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Logic Studio Question
Okay, so I have some really good tracks now and im extremely happy with them. However, it always seems like the quality for sound isnt what it could be like. In this i mean, the production isnt as clear as it sounds thru headphones. Does anyone have any advise as to how i can improve the clarity/quality of my music on logic. Like possibly the mastering i have to do im sure.
Thanks
What monitors are you using?
If you think they sound really good on headphones then you're going to want to look in to your mix before you try mastering it. It sounds like you separation isn't good, and that is why when you use headphones, you have that needed separation.
no i mean i just use headphones at home b/c i dont own monitors. But my friends are really good , and its not like a huge difference from the headphones honeslty, its more or less just the quality at loud volumes i think. Like it seems to come out cloudy...not as crystal clear as the top dog producers...which in my case i am about $20k shy of having one of their studios..lmao
| quote: |
| Originally posted by badapple@trance no i mean i just use headphones at home b/c i dont own monitors. But my friends are really good , and its not like a huge difference from the headphones honeslty, its more or less just the quality at loud volumes i think. Like it seems to come out cloudy...not as crystal clear as the top dog producers...which in my case i am about $20k shy of having one of their studios..lmao |
its not really bout that on the mixdown. Its more or less the actual clarity of sounds. Ive made songs at my friends house on his monitors as well and they still seem just a little cloudy. Even from the start, i just want to know if there are like any suggestions as to how to make this better.
| quote: |
| Originally posted by Eric J Clarity in your mixing is all about choosing the right sounds and giving each sound its own space. EQ, proper effects usage, sound selection and proper mixdown are all keys to getting a clear, upfront mix. |
After taking a look @ yourspace I can say one thing, actually give an advice if you'd like : learn
get some books on various fields of production, read them throughout.
Music production is a very complicated task, there is no one do-it-all button (especially in Logic), hundreds of approaches and thousands of techniques. The thing is, you have to know what audio is all about.
Stop mixing on headphones!!!
Your headphone is not your best friend, audio monitors speakers are.. Use the headphones only sometimes to verify some details of your mix such as pan, minimum of volume adjustments...
BIG HELP WITH THE ANDI VAX SECRETS THING...GOOD SHIT!
if you like that
then i suggest macprovideo.com and get the mixing electronica tutorial with olav basoski. it's very informative and it's based on logic not cubase and easier to understand.
mastering won't really fix clarity issues. it is for very small details and increasing the overall volume without degradation to the sound. if you need things to be more clear, practice your mixdown and eq. whenever i want something louder in the mix, i usually lower the volume of other elements and as everyone else said, you shouldn't mix in headphones exclusively.
| quote: |
| Originally posted by hadi ****** mastering won't really fix clarity issues. it is for very small details and increasing the overall volume without degradation to the sound. if you need things to be more clear, practice your mixdown and eq. whenever i want something louder in the mix, i usually lower the volume of other elements and as everyone else said, you shouldn't mix in headphones exclusively. |
| quote: |
| Originally posted by Eric J +1 It is a common misconception that good mastering can fix a bad mixdown. Nothing can be further from the truth. As has been discussed many times on this board, you should only consider mastering for raising the overall volume of your track 2-3 db at most and adding just the tiniest bit of polish. Your track should sound great after your mixdown, and in many cases, tracks may not need any mastering at all. Think of it like this: If your track is an ice cream sundae, then mastering is like the cherry on top. The sundae tastes good without the cherry, but adding it on top adds just a tiny bit "extra". |
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