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Posted by AniG on Aug-12-2007 05:21:

epic/complex string lines

was wondering if anyone has any really good epic/complex string lines that i could take a look at, because i really suck at making string lines, and just wanted to further my knowledge and study them a bit more in regards to their chord progression and complexities.

ne one help?


Posted by kitphillips on Aug-12-2007 10:23:

Reflekt Feat Deline Bass - Need To Be Loved has one of the best string breakdowns ever... find the midi here: http://www.nonstop2k.com/archive.php?l=r&cid=0&p=3

I think the string line is in the thrillseekers remix, but the better midi (on that site) is the original mix, its the midi track called "pads" or something..

Its stunning IMO...


Posted by T-Soma on Aug-12-2007 11:15:

Always loved that track.

Maybe look at some classical music and dive a bit deeper into music theory.


Posted by Freak on Aug-12-2007 15:09:

quote:
Originally posted by kitphillips
Reflekt Feat Deline Bass - Need To Be Loved has one of the best string breakdowns ever... find the midi here: http://www.nonstop2k.com/archive.php?l=r&cid=0&p=3

I think the string line is in the thrillseekers remix, but the better midi (on that site) is the original mix, its the midi track called "pads" or something..

Its stunning IMO...


That string section was a sample from the movie 'Road to Perdition'. Straight sample...

If you want to study string arrangements, look at movie scores.


Posted by MrJiveBoJingles on Aug-12-2007 19:15:

Re: epic/complex string lines

quote:
Originally posted by AniG
was wondering if anyone has any really good epic/complex string lines that i could take a look at, because i really suck at making string lines, and just wanted to further my knowledge and study them a bit more in regards to their chord progression and complexities.

Get out a MIDI keyboard and try to figure out the chord progressions in some of your favorite songs. Then you can make your own MIDI file(s) from that and study them.

That's what will help you the most in the long run.


Posted by supernewbie on Aug-12-2007 19:31:

post some string lines you made! then i can tell yuo how to improve them!


Posted by kitphillips on Aug-13-2007 05:14:

quote:
Originally posted by Freak
That string section was a sample from the movie 'Road to Perdition'. Straight sample...

If you want to study string arrangements, look at movie scores.


I know, that string sample is amazing... + 1 to the movie scores bit.


Posted by Floorfiller on Aug-13-2007 05:36:

i think too many people assume that strings are very complex and difficult. not all string sections are composed of 4-5 note chords simultaenously evolving to other chords in all these weird combinatons. in a lot of cases simplicity is beautiful. looking at a chord progression isn't really going to tell you how to make one of your own. you need to just put some time in on some very basic music theory and teach yourself. Hell, just choose a key to play around in and just start experimenting with what sort of musical steps sound good together and actually be conscious of the things you notice. ask yourself questions like: why did these notes sound good in unison? why does this note compliment the previous...why does this note not compliment? combine those observations with some basic music theory and you start to fill in the pieces. then it's just about how good your imagination is. you have to learn to experiment in a beneficial way. if you don't attempt to make connections between what you are doing and the ideas behind it...you aren't really learning how to do things.


Posted by supernewbie on Aug-13-2007 06:11:

i tried to study music theory and i read a book of music theory and the teachings were following: a full note is 2x longer than a half note?
cmajor scale uses only white keys? and there aer something major diatonic intervals? huh pretty trivial?

but the book didn't tell how to use them!? and what to do with this knowledge then?


Posted by kitphillips on Aug-13-2007 06:13:

quote:
Originally posted by supernewbie
i tried to study music theory and i read a book of music theory and the teachings were following: a full note is 2x longer than a half note?
cmajor scale uses only white keys? and there aer something major diatonic intervals? huh pretty trivial?

but the book didn't tell how to use them!? and what to do with this knowledge then?


Mate, with your talent you don't need to know anything about scales. Except perhaps, that if you know them then you can maybe avoid them more...


Posted by jey on Aug-14-2007 14:57:

[[ LINK REMOVED ]]


Heres my sad attempt!!


Posted by supernewbie on Aug-14-2007 16:13:

quote:
Originally posted by jey
[[ LINK REMOVED ]]


Heres my sad attempt!!


That wasnt soo bad, but could use some improvement? would you mind posting midi file of it? I could try to fiddle with it!

I like creating string lines and melodies most but I completely fail in production! And I seem to demand too high quality from myself and thus never manage to get anything done


Posted by jey on Aug-14-2007 18:41:

the midi is at the link at the start of this thread!

thats were i got it, jus threw them sounds together to see how it sounds... nice track


Posted by azndragon0613 on Aug-14-2007 19:04:

quote:
Originally posted by Floorfiller
i think too many people assume that strings are very complex and difficult. not all string sections are composed of 4-5 note chords simultaenously evolving to other chords in all these weird combinatons. in a lot of cases simplicity is beautiful. looking at a chord progression isn't really going to tell you how to make one of your own. you need to just put some time in on some very basic music theory and teach yourself.


I completely agree with Floorfiller on this. I've noticed that sometimes the best string sections also have the best synths and that's what makes them great. The phatness that a nice string pad can achieve could only require 2 note chords. I think usually people compensate for bland samples by layering notes and notes when it comes down to the instrument.

quote:
Originally posted by Floorfiller Hell, just choose a key to play around in and just start experimenting with what sort of musical steps sound good together and actually be conscious of the things you notice. ask yourself questions like: why did these notes sound good in unison? why does this note compliment the previous...why does this note not compliment? combine those observations with some basic music theory and you start to fill in the pieces. then it's just about how good your imagination is. you have to learn to experiment in a beneficial way. if you don't attempt to make connections between what you are doing and the ideas behind it...you aren't really learning how to do things.


