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-- How to make juicy cutoffs?
How to make juicy cutoffs?
sorry if the title's misleading but what i'm trying to say is how can i get the fattest uplifting/creeping up sound for my sound. i know you automate lowpass & res but is there anything else that will give it that strong uplifting sound?
also, when i automate the lowpass cutoff, the first few seconds has a lot of low end and it's booming like a kick, how do i fix this?
I don't use filter sweeps very often for transitions, but the high resonance coupled with a low cutoff on the filter is causing the oversized bass. So what you need to do is ride the resonance, also you need to automate the EQ to cut off much off the bass that is created at the early stage of the rising cutoff sweep, and gradually give back EQ to the low end as the sweep rises. Also make sure you have your attack set fairly high.
You mean this?
I imagine you can just take a pair of scissors to them ...

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Originally posted by msz |
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| Originally posted by Kismet7 She seems like such a good girl too. |
Lol "that uplift sound"...
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| Originally posted by Rusty O'Hara The type you'd take home to meet your parents? |
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| Originally posted by Kismet7 She can probably also sew me sweaters during the cold harsh winters, and cook warm meals ready to serve to me, upon whence I enter our shack after a long night of clubbing. |
I guess I'll give you a real response ...
Try turning on 24db / 4pole filtering. Lowpass is preferred and turn up the res to about half (depending on the synth). If you still can't get the sound you want, your synth's filter probably sucks.
Also try increasing the reverb mix or time, and for variety perhaps you could use a highpass filter instead and modulate it either up or down...
Use the filter's ADSR. Put res to half .
Yeah modulating that decay phase is a classic deadmau5 trick for turning a pluck into a pad gradually... If you do it on the filter envelope it leads to good things. Same with the attack actually, but thats more of a bpitch control techy sound...
Open up the attack and decay on the filter envelope!
Hey! Try automating your Resonance setting.. so when your cutoff is in the bass frequencies your resonance should be very low. As the filter opens setup your resonance to increase.This should achieve what you want without boosting the bass
A bit of compression to keep volume levels in check as well.
Hope this helps
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| Originally posted by kitphillips Yeah modulating that decay phase is a classic deadmau5 trick for turning a pluck into a pad gradually... If you do it on the filter envelope it leads to good things. Same with the attack actually, but thats more of a bpitch control techy sound... |
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| Originally posted by Kismet7 ...an old trick is a deadmau5 trick now? I suggest a new playlist. |
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| Originally posted by cronodevir Apparently. It shows you the scope of the people in this forum. I bet many believe Binary Finary invented the Arpeggio...or know that arp stands for Arpeggio for that matter. |
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| Originally posted by cronodevir I bet many believe Binary Finary invented the Arpeggio... |
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| Originally posted by Theran WTF!?!!? They didn't? Than who did?? |
thank you all for the help, and the jokers too 
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| Originally posted by hundred LULZZZ! |
| quote: |
| Originally posted by cronodevir Apparently. It shows you the scope of the people in this forum. I bet many believe Binary Finary invented the Arpeggio...or know that arp stands for Arpeggio for that matter. |
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| Originally posted by hundred LULZZZ! |
?
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| Originally posted by kitphillips ADSR automation |
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