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-- What drives me the most crazy about producing.

What drives me the most crazy about producing.

I was really thinking about this hard, the fact of where all my really good sounds or tracks come from.

**(rant warning)**
I know how fx are going to change a sound to a degree. And I can have an idea of what throwing a crash through a crusher and gate will result in.

But EVERYTIME, all of my best sounds or mixes have always happened by *accident.
Because we all know a small tweak can make a big difference. And what drives me really crazy, is this. A dumb example but its a slice of what I do all the time.

My thinking when I'm making something new >>

"Cool loop, its got a groove but it sounds too simple.. too 'already heard' before.
Let me get it shuffling a bit..
..
.. oh, ok.. I like. But its like I'm looking for sugar and am only finding aspartame still.
I know!
I'll open Glitch and crush it!

I never liked what a crusher does when the setting are more then a little bit. Its that little bit of distortion I like, but I wish it could somehow amplify that little bit so it sounds like A LOT. Once you crush too much it sounds the same no matter what the sound is.

So rather then turn up the crush knob I open another glitch. Run the hardly crushed sound through another hardly crushing glitch channel. Oooh, I like that, had no idea it would sound like THAT, pretty cool.

But still sounds like something that didn't take a lot of work.

*thinking*

Lets send it through a phaser and play with some knobs. (play with knobs for 15 mins)
.. no, grr.. lets try a flanger!

(in like 5 seconds)
Omg! I love it! Those crushed hats really have some beautiful overtones to them.
Thats the sweet spot I was looking for."

_____________

This is how like all of my good sounds are discovered.
Like I have an *idea of what might happen to a sound, but I can't imagine anyone hearing a sound in their head and thinking "ok I need to use this & this, set it exactly to this, and I'll get that sound".

And thats what I hate.
Its like science but its not at all.
And I feel like my really best work has come from making mistakes, studying why they worked (or why I THINK they worked) then using them as a template to make more and better mistakes in the future.

Am I fucking crazy?

The brain works on composites. It will be impossible for you to develop a new sound inside there.

Synthesis relies on serendipity.

quote:

Originally posted by Watts The brain works on composites. It will be impossible for you to develop a new sound inside there. Synthesis relies on serendipity.

Wow, very poetic and to the point. I agree. I still hate it lol.

I make a lot of my favorite sounds by accident as well.

I know a decent amount about synthesis, so I'm pretty good at imitating sounds I've already heard. But it's usually the sounds that I never really thought about before that end up being my favorites, the ones I chance upon just by playing around semi-randomly.

Yeh its weird what kind of takes you can gather on it.

Just reading these few responses it seems like a "producer" is more an "explorer" and that a lot of what we wind up putting value in will be things we stumble on accidentally.

Its cool but I still wish there was more predictability in it.

I think it is good habit to just have time to play around with your synthesizers, but don't get too lost doing it (happens to me all the time)!

I also think it is good to study presets when you get a new synth. Some people I know clear the factory presets as soon as they get them. That's all well and good; however, presets generally give me a good idea of what the synth is capable of and hopefully inspire some new ideas.

whats drives me crazy is that i dont have enough time to produce.

I work on randomness too. If I have a sound in my head I can never replicate it and if I somehow manage to replicate it, it never quite fits in.

Random sounds always sound good and fit in.

Part of being creative i think is not only knowing what you want to hear but knowing when you heard it. If you get me

quote:

Originally posted by palm whats drives me crazy is that i dont have enough time to produce.

here here.

quote:

Originally posted by palm whats drives me crazy is that i dont have enough time to produce.

Same here

quote:

Originally posted by Ry Thomas Same here

+1.

However, in a few short weeks I finish my M.A. degree and producing will become a greater priority for me

impatience

quote:

Originally posted by MrJiveBoJingles I make a lot of my favorite sounds by accident as well. I know a decent amount about synthesis, so I'm pretty good at imitating sounds I've already heard. But it's usually the sounds that I never really thought about before that end up being my favorites, the ones I chance upon just by playing around semi-randomly.

yes ramdomness enights that spark ramdom or otherwise.

quote:

Originally posted by jupiterone impatience

impatience for creativity.

quote:

Originally posted by Sonic_c Part of being creative i think is not only knowing what you want to hear but knowing when you heard it. If you get me

iget ya im allways looking for that sound and when i have that's it om of in the wonder world of muisc.

quote:

Originally posted by DJ Robby Rox Yeh its weird what kind of takes you can gather on it. Just reading these few responses it seems like a "producer" is more an "explorer" and that a lot of what we wind up putting value in will be things we stumble on accidentally. Its cool but I still wish there was more predictability in it.

i understand your fruistrations robo tecnecalty is some thing, all artist want knowing how to make sirten sounds when they drop into ya head is somthing we all wish we could do. But you need to learn the fine art off creating the sound you want by pratice.
stop the mix and try finding things you think you need first add these things bit by bit untill you get the closest to it.hope this helps.

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