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-- How is Ableton Live 8 for Audio?
How is Ableton Live 8 for Audio?
Any of you guys using Ableton Live 8 - how do you find it for audio? My understanding from the little experience I've had with it is that it's great for MIDI and so-so for audio - would you agree? Do you rewire it to another host and do your audio editing there?
Also, what does Live 8 offer in terms of dual monitor support? Can you stretch the main view ala Cubase and/or open different views on different monitors ala Sonar?
I'll check the demo out this weekend, but any input on these questions will give me a head start.
I use Live 8 and it's great for both audio and midi. As far as dual monitor support goes they haven't added it yet. The program is meant to be run from one window although you could probably stretch it across two.
Audio editing is great I have never felt limited or anything.
Re: How is Ableton Live 8 for Audio?
| quote: |
| Originally posted by cryophonik Also, what does Live 8 offer in terms of dual monitor support? Can you stretch the main view ala Cubase and/or open different views on different monitors ala Sonar? |
I wouldn't want to be doing much recording and editing in Ableton. It is great for loop based music, but not typical recording etc. Cubase and Sonar are far better, in this regard.
| quote: |
| Originally posted by echosystm I wouldn't want to be doing much recording and editing in Ableton. It is great for loop based music, but not typical recording etc. Cubase and Sonar are far better, in this regard. |
Re: How is Ableton Live 8 for Audio?
| quote: |
| Originally posted by cryophonik Any of you guys using Ableton Live 8 - how do you find it for audio? My understanding from the little experience I've had with it is that it's great for MIDI and so-so for audio - would you agree? Do you rewire it to another host and do your audio editing there? Also, what does Live 8 offer in terms of dual monitor support? Can you stretch the main view ala Cubase and/or open different views on different monitors ala Sonar? I'll check the demo out this weekend, but any input on these questions will give me a head start. |
| quote: |
| Originally posted by echosystm I wouldn't want to be doing much recording and editing in Ableton. It is great for loop based music, but not typical recording etc. Cubase and Sonar are far better, in this regard. |
Thanks for the responses. I spent a few hours with the demo and decided to pick it up - the only reason I even considered it was because I just realized today that I could save $170 off the download version just by having an old version of Live Lite that came free with something. And I just sold some hardware and accessories. I'll keep using Sonar as my main DAW, particularly for audio work, but Live looks like it will be a nice alternative, particularly for the MIDI side (haven't spent any time with Live's audio side yet). Rewire for the rest.
Looks like it's tutorial time. 
| quote: |
| Originally posted by echosystm I wouldn't want to be doing much recording and editing in Ableton. It is great for loop based music, but not typical recording etc. Cubase and Sonar are far better, in this regard. |
| quote: |
| Originally posted by echosystm I wouldn't want to be doing much recording and editing in Ableton. It is great for loop based music, but not typical recording etc. Cubase and Sonar are far better, in this regard. |
| quote: |
| Originally posted by Nightshift You say this with no proof of anything. As far as i know there really is no difference. If anything, whatever you record in Cubase or Sonar you'd be able to do at least 10x faster in Ableton with equivalent results. |
| quote: |
| Originally posted by derail Could you please provide an explanation of why recording in Live is "at least 10x faster"? I use Cubase for recording my hardware synths, and it records them in realtime. Does Live run the MIDI sequences and audio recording at ten times the speed and end up with the same result? I made the switch from Reason as my primary production tool to Live 5.0, intending to use Live as my primary production tool for a few years. I picked up a demo version of Cubase shortly afterwards, and to my ears it sounded better when recording my hardware synths - same recording interface, samplerate, bitrate. It could well be my mind playing tricks, but every synth seemed to sound much clearer and richer coming into Cubase. I didn't really want to pay for another DAW so soon after buying Live, but at that point Cubase sounded better. I still use Live rewired into Cubase, it's a very handy tool for certain aspects of production. And it may well sound a lot better these days (I'm still using version 5). |
Live has very good performance, mainly because the software was designed for production and live performances.
I bought the boxed version of live and I gotta say, the boxed version is the way to go. The essential instruments DVD has gigabytes of samples just for a piano. They also have woodwinds, brass and a few others.
As for audio manipulation, I've read articles for both John Digweed and Armin Van Buuren saying that they use live for their radio shows. Not to mention that Sasha has been using it for a long time.
Ableton is a very nice piece of software so what this really comes down to is whether the workflow works for you. (I know you said you bought the software but other people might have similar questions)
| quote: |
| Originally posted by derail Could you please provide an explanation of why recording in Live is "at least 10x faster"? |
| quote: |
| Originally posted by Zombie0729 there are a lot of nice features from sonar/cubase that are not in ableton but i will say you'll get ideas out faster and spend a lot less time in submenus in ableton. |
theres a reason when you rewire with cubase that ableton is the slave muahaha.
| quote: |
| Originally posted by mysticalninja theres a reason when you rewire with cubase that ableton is the slave muahaha. |
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