Good advice. Actively asking questions about music may seen odd but it helps. There are a lot of good threads on music theory here so just read up and try to apply what you know.

There are somethings that I think also will give the extra push in strings. I noticed that having a counter melody often enriches the sound because the harmonies are richer. Dissonance like the raised 7th or even a diminished 5th could significantly create tension (this is a good thing) and willingness to resolve. Modulation between keys and maybe the minor/major boundaries can be awesome as well.

Here's a sample of what I cooked up. It has a counter melody on top.

String Sample (right click)


Posted by lowski on Aug-14-2007 22:36:

how do i open one of these midi files?. i use reason


Posted by mysticalninja on Aug-14-2007 23:10:

quote:
Originally posted by azndragon0613
I completely agree with Floorfiller on this. I've noticed that sometimes the best string sections also have the best synths and that's what makes them great. The phatness that a nice string pad can achieve could only require 2 note chords. I think usually people compensate for bland samples by layering notes and notes when it comes down to the instrument.


Yup, some of the pads on my virus are so fat anything more than 2 notes doesn't work.


Posted by jivamukti on Aug-16-2007 17:24:

quote:
Originally posted by Floorfiller
i think too many people assume that strings are very complex and difficult. not all string sections are composed of 4-5 note chords simultaenously evolving to other chords in all these weird combinatons. in a lot of cases simplicity is beautiful.


One of the basic rules (:shock: :horror: the dreaded word!) of writing chord progressions is that you shouldn't change all the notes at the same time when you move from one chord to another. In other words the successive chords ought have some of the same notes. I believe this is especially relevant in trance which is supposed to have that floaty, dreamy or trancy (or whatever) feel.


Posted by jivamukti on Aug-16-2007 17:29:

quote:
Originally posted by mysticalninja
Yup, some of the pads on my virus are so fat anything more than 2 notes doesn't work.


They are so phat because Access had to convince you to buy the synth. It's rather common that presets sound mighty good in simple demos but when you start using them in real mixes, they suck up headroom and drown the other sounds. Try turning down unison voices, delay and such.


Posted by HorizonUK on Aug-16-2007 18:02:

Hello i'd thought i'd share a string melody i recently created, you don't need to have any knowledge of scales etc. tbh, they just help you i suppose, but honestly, some of them are ridiculous and sound odd anyways, a good old fashioned mixture of major and minor does the trick!
I know my samples nothing special, its just an example of how to create that harmonic feel and idea of progression...

[[ LINK REMOVED ]]


Posted by nicknack on Aug-17-2007 05:13:

quote:
Originally posted by kitphillips
Reflekt Feat Deline Bass - Need To Be Loved has one of the best string breakdowns ever... find the midi here: http://www.nonstop2k.com/archive.php?l=r&cid=0&p=3

I think the string line is in the thrillseekers remix, but the better midi (on that site) is the original mix, its the midi track called "pads" or something..

Its stunning IMO...


probably my favourite track, however the pads arent overly complex to tell you the truth, probably why it sounds so sweet. often the best sounding ones are just a root note with a seventh can sound really nice. there is no real rule to making chord progressions, diminishing and augmenting notes might sound a bit wierd in uplifting and melodic trance thogh and have a look on the net and do some reading about cadences.

there was this pdf file in the prod studio of TA which was a great read for any producer who wants to brush up on a bit of music theory, i think it was called the ravenspiel guide to music theory or something, check it out


Posted by mysticalninja on Aug-17-2007 06:22:

quote:
Originally posted by jivamukti
They are so phat because Access had to convince you to buy the synth. It's rather common that presets sound mighty good in simple demos but when you start using them in real mixes, they suck up headroom and drown the other sounds. Try turning down unison voices, delay and such.


Hmm? I didn't mean that in a bad way. It's a good thing, it sounds good with just 2 keys, better than a weak pad using 3 or more keys imo.


Posted by Bass Junction on Aug-18-2007 06:49:

quote:
Originally posted by Freak
If you want to study string arrangements, look at movie scores.


that's my best bit of advice! I love movie scores and would like to write them one day. I have studied classical muic on piano alot plus love classical music so like to try and make my productions 'musical'

have a listen to my latest track 'Take Control'

www.myspace.com/bassjunctionmusic


Posted by supernewbie on Sep-08-2007 18:57:

Dog Running

this is a bump

here are newbie'ish epic pad/lead things!



http://minagi.hybridi.net/allah/lam...for_strings.mp3

http://minagi.hybridi.net/allah/gay...for_strings.mp3

i have no idea what to do with them


Posted by jey on Sep-08-2007 19:36:

first one has way to much compression. one sound near kills the other briefly!

second melody sounds good..


Posted by Diginerd on Sep-09-2007 00:29:

Lots of good advice in here. If you want to learn music theory for harmonization google on "4 Part harmony", you'll get to learn about plagal and perfect cadences, how to avoid parallel 5ths and a whole pile of otherstuff that isn't that much use for what you're trying to do.

Then again.. :-)


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