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Tips for creating white noise sweeps and lfo sweeps
I'm looking for tips on creating some white noise sweeping type effects. Currently I use the maelstrom in Reason with the Pink noise oscillator sample and use the filters to create the sweeping effect. I want the sound to really change during the sweep though, like flanger or phaser effect or something (i.e. make it sound like a jet engine) however I find both these reason effects pretty rubbish as while some of the intended sound is created, often the sound is morphed too much and tends to also hit some aweful sounding points during the sweep. Hard to explain.
Same for LFO type sweeps, you know the 80's type archade sounds that are so affective in building up a sequence. Any tips on how to create these? Don't know how easy to explaing on a thread but thought I'd see what response I got.
cheers
I'm not sure whether it can be done in Reason, but a cool efect is that you modulate the sweeping by LFO and automate it's time...plus automate the cutoff
so the filter is opening smoothly and the LFO makes some sort of "vibrato effect" on the sweep going faster and faster ...
hope you understand
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| Originally posted by BOOsTER hope you understand |
I like white noise from V-Station...also it does great at this kind of effect I described
Reason is not a VST. But you can make good sweeps in it yes, and if u have v4 i would use thor instead of malstroem.
| quote: |
| Originally posted by palm Reason is not a VST. |
The "jet engine" sound can be made with comb filtering.
I made a nice sweep in Reason, using the Subtractor. Only annoying thing is that it makes a distinct 'pop' when you sequence it, but then you get a nice sweep when you automate the filter. Just automate the fader, and voila 
If you are interested, you can hear it in my Mypsace player...Shameless plug
Both the sweeps in that track are the same patch.
If you want a Combinator patch, let me know and I can hook you up.
rob papens predator has white noise waveforms, so you could set all 3 lfo's to white noise and then use envelopes to create the sweeps
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| Originally posted by djandymac so you could set all 3 lfo's to white noise |
.
im not sure its possible to detune whitenoise lol, it sounds impossible to detune something without a tune. have never tried tho.
| quote: |
| Originally posted by palm im not sure its possible to detune whitenoise lol, it sounds impossible to detune something without a tune. have never tried tho. |
| quote: |
| Originally posted by djandymac rob papens predator has white noise waveforms, so you could set all 3 lfo's to white noise and then use envelopes to create the sweeps |
I use FL for this, 3xOSC, a phaser and the X-Y controller, great sweeps
Automate the filter sustain with hi decay, low A & R on malstrom to create "jet engine" noises.
Before I knew how to get this effect (I finally found the white noise patch) I found a recording of a drillhead spinning at 150RPM and passed it through many effects with the pitch automated to scale up - and it came out pretty nice!
I'll edit this post with a link to the sample when I find it, I think thats dedication to FX!
NI's Massive has a dedicated white noise generator, which you can map to the envelopes for the sweeping FX (I think the Vanguard OSCs also have a noise option)
one word
MOOG.
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| Originally posted by DJ John M one word MOOG. |
| quote: |
| Originally posted by DJ John M one word MOOG. |
...
| quote: |
| Originally posted by DJ John M one word MOOG. |
+1 on FL and 3xOsc
So easy...
Thor is da shit, it's got all the noize generators you'll ever need. Try that instead of maelstrom.
Use the noize osc and change to the type you want, play with the distortion setting, choose the analog filter (maybe with some osc overdrive). Automate or route it to the filter env to get some action.
If you want a jet, just add another filter and use the filter (or modulate envelope if filter is taken) envelope with low attack to modulate the notch filter.
You can get pretty weird things using the superb comb filter @ high resonance and or formant filter.
Add some delay and you're set.
Or, record you microphone signal really loud into your DAW. Boost the signal with the amount of dB to get it to 0, play it out through your mixer and record it at the same time while you slide the fader up and softly turn treble, mid and bass to max...
Vintage style 
| quote: |
| Originally posted by Subtle If the Moog has Noise that is |
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