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Posted by technomonster on Apr-06-2007 04:40:

Dance Club Music Mixing

well,

i have been at my first dance single (plus club mix)
for 2 and a half years now.

I reckon i have worked out the melodies by now.

i am mixing, and keep on hearing all these rules with regards to panning, and what should be in mono and what should be stereo and what should be panned so as not to lose the impact of stuff in one particular area of a club.

is it okay to have a bass line in stereo, cause i heard that 12 inch vynil doesnt like stereo bass.

any help for some standard dance music production rules.


Posted by JustinMead on Apr-06-2007 05:30:

There was a topic just like this like a week ago. There Are No Rules. If it sounds good to you, do it

And in that thread, it was found that there is no reason stopping you from making that baseline stereo. A bunch of people already do it with good results.


Posted by Mr.Mystery on Apr-06-2007 07:47:

Two and a half years on your first single? WTF?


Posted by technomonster on Apr-06-2007 08:06:

yep MR MYSTERY,

and i am a musician - its driving not just me but everybody crazy.

add on 12 years in research


Posted by Mr.Mystery on Apr-06-2007 09:28:

That's beyond being a musician, that's being obsessive.


Posted by kitphillips on Apr-06-2007 10:13:

Hmmm, well if I worked on something that long, I would give up and move on to something else, but thats me.

RE vinyl and basslines, I believe there are some rules about this in terms of the needle skipping or something, but this would be rectifued in the mastering AT THE PRESSING PLANT! This isn't the sort of stuff you need to worry about in mastering.

Hope this track is bloody good!


Posted by Rusty O'Hara on Apr-06-2007 11:23:

quote:
Originally posted by technomonster
i have been at my first dance single (plus club mix)
for 2 and a half years now.


quote:
Originally posted by kitphillips
Hope this track is bloody good!


You would hope so, no?


Posted by Project-K on Apr-06-2007 19:47:

Generally you center the low frequencies and pan everything else. Just make sure to test the whole track in mono once in a while to make sure there's no cancelling going on.


Posted by richg101 on Apr-06-2007 20:17:

the mastering guy will center the stuff that needs centering if itll be cut to vinyl.


Posted by DJDIRTY on Apr-06-2007 21:32:

If you worked that long on a track, I hope it's a mega Club Hit. Have you done any other tracks besides that one single? Can we hear an sample or something? Wish You all the best with the track man.


Posted by DJ KaRiM NeT on Apr-06-2007 21:43:

i respect you .. but r u mozart ?


Posted by tranceinjection on Apr-07-2007 00:28:

I know a producer called dave randall and he spent a year on his tune tweaking it and making it sound awsome.

He said it was just stupid the amount of time he spent making sure it got signed, but it did get signed and he makes sure every tune sounds as good as his first one.

But he wont spend the same amount of time now, he roughly spends about three months i think.

Always put 110% into a tune and not 50% becouse people notice the quality and if a tuen has been rushed to get it out.



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