with this method a lot of times whilst trying to dicipher the riff, you'll end up coming up with your own and most of the time that is what I go with. I just did it recently for a track. The beauty of this is that then it's engrained into your creative repertoir, as opposed to your logical repertior of going to a MIDI repository.
Both are good ideas, but again I am going to lean more towards the DIY argument, for myself personally that is. Doesn't work that way for everyone. 
Cheers mate
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| Originally posted by Arudius +2 ![]() I didn't even realize you could do this? At the end of the day, I figured everybody just bounced their stuff to audio and mixed down that way. I didn't think people would mix with their MIDI data (even if it's from hardware synths). |
Although I have no musical training (do everything by ear) Ive never used someone elses midi, but it def is a good way to learn the basics
but I wouldnt consider it cheating at all.
I am just beginner with music making, so I do find midis very helpfull...
With them it is easier to learn about songs` structure and stuff like that.
I don't have the ear/talent to make a midi out of song that I hear.
So when I hear a killer song (maybe nice synth line or catchy bass line) I try to find the midi of the song. That way I can see how the melody/bass is made, what is the structure. And learn.
I don't know if this is cheating?
I think it is more like learning...?
Re: cheating with midi - ever done it?
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| Originally posted by knight54 So tell me how many of you have have taken the midi info of a track you like, mucked about about with it to come up with your own melody? I've read it happens quite a lot - but do you consider it cheating? Has anyone got any experiences of when this did this - moving from the well known track to there own? |
I've never done it, but i wouldn't see it as cheating - unless you could recognise the original.
As far as trance melodies/harmonies go its all much of a muchness. I think its more about the production you apply to it.
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| Originally posted by lunamore I don't know if this is cheating? I think it is more like learning...? |
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| Originally posted by DigiNut I also think it's kind of funny to say (MT) that it's not cheating "unless you could recognize the original" - that's basically the same as saying "it's not cheating unless you get caught". Good technical production does not make up for a generic, clich� melody. |
| quote: |
| Originally posted by DigiNut I also think it's kind of funny to say (MT) that it's not cheating "unless you could recognize the original" - that's basically the same as saying "it's not cheating unless you get caught". Good technical production does not make up for a generic, clich� melody. |
| quote: |
| Originally posted by DigiNut I also think it's kind of funny to say (MT) that it's not cheating "unless you could recognize the original" - that's basically the same as saying "it's not cheating unless you get caught". Good technical production does not make up for a generic, clich� melody. |
There's no such thing as cheating. If you take someone else's melody and change it and better it, all good to you. Like Sting says, "good composers borrow, great composers steal".
I mean, if someone takes a track you wrote, copies the melody, changes it enough to be different, and then has a huge hit track and makes millions, are you gonna scream "you cheated, you rewrote my melody, I want some of your money"? Unless you can prove that it's the melody you wrote and used, you ain't gonna get squat.
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| Originally posted by jahnlay I mean, if someone takes a track you wrote, copies the melody, changes it enough to be different, and then has a huge hit track and makes millions, are you gonna scream "you cheated, you rewrote my melody, I want some of your money"? Unless you can prove that it's the melody you wrote and used, you ain't gonna get squat. |
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| Originally posted by jahnlay There's no such thing as cheating. If you take someone else's melody and change it and better it, all good to you. Like Sting says, "good composers borrow, great composers steal". |
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| Originally posted by DigiNut Besides, even if someone copied the melody, harmony, drums, and entire arrangement wholesale, and made millions, you still wouldn't get anything. You can't copyright that. Intellectual Property only takes the form of an actual production or sheet music |
I don't consider it cheating in the least. As has been already stated, its a great way to learn. You will definitely limit your growth as a musician if you don't look at how other composers do what they do. We all pick up tricks of the trade - if you will. We come here to learn about mastering, composing, etc. Other's songs are just another means by which to learn by.
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| Originally posted by David Adams I don't consider it cheating in the least. As has been already stated, its a great way to learn. You will definitely limit your growth as a musician if you don't look at how other composers do what they do. We all pick up tricks of the trade - if you will. We come here to learn about mastering, composing, etc. Other's songs are just another means by which to learn by. |
| quote: |
| Besides, even if someone copied the melody, harmony, drums, and entire arrangement wholesale, and made millions, you still wouldn't get anything. You can't copyright that. Intellectual Property only takes the form of an actual production or sheet music (in the case of sheet music it's only illegal to reproduce the score itself for profit, not illegal to use parts of it in a production). |
| quote: |
| I don't consider it cheating in the least. As has been already stated, its a great way to learn. You will definitely limit your growth as a musician if you don't look at how other composers do what they do. We all pick up tricks of the trade - if you will. We come here to learn about mastering, composing, etc. Other's songs are just another means by which to learn by. |
cant be really called cheating if the pro's get away with it,
- 'lolo - why' sounds exactly like 'sasha - xpander'
- 'paul van dyk - for an angel' is like a 'kai tracid' track think its 'liquid skies'
thats examples of tracks which have clearly been ripped off although if people are just using the midi to find out different progressions i dont see the harm in that.
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