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-- what is "responding to the crowd"?
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what is "responding to the crowd"?
It is a DJ's responsibility to feel the crowd and play empathetically. But what does this mean in practice?
A couple of obvious examples would be dropping a huge breakdown once everyone is glued to the dancefloor instead of early on while people are still milling around or increasing the volume/bass as energy rises.
Still, it seems like most DJs play a relatively limited set of tracks and couldn't ever accurately predict what the dancers desire in terms of sonic quality - the crowd maintains itself and the music is only symbolic.
Any ideas? This would probably be a useful discussion.
p.s. sorry if this is a repost. the search feature appears to be broken.
Really, it just comes down to seeing what the crowd responds to positively, and then try to accurately predict what they would like based on these reactions in an effort to play tracks that continually please them.
Usually, what I will do is take what I consider to be a slight "risk" for the crowd I'm playing to. Sometimes, people will visibly appreciate it and it lets you know which directions you can move with your set.
On the other hand, it might not work... and it's not necessarily a negative reaction. Just, nothing. Apathy, really. In which case, I know they aren't going to respond to that type of sound.
You shout out to the crowd, "What do you want to hear?!", and then you use your supernatural hearing to pick the most popular response out from under the noise of all that yelling and loud music. It is a skill that requires much experience to gain.
1. Play Eurodance
2. ?????
3. Profit
Responding to the crowd must be some part of ?????.
Re: what is "responding to the crowd"?
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| Originally posted by mehta It is a DJ's responsibility to feel the crowd and play empathetically. But what does this mean in practice? A couple of obvious examples would be dropping a huge breakdown once everyone is glued to the dancefloor instead of early on while people are still milling around or increasing the volume/bass as energy rises. Still, it seems like most DJs play a relatively limited set of tracks and couldn't ever accurately predict what the dancers desire in terms of sonic quality - the crowd maintains itself and the music is only symbolic. Any ideas? This would probably be a useful discussion. p.s. sorry if this is a repost. the search feature appears to be broken. |
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| Originally posted by MrJiveBoJingles You shout out to the crowd, "What do you want to hear?!", and then you use your supernatural hearing to pick the most popular response out from under the noise of all that yelling and loud music. It is a skill that requires much experience to gain. |
when Donald Glaude cuts the music and yells "put your motherfuckin' hands up!"
when sven vath takes a shit and eats it in front of everyone to hide that he can't really mix records well.
Re: what is "responding to the crowd"?
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| Originally posted by mehta A couple of obvious examples would be dropping a huge breakdown once everyone is glued to the dancefloor instead of early on while people are still milling around or increasing the volume/bass as energy rises. |
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| Originally posted by david.michael Really, it just comes down to seeing what the crowd responds to positively, and then try to accurately predict what they would like based on these reactions in an effort to play tracks that continually please them. |
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| Originally posted by nefardec i don't think it's so much about pleasing people, because you can't please everyone. to me responding to the crowd means your selection is informed by how many people there are in the venue, what people are doing, how they are acting, what the venue is like, etc. it doesn't mean it has to necessarily be a servient role or a reactionary role, in fact I think you should always stay a step ahead of the crowd to keep it fresh and/or exhilarating. |
Re: Re: what is "responding to the crowd"?
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| Originally posted by Clovis DJing 101 |
| quote: |
| Originally posted by MrJiveBoJingles You shout out to the crowd, "What do you want to hear?!", and then you use your supernatural hearing to pick the most popular response out from under the noise of all that yelling and loud music. It is a skill that requires much experience to gain. |
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| Originally posted by l�cid when Donald Glaude cuts the music and yells "put your motherfuckin' hands up!" |
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| Originally posted by david.michael I usually just play a CD out of Mixmag and flail myself about all crazy like an idiot, whilst tweaking (in the fullest extent of the word) my EQ knobs on the mixer. You don't have to have the mixer actually hooked up for this... it's all about having that visual cue for the patrons. |
im gessing being able to read the crowd and see what there into on the night. some djs like to cover thier tracks so that they can build some tenshion.or just simply play to the crowd.
It's basically code for "Don't pre-programme your set". If a DJ starts playing and it's obvious nobody is enjoying the music, then a pre-planned set is going to crash and burn. I suppose it also applies if, say, a DJ has played a big vocal anthem and cleared half the floor. They should take that as a hint.
The idea that a DJ should have some sort of deep relationship with the crowd and play every record based on the feedback they're getting is just mythology in my opinion. Maybe it happens sometimes, in places where the DJ and the crowd are familiar with each other, but it's pretty rare that a DJ will make such a poor track selection I'll feel compelled to leave the floor or visibly show my disgust, and I think most people are the same.
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| Originally posted by SYSTEM-J The idea that a DJ should have some sort of deep relationship with the crowd and play every record based on the feedback they're getting is just mythology in my opinion. Maybe it happens sometimes, in places where the DJ and the crowd are familiar with each other, but it's pretty rare that a DJ will make such a poor track selection I'll feel compelled to leave the floor or visibly show my disgust, and I think most people are the same. |
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| Originally posted by david.michael I usually just play a CD out of Mixmag and flail myself about all crazy like an idiot, whilst tweaking (in the fullest extent of the word) my EQ knobs on the mixer. You don't have to have the mixer actually hooked up for this... it's all about having that visual cue for the patrons. |
This is, without a shadow of a doubt, the best response to a crowd a dj has offered that is captured on tape:
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| Originally posted by Ted Promo This is, without a shadow of a doubt, the best response to a crowd a dj has offered that is captured on tape: |
| quote: |
| Originally posted by Ted Promo This is, without a shadow of a doubt, the best response to a crowd a dj has offered that is captured on tape: |
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Originally posted by _Ocean_Drive_ I like how Cox continues playing then calmly dips his head below the decks. That was scary stuff. |
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| Originally posted by paulandrews Oh man, does someone still have that gif? |
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| Originally posted by Ted Promo This is, without a shadow of a doubt, the best response to a crowd a dj has offered that is captured on tape: |
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