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-- Sidechain Effect Fails It


Posted by movingincircles on Jul-10-2008 00:41:

Sidechain Effect Fails It

OVERUSED, PLZ2FIND NEW SUPERDUPER AWESOME FX


Posted by Paradox Lost on Jul-10-2008 00:51:

I think producers can still get away with it, provided they tone it down a couple of notches.

Done tastefully, it can make for a nice enhancement, unless you're going for the 'Coldharbour Seal of Approval', in which case you can just toss subtlety out the window.

A little less sidechain in your sidechaining, eh?


Posted by SMC on Jul-10-2008 01:07:

quote:
Originally posted by Paradox Lost
'Coldharbour Seal of Approval'





Posted by Mr.Mystery on Jul-10-2008 03:52:

Sidechain is the new supersaw.


Posted by PETRAN on Jul-10-2008 04:21:

Whats that? Is it like Delay or something? Noob lol


Posted by Hubris on Jul-10-2008 05:21:

Let's say you have this really cool pad thats pretty busy. When you have your kick come in, you would normally need to bring the levels down on the pad to accomodate the kick or it would get drowned out. When you sidechain, you attach one sound to another, so when your preference comes up, the other goes down. In the above example, when your kick comes in, the moment it's making noise, the pad is ducked, so you hear the kick very clearly, but as soon as the kick starts to go down, the pad comes back up. The effect is that you get a clean sound regardless of how busy the pad is.


Posted by smakmagik on Jul-10-2008 07:57:

quote:
Originally posted by Hubris
Let's say you have this really cool pad thats pretty busy. When you have your kick come in, you would normally need to bring the levels down on the pad to accomodate the kick or it would get drowned out. When you sidechain, you attach one sound to another, so when your preference comes up, the other goes down. In the above example, when your kick comes in, the moment it's making noise, the pad is ducked, so you hear the kick very clearly, but as soon as the kick starts to go down, the pad comes back up. The effect is that you get a clean sound regardless of how busy the pad is.


He knew


Posted by SuspicionVandit on Jul-10-2008 08:40:

boomp3.com
i'm guessing this is it, except it's done on every second beat?


Posted by Jono404 on Jul-10-2008 08:50:

quote:
Originally posted by SuspicionVandit
boomp3.com
i'm guessing this is it, except it's done on every second beat?


yeah it would sound something like that except that's probably just volume automation. Sidechaining is actually where the levels of one channel are ducked according to another, so when the kick hits it's peak, the channel being ducked hits it's low. It's done with basslines a lot in electo-house, benny benassi - satisfaction for example.


Posted by Stino on Jul-10-2008 09:05:

quote:
Originally posted by Hubris
Let's say you have this really cool pad thats pretty busy. When you have your kick come in, you would normally need to bring the levels down on the pad to accomodate the kick or it would get drowned out. When you sidechain, you attach one sound to another, so when your preference comes up, the other goes down. In the above example, when your kick comes in, the moment it's making noise, the pad is ducked, so you hear the kick very clearly, but as soon as the kick starts to go down, the pad comes back up. The effect is that you get a clean sound regardless of how busy the pad is.


imho thats just a lame excuse for fail mixing skills :P


Posted by Domesticated on Jul-10-2008 11:47:

quote:
Originally posted by Stino
imho thats just a lame excuse for fail mixing skills :P


No.

In certain situations, two elements such as a kick drum and bass line will have clashing frequencies that no amount of decent mastering will remedy.

Side chaining is very useful in this regard.

I like side chaining in psy-trance, it gives that nice "pumping" feel when coupled with over compression.


Posted by SMC on Jul-10-2008 12:33:

It has become more of a stylistic device than a mixing trick. Many times what you hear is an automation rather than actual sidechain compression (like the guy above mentioned). I've done it that way myself.


Posted by nefardec on Jul-10-2008 12:34:

i like to sidechain things other than the bass+kick

makes for nice undulating rhythms





also, what he said ^ about stylistic and imitation.


Posted by d-miurge on Jul-10-2008 12:37:

That *stomp* post has *stomp* been sidechained *stomp*


Posted by Scoops on Jul-10-2008 12:42:

Dealer's Choice - Bomb this Place


Posted by miamitranceman on Jul-10-2008 13:46:

Listen to some Max Graham Sidechain Remixes if you wanna hear a clear sidechain.


Posted by Max Thomson on Jul-10-2008 13:51:

I bet for every one track you listen to where you notice sc compression and it annoys you, there are 1000 tracks where you don't notice it cuz its done right.

lets just stop using arps while we're at it too...


Posted by Sykonee on Jul-10-2008 14:14:

quote:
Originally posted by Mr.Mystery
Sidechain is the new supersaw.

Actually, I'd say white-noise hi-hat hiss is the new supersaw. It seems every other tech house build climaxes with a drawn out hiisssssshhhhhhh at the peak (sometimes sidechained too).


Posted by Mr.Mystery on Jul-10-2008 17:58:

quote:
Originally posted by Sykonee
Actually, I'd say white-noise hi-hat hiss is the new supersaw. It seems every other tech house build climaxes with a drawn out hiisssssshhhhhhh at the peak (sometimes sidechained too).

Yeah, but tech house is shit anyway, so it doesn't really matter.


Posted by nefardec on Jul-10-2008 18:28:

quote:
Originally posted by Sykonee
Actually, I'd say white-noise hi-hat hiss is the new supersaw. It seems every other tech house build climaxes with a drawn out hiisssssshhhhhhh at the peak (sometimes sidechained too).



erm? define tech house?


this is beginning to be as overused as 'electro house'


Posted by Sykonee on Jul-11-2008 05:55:

quote:
Originally posted by nefardec
erm? define tech house?


this is beginning to be as overused as 'electro house'

'Minimal' house, then?



